Converted By http://soundiiz.com, Spotify To Soundcloud

Supernatural Complete Soundtrack (Seasons 1-10)

Chill

family

The Other Side "of" The Silver Coin

random

THE CHINESE STARS "Cold Cold Cold" from the album "Listen To Your Left Brain" available from www.threeoneg.com

THE CHINESE STARS "Cold Cold Cold"

Death - Voice Of The Soul

Download link : http://www.mediafire.com/?9zi07cdhp8bqaau


William De Vaughn - Be Thankful For What You Got (FKJ Remix)

From the album 'St. Vincent' in stores now!
iTunes: http://smarturl.it/StVincentiTunes
LP/CD direct: http://smarturl.it/StVincentStore


More information, including news, 2014 tour dates and downloads at http://www.ilovestvincent.com

St. Vincent

Birth In Reverse

"Surly and melodic... sounds like Stephen Malkmus kicking out the jams with Weezer." The Fly

"Huge riffs and apathetic anthems."  The Independent

“An impressive display of hazy guitars, thundering drums and raw vocals” Clash

London based Whales In Cubicles have announced the release of their highly anticipated debut album 'Death In The Evening', recorded at legendary Monnow Valley Studio with producer Nick Mailing and mixed by Simon ‘Barny’ Barnicott (Peace, Kasabian, The Temper Trap, Placebo, Arctic Monkeys, Editors) it is out 10th February 2014 on CLUB.THE.MAMMOTH. with lead single 'All The Pretty Flowers', out the previous week.

Since releasing the debut single ‘We Never Win’ in 2012 they've carved out a distinctive niche within the UK music scene, creating complex but often minimalist soundscapes that owe more to 90s alternative rock than psychedelia. With strong support from The Fly, Q Magazine, The Independent, Artrocker, Clash and major attention from BBC Radio 1, BBC 6Music, XFM and Amazing Radio they're building up quite the momentum.

'DEATH IN THE EVENING' ALBUM TOUR:
28/01/2014 - Think Tank, Newcastle 
29/01/2014 - Sneaky Pete's, Edinburgh 
30/01/2014 - A Nation Of Shopkeepers, Leeds 
01/02/2014 - Night & Day, Manchester 
05/02/2014 - Cookie Jar, Leicester 
06/02/2014 - Moles, Bath 
07/02/2014 - The Prince Albert, Brighton 
13/02/2014 - Hoxton Square Bar & Kitchen, London 
14/02/2014 - Sixty Million Postcards, Bournemouth 
15/02/2014 - Start The Bus, Bristol 
17/02/2014 - The Joiners, Southampton

www.whalesincubicles.com / www.facebook.com/whalesincubicles /
www.twitter.com/whalesincubicle

ALL THE PRETTY FLOWERS

From the album 'St. Vincent' in stores now!
iTunes: http://smarturl.it/StVincentiTunes
LP/CD direct: http://smarturl.it/StVincentStore

More information, including news, 2014 tour dates and downloads at http://www.ilovestvincent.com

Digital Witness

Autumn Reflection

Remix by @WoodysProduce

The Debut Album ‘Language & Perspective’ Out Now!

Watch the official video for "Salt"
http://smarturl.it/BSsaltvideo

Buy/Stream On:
iTunes: http://smarturl.it/languageperspective
Amazon: http://smarturl.it/languageperspectiveA
Store: http://smarturl.it/badsunsstore
Spotify: http://smarturl.it/badsunsspotify
Rdio: http://smarturl.it/badsunsrdio
Google Play: http://smarturl.it/badsunsgplay
Beats: http://smarturl.it/badsunsbeats

Download on iTunes

Bad Suns - Cardiac Arrest (WoodysProduce Remix)

Paolo nutini - iron sky

The 3rd single from our new album, Cruel Runnings, out now!
Order the album on iTunes: http://smarturl.it/0xlhv1


Album Pre-Order!

Used To Be The Shit

Stay up on my latest remixes & DJ gigs: http://www.instagram.com/keroone

I've always been a fan of the track Spanish Joint  but I felt like the original is fairly mellow and couldn't find a way to fit it into my DJ sets. So i remixed this acoustic Spanish Joint with a more vibey dance feel so I can play out. Added new synths, keys, drums, bass, and sound efx.

Featured on OKAYPLAYER, HYPETRAK, HOUSEOFDISCO,  BBC 1xtra. 

Twitter: www.twitter.com/keroone
Facebook: www.facebook.com/kerouno
Instagram: instagram.com/keroone

Vinyl 7" available

Spanish Joint (Kero Uno Remix) on 7" VINYL

A gift to the world

Buy the original on iTunes: smarturl.it/x-itunesdlx
Also available on Google Play: http://smarturl.it/x-googleplaydlx

Follow Ed on:
Spotify: http://bit.ly/1hA4h8x
Twitter: http://twitter.com/edsheeran
Facebook: http://www.facebook.com/EdSheeranMusic
Instagram: http://instagram.com/teddysphotos
http://edsheeran.com

Follow 20syl :
soundcloud.com/20syl
facebook.com/mr20syl
twitter.com/mr20syl


Thinking Out Loud (20syl Remix)

Ramblin' Man - The Allman Brothers Band

Forest of Shadows - Eternal Autumn

Dave Matthews Band | Out of My Hands

Another Grade A 100% organic No Hormones Added Ghouliez Remix

CSS-ALALA(GHOULIEZREMIX)

Eagles Of Death Metal - Speaking In Tongues

Baby Bash - Suga Suga

The Moment She Knew, from Sol29 album (2010 cd/dvd Kscope edition)

The Moment She Knew (new 2010 remastered edition)

OUT NOW!

www.parovstelar.com 
www.facebook.com/parovstelar 
www.etagenoir.com

The Princess

Milla's Dream

PRESS QUOTES:

"brilliantly scuzzy and original"  **** The Fly
“a brooding menace rarely heard since Jane’s Addiction” Guardian
"bigger more epic songs ... draws the listener into a psychedelic realm..."  8/10 Rocksound
"Sweet follow up from buzz creating Georgians ..."  **** Guitarist
"Dark shoegazing sonics ... a drama that fans of MBV, Dinosaur Jr and especially Smashing Pumpkins will be sure to recognise"   Mojo 

BIOGRAPHY:

DEAD CONFEDERATE, a five-piece from Athens, Georgia, are all set to unleash their new album Sugar on the UK on August 23rd.  

Winter storms are punishingly cold and uncomfortable, but are an important source of water for spring growth. Likewise for Dead Confederate, the series of New Jersey blizzards that besieged the recording of sophomore album Sugar (a reference to the record snowfall) also heralded growth from the darker, somber realm of their critically acclaimed first album Wrecking Ball. With an evolving approach and focused, streamlined sound, Sugar explores new styles beyond the aching, bleak psychadelia of the debut. “We were expressing long, drawn-out anguish on Wrecking Ball, but it would have felt repetitive to do it again. They just weren’t the songs we were writing,” vocalist-songwriter Hardy Morris said. “It was a very natural progression to do something a little different.”

That progression was shaped by tours with legends Dinosaur Jr. and Meat Puppets, which increased Dead Confederate’s appreciation for the pioneering musicians of the 80s and 90s that laid the foundation for the band’s sound. The group also got ideas for their own work: New songs that developed were lighter and tighter (while Wrecking Ball had seven songs longer than five minutes, Sugar has none), without abandoning the driving guitarwork and unbridled emotion that has set them apart. “I’m definitely influenced by the bands I’ve toured with. They can really combine epic jam moments and classic-rock elements. It inspired me to try more upbeat songwriting,” said bassist-songwriter Brantley Senn. “You can still do that and play the songs hard.” 

And Dead Confederate certainly plays hard. With guidance by star producer John Agnello (who, aside from Dinosaur Jr., has also helmed records by Sonic Youth and The Hold Steady) Sugar pounds with a weighty, dark alt-grunge fervor that recalls Smashing Pumpkins’ heyday; at other times, the record buzzes with a frantic distortion and howling anger reminiscent of The Walkmen. Psychedelic and prog-rock elements add depth to a broad and diverse direction for the band — perhaps most evident on ‘Run From The Gun,’ which blends harmony and Mellotron into a drifting, airy commentary on war. “That developed from my thinking about our treatment, or mistreatment, of Native Americans. I’m kind of a history buff, and a lot of history makes you angry,” Morris said. “It occurred to me that the easy answer would be to go back to all times in history and tell people to run from the gun.”

For those who have been following the band since it rose to prominence four years ago in the fertile Athens, Ga., music scene, there’s still plenty of the simmering, sludgy grunge revivalism that was their early trademark. The title track finds the band once again careening between tense, hushed dramatics and thrashing, explosive release. About relationships and missing home, both ‘Sugar’ and the brooding ‘Father Figure’ will satisfy those who couldn’t get enough of snarling gloom of ‘Goner’ or ‘Start Me Laughing’ off Wrecking Ball.
Senn took on a new songwriting approach for Sugar, bringing fully written and complete home-recorded demos to pre-studio practice sessions, rather than developing them through live performance. Getting those under their belts and working through Morris’ ideas, the band spent two days putting together 20 songs, then spent a week laying half of them down. "It was challenging, but learning that much new material in that short amount of time definitely left everyone with a sense of accomplishment and camaraderie," said keyboardist John Watkins. Much of the credit goes to Agnello, who oversaw an efficient recording process (for example, bringing in a drum tech for setup and tuning, which drummer Jason Scarboro said gave him “freedom to focus on getting the sounds I wanted”) and kept the band on task throughout — which, with five musicians putting brand-new material together in such a short time, could have proven difficult. “He deals with different people’s personalities really well,” said guitarist Walker Howle.

Not having previously toured on the songs kept them malleable and fresh, encouraging the band to explore and absorb new ideas. That tactic also furthered development of the two distinct songwriting styles in the band. Morris and Senn each penned half the album; each choosing from the others’ contributions, the collection perfectly complements itself, with Morris’ material remaining dark and baleful and Senn giving the group its two most upbeat songs yet: ‘In The Dark’ and the first single ‘Giving It All Away,’ a collaboration with J Mascis that soars with energy and a little bit of a slide guitar. “I had almost written that song for Dinosaur Jr. It’s about appreciation and understanding for fellow musicians, the struggles that are the ties that bind musicians together,” Senn said. 

For the band, Sugar feels like their first true album, with Wrecking Ball feeling more like a collection of their early songs. That cohesion on Sugar is prevalent even when songs continue the foreboding feel of Wrecking Ball, such as Morris’ wailing political lament of ‘By Design,’ and somber, ominous finale ‘Shocked To Realize.’ “We wanted the album to be fun and creative, instead of just recording the songs,” Morris said. “It’s not like we decided we couldn’t have anything grungy or heavy; that’s just not all that we’re interested in. You can listen to the record a bunch of different ways. What we were doing felt right.”

The new material will certainly add an extra dimension to the already renowned live show; those well-acquainted with the band and newcomers alike have raved of the band’s thunderously powerful and viscerally hypnotic stage performances. That’s not going to change with Sugar, though the band expects to draw from its wider catalogue to create differing moods and atmospheres as they go. “These songs will change up the pace of the live show,” said Senn. “I like the feel of it. This record starts upbeat and gets darker and sadder. There’s a control to the emotional flow.”

Wrecking Ball introduced Dead Confederate as artists who had long before learned how to play together. Sugar showcases Dead Confederate as artists who have now learned how to grow together — a lesson that many bands learn too late. But Dead Confederate never thought of Wrecking Ball as a recipe for success as much as a license to explore their creativity and talents, both individually and as a group. Rising from a darkly affecting debut, Sugar is the realization of the many sides of Dead Confederate that the band is now finding ways to express. “We have more room to breathe,” Morris said. “You just have to be honest and natural about the whole thing. This is special to us, and that’s where we get our gratification.”

For more information, please contact KARTEL on 0207 241 0237
Charles Kirby-Welch – charles@kartelcreative.co.uk


02 Run From The Gun

Lonerism

Feels Like We Only Go Backwards

We join the dots between artist, management, label, agent, publicist & plugger, publisher, distributor, retailer and the fans.

02 Run From The Gun

KARTEL MUSIC GROUP