PARALLAX

“All things are subject to interpretation. Whichever interpretation prevails at a given time is a function of power and not truth.”

Friedrich Nietzsche

Evolution grows into the darndest things. Babies who had the ability to recognise a smile on their mother’s face had higher probability to connect with their progenitors on a motion level, resulting in a higher chance to stay alive. The hominids who recognised shapes of both predators and preys between the dense forests lived longer to pass their genes to futures generations.

However, evolution recons that it is better for certain faculties to be developed in excess, than in scarcity. Various perceptive phenomena came as side effects from that excess, which is the case of the Apophenia, the recognition of patterns in random data. Maintaining a motional link with particular notions could also offer evolutive advantage, in a pre-scientific method world. Still, when cognitive fallacies get collective acceptance, they tend to grow stronger and stronger without any room for reasoning. Indeed, it is easier to grasp or chase a familiar concept than acquire updated information that ravishes lifelong personal beliefs. Our only tools to fight this tendency is patience and early education. And so, this is not meant to be a harsh criticism on post-truth, but an explicative sound narrative containing a factual core for why said fallacies and cognitive phenomena are formed.

https://soundcloud.com/colectivo-casa-amarela
https://soundcloud.com/jppupo

Premiere: João de Nóbrega Pupo - Pollyanna Plays A Dangerous Game [Colectivo Casa Amarela]

Out Nov 5th.
Artwork by Zeinab Alhashemi - https://zeinabalhashemi.com/

01 Above the Clouds
02 Shadows Encroaching
03 Battle for Your Mind
04 Mountaintop
05 Oracle
06 Everything Falls Away
07 Mind in Heart, Heart in Mind
08 Prayer Pt.2
09 Death is Ever Present
10 Living in a society designed to break our spirits (but we won't let them)
11 Become Whole Again

Bedouin Trax II (clips)

Splitting her time and work as a DJ between Seoul & Paris, @soyyoon's music is influenced by her grandfather’s Asian records collection, providing her with enough musical culture to achieve a balanced selection, intersecting genres rather than specializing in just a few ones.

Rinse France Podcast

Download

Soyoon invite Aasana - 22 Novembre 2021

//Parallax// is a series in which we ask DJs and live acts to record their set in underground venues, at home or other places beyond the obvious.

@f1-pv

PARALLAX19: F1-PV - ᜈ ᜎᜓ︀ ᜃᜓ︀ (nag luko)

For Valentine's day offer her/him a noise and experimental podcast by Aho Ssan and if you are single or think Valentine is some capitalist bullshit, well turn it up anyway.

Aho Ssan (@ahossan) is the artist name of Paris based Niamké Désiré. After studying graphic design and cinema, he began to compose electronic music and create his own digital instruments. Shortly thereafter he went on to win the Foundation France television prize for his soundtrack to the film of Ingha Mago in 2015 and has worked on several projects related to IRCAM/GRM in France. His debut LP «Simulacrum» was released on the 7th of February 2020 via Subtext Recordings.
Based on the concept of Jean Baudrillard, it navigates through society’s presentation of inclusivity and equality against my own experience of growing up black in France. Aho Ssan debuted “Simulacrum” at Berlin Atonal 2019.

FB :  https://www.facebook.com/AhoSsanMusic/
Bandcamp :  https://ahossan.bandcamp.com/album/simulacrum

Tracklist:
Tran Uy Duc - Came
Hydropsyche - Cred (Angelic Voices)
Olivi- Block - October, 1984
franck vigroux - Side Total
Albert van Abbe - Cellar closet
Bernard Parmegiani - Strio
Aho Ssan - Simulacrum II (Reworked) Feat Nima Aghiani
Aho Ssan - Untitled
Pauline Oliveros, Stuart Dempster & Panaiotis - Lear

Photo by Tyler Mitchell

TREVE Series Valentine's Day Special - Aho Ssan

Im a lil rusty but felt inspired to make a dance mix coffee and green tea micro dosing shroomz fueled night used virtual DJ hiiii xoxo lmk if you can dance to this bc theres many genres here mish mash but dance is dance watever love jennay

PRACTICE MIX CODE IN MY HEAD 138.75 bpm

Exiles presents Classics, an interesting proposal in which five artists each present a different perspective of what we can understand as advanced electronic music. All these artists are from Budapest, the city where the label is located, and to a greater or lesser extent, they are producers associated with this platform, as they have published their music in previous releases. 

Classics is a heterogeneous EP, with a powerful sound and elaborate textures. Alley Catss opens the release with με σφυρί, a track that combines a bright sound environment, with melancholic pads and metallic rhythmic elements, typical of experimental electronica, with a forceful kick that transports you at times to the raw landscape of industrial. The second cut, prayersarestandinginline1, by OOO, is an abstract track, with a degraded sound treatment and a strange atmosphere.

In the third track FOR. chooses to adopt a dynamic aspect with server ed_22, as unlike the rest of the tracks, its syncopated rhythm is prominent, forceful and stands out from the rest of the sound components. Oyster Farm, by Juhász Tamás, is a singular piece, with a fast cadence and different sections that seem to operate anarchically, yet together they form an perfect alliance. Nemerov closes the EP with Liebeslied, IDM with a complex architectural composition, with polyrhythms and a futuristic sound design.

Release date: May 6th, 2022.

Premiere: FOR. - server ed_22 [Exiles]

Total Care with Rosa Anschuetz - 05/05/2022

//Parallax// is a series in which we ask DJs and live acts to record their set in underground venues, at home or other places beyond the obvious.

Recorded by @deepneue

PARALLAX22: DEEPNEUE

//Parallax// is a series in which we ask DJs and live acts to record their set in underground venues, at home or other places beyond the obvious.

Recorded at ZW Kashev Tapes night

@gaelabakarova


Cover art by 
https://www.instagram.com/yung_breather/

PARALLAX23: GAEL

//Parallax// is a series in which we ask DJs and live acts to record their set in underground venues, at home or other places beyond the obvious.


@tikitula


Cover art by 
www.instagram.com/yung_breather/

PARALLAX24: TIKITULA

//Parallax// is a series in which we ask DJs and live acts to record their set in underground venues, at home or other places beyond the obvious.

recorded 04.08.23 at tripity squat bern

support the artist: @aviasuperplus

Cover art by 
www.instagram.com/yung_breather/

PARALLAX25: AVIA

//Parallax// is a series in which we ask DJs and live acts to record their set in underground venues, at home or other places beyond the obvious.

support the artist: @dj_rakita

cover art by 
www.instagram.com/yung_breather/

PARALLAX26: Rakita

rotterdam

I am not really an expert in these kinds of genres but atleast I enjoyed making the songs.

Oppressor

My Remixed Version 2025

➡️Free Download⬅️
https://music.dj-niteflyone.de/chmalxkrenonchrlyfstnoconnectiondjniteflynermx

➡️Free Download⬅️

ASYS - Verknipt Nochmal x KRENON, CHRLYFST - No Connection (DJ NITEFLYØNE Rmx)

kashev tapes is a DIY disorganization
and a friendship network in Zureich, Swissneyland
___
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drifter in the void, confusing the assembled machines of vision
with the mutated vibrations of the unspoken

t e c h n o i s n o c u l t u r e . i t i s n o f u t u r e

so there i kiss the parastellar frequencies of the disobedient body

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contact and demos via sc messenger or kashev.tapes@gmail.com

currently run by:
@drsstmml
@ernak
@nna_ahh
@notjolly
@orgorgorg
@raw-shan
design and visual curation by
instagram.com/yung_breather/


since 2017-∞

PARALLAX19: F1-PV - ᜈ ᜎᜓ︀ ᜃᜓ︀ (nag luko)

kashev tapes

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