the keys - service:  https://nvrec.bandcamp.com/album/the-keys-service

"обезличенный даб для персонального прослушивания"
music - fgpjy (bass, drums) psor (pads, synths) dj warm (synth, noise)
artwork – cybersuicide
mastering – OL
© NVREC 2022

© NVREC 2022

[NVR12] the keys - 5

f ch

This is a preview of the label's 19th release.
A half-asleep state in the middle of a hot day.

Full version, cassette tape and more info:
https://kartaskvazhin.bandcamp.com/album/regressive-youth

@piperspray
@lenatsibizova

preview [karsk_19]: Piper Spray & Lena Tsibizova - 2022 - Regressive Youth

Bryozone — Eye Of Delirious 
@gannabryzhata

“Eye Of Delirious” is a long-awaited debut Muscut's release of Chillera’s band bass player Ganna Bryzhata — an Odesa-based sound artist. An ambient LP is a smoothy-flow sub-nautical journey with the songs of Black sea sirens glowing under the moon.

Format: C40, cassette / Digital
Edition: 100, hand-numbered
File under: ambient, dub, experimental

Face A:
Smoothy Flow 
Sub Nautica 
Sequence One 
Glowing Sirens 
Ghost Tribe

Face B:
Ambiency 
Liminal Tribe
Eye Of Delirious 
Fateful Torment 
Ground Floor

Mastering by Gennadiy Boychenko 
Artwork by Volodymyr Pavlov 
Graphic design by (DN) daynight.info 
Neu Medieval and Heymland typefaces by KTF 
Riso print by Hands on Press 
Muscut, 2023

Eye Of Delirious

Order

Bryozone - Smoothy Flow (Muscut 27), March 2023

Pascäal - Nine Lips

Limited compilation disco 12" - https://12thisle.bandcamp.com/album/v-a-inkosi

Out worldwide early October. Distribution by Rubadub

A1. Nikolaienko - April Echo
A2. Grim Lusk - The Man Is Out
A3. Cru Servers - Henge Salt Phrasal 
B1. Robert Bergman - Dream About You (Almost Every Night)
B2. Luar Domatrix - Koppa D

V/A - Inkosi (ISLE007.5)

Russian sonic marauders Flaty & OL serve up the second edition of their SERWED project for West Mineral. 

Distributed by Boomkat
Vinyl & Digital out MARCH 2020


**********************************

•
Initial 2                  (2:29)
Plastm                   (4:29)
Save vs. Spell       (3:24)
Grip                       (3:56)
In Spare                (2:40)
••
Lima                      (2:31)
Shade Lyra           (4:49)
Live Cut 01.06.19 (1:35)
Plane                     (4:54)
Promises               (4:11)


www.westmineral.ltd
www.serwed.com
OL www.soundcloud.com/moneyisagas
Flaty www.soundcloud.com/producedbyflaty

Serwed – Serwed II (OUEST093) [Preview]

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

---

Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

Indefinite Lattices

Glyn Maier - An Indefinite Lattice (ENM08)

Taken from I Stumble And Then I Fall, the first release in a new series of Intimations by A Colourful Storm. Out now on digital formats and December 30, 2020 on cassette.

Purchase: https://acolourfulstorm.bandcamp.com/album/i-stumble-and-then-i-fall

I Stumble And Then I Fall

Princess Diana of Wales - Cut

Full album (Cassettes / Digi):
https://hairdel.bandcamp.com/album/33-45

33-45

Пурпурный Дядя - Sereno E' (''33​-​45'' cassettes)

Artist: Nikolaienko
Album: Rings
Label#: faitiche23
Format: LP/DL
Release: April 16th 2021

Fortunately for us, Dmytro Nikolaienko agreed to open up the jewellery boxes of his tape-loop archive for his debut album on Faitiche. What came to light was a collection of dreamy glittering gems, masterfully presented using the compositional possibilities of analogue tape machines. Some may consider a tape machine to be limited as a musical instrument, but Rings makes a convincing case with its sure-handed use of the available parameters – moving tape over the tape head mechanically and manually, cutting loops, manipulating timbre and creating noise by means of saturation. The results are eleven blurred, repetitive, rhythmic patterns that can be understood as an intervention against digital precision, as mechanical irregularities and background noise become musical events.

For those familiar with Nikolaienko’s work, his nostalgic approach here will come as no surprise: born in Ukraine and now based in Estonia, he has chosen a historical medium (that has been enjoying a renaissance for some years now) to record historical-sounding sequences. The way he manages his own back catalogue is similarly archival, documenting the chronology of his tape loops in such a way as to leave no doubt as to their advanced age. And then there are his two wonderful labels Muscut and Shukai, the latter being an archival project releasing electroacoustic obscurities from the Soviet past. Which brings us back full circle …

Nikolaienko: Ambianta I

we are against war!

Картаскважин - ex-[ниша] - Kartaskvazhin is a cassette quasi-label started in St. Petersburg in 2018 and acts like a radar detecting abnormal seals in the subcultural folds of Russia.

preview [karsk_19]: Piper Spray & Lena Tsibizova - 2022 - Regressive Youth

Картаскважин

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