Pre order your copy: http://bit.ly/1v9GKkV

Official release date 11/11/2014

Void Vision is a Philadelphia-based electronic project helmed by Shari Vari. It began around 2009 at a time when a wave of synth-revivalists were materializing, but the quality of the songwriting and intense vocals set the band apart from the pack. In a rare instance, Void Vision has managed to combine vintage dance elements with melodic structures, haunting melancholy, and lyrics that have a palpable soul. The songs themselves are dynamic, referencing a cross-section of the last 30 years of electronic music, while simultaneously retaining a uniqueness all their own.

Wierd Records weekly club night in New York, which showcased a variety of talented electronic and coldwave artists, served as an incubator for Void Vision in it’s early stages. After a standout debut performance at the club, they immediately caught the attention of Blind Prophet Records, who consequently released their first 7″ single, ‘In 20 Years’, which received excellent reviews.

Vari has continued performing and recording steadily over the last few years, releasing songs on compilations for various labels, including Rough Trade, and in 2012 the song ‘Everything is Fine’ was selected for Artforum magazine’s ‘Best of 2012′ issue. In 2013, Void Vision toured the West Coast and later that year released a split 12″ with Portland-based band, Vice Device. The first official full-length album, entitled ‘Sub Rosa’ is set to debut on Berlin-based Mannequin Records, followed by a European tour in 2015.

Shari Vari formed Void Vision in 2009 originally as a duo, during the explosion of the new minimal synth and cold wave scene in United States. Sharing the same scene of the Wierd Records associates like Led Er Est, Martial Canterel, Xeno & Oaklander, Automelodi, in 2010 VV released ‘In Twenty Years’ on Blind Prophet (Sean Ragon’s Cult Of Youth record label), receiving also the attention of the Rough Trade dudes, who asked to put out a track for one of their synth wave compilations.
After other split vinyls, tapes and compilations, Mannequin approached Shari with the intention to continue what Wierd Records started, giving a proper shape to her beautiful and youthful dark electronic sound. The result is 10 hypnotic cold analog tracks dominated by the warm and fragile Shari’s voice, some more “pop orientated” some others belonging to the original “cold wave” atmosphere.

“Sub Rosa” is an edition of 400 copies on 160 gram black vinyl and 100 copies on 160 gram white vinyl.

Limited silskcreen hand numbered art edition for the first 50 copies, 160 gram white vinyl.

Void Vision - In 20 Years (Extended Version)

The Man With No Name

Geneva Jacuzzi - "Casket"

Circles Of Upper and Lower Hell is the grandest, deepest work to date by Polish-born, Glasgow-based sound artist and composer Ela Orleans. The seventh album under her own name, Orleans’ expansive vision, loosely based on Dante’s Inferno but infused with deep personal experience, incorporates sound art, orchestral textures, synth pop and electronic music to construct a world equally peppered with loss and inspiration. Circles Of Upper and Lower Hell pulls all the strands of Orleans’ previous work together, an epic depiction of turmoil wide in scope but reveling in detail.

From her beginnings inaugurating a lo-fi, homespun sound that has since developed fully into a language uniquely her own, from tentative live outings featuring multiple instruments to a now-masterly command of sound, Orleans has become one of the most consistently surprising musicians of the global underground. “Circles… “ documents Ela's research into dark sonic interiors and a far more personal approach to conventional songwriting. Previously, Orleans' sonic textures have relied on samples cleaved out of context, buried songs beneath warped aural gauze, but Circles blows every element of Orleans' art upwards and further apart. Circles begins with a masterful, sparse composition, The Gate, that instantly showcases the expert mastering by Jon Brooks before melting into You Go Through Me (featuring Stephen and Katrina from The Pastels), one of the most direct, aching pop moments. Ghost and Whispers is a hit from another universe, a sparkling propulsion instantly recognizable as an Ela Orleans composition; light of touch and almost unbearably, ghostlily human. Circles Of Upper and Lower Hell is an honest portrayal of a descent; be it personal or metaphorical and there are times, like on the minimal, string-led Tower, when the listener feels submerged, alienated from comfort. Through-out there's a massive, cinematic scope to the album, rumbling synth textures escalating into celestial harmonies, the stereo-field sparkling with sound, shimmering melodies crackling with the sort of pathos that Ela has made her recognisable trademark. It’s a weighty journey, pitched aurally between Ghost Box records and a mournful classicism, drawing references from literature and autobiography.

Cirlces... is really without parallel in Orleans’ discography, though its most obvious sister record, 2015's Upper Hell, gave some streamlined, carved-up hints at Circles Of Upper Hell's majesty. Orleans’ previous work has always suggested threads, blurred ghost-ideas from an artist always growing. In 2016 Orleans has mastered her craft completely, never heavy-handed but deftly handling themes of loss, chaos, documenting personal journeys sometimes arduous with an ever-deeper understanding.



ELA ORLEANS: Ghosts And Whispers (from CIRCLES OF UPPER AND LOWER HELL LSSN040)

Taken from Kate Jackson's debut solo album, 'British Road Movies', out 20th May 2016 via Hoo Ha Records.
Pre order the album here:
on digital:
https://itunes.apple.com/gb/album/british-road-movies/id1085394690?app=itunes&ls=1
on vinyl:
http://www.roughtrade.com/albums/101470
http://www.amazon.co.uk/British-Road-Movies-VINYL-Jackson/dp/B01BVYNKVO/
on CD:
http://www.amazon.co.uk/British-Road-Movies-Kate-Jackson/dp/B01BVYNIVG/
http://www.katejackson.co.uk/home
https://twitter.com/KateJacksonWM
https://www.facebook.com/katejacksonandthewrongmoves/

The End Of Reason (Radio Edit)

Order limited 7" here: http://nightschoolrecords.bigcartel.com/product/patience-the-church-my-own-invention-lssn040

The patience of a tear reflecting the disco-ball, the pleasure/pain principle of losing a lover, the longing earned on a deserted pier. Patience is an alias of Roxanne Clifford, a songwriter of repute who has fronted groups such as Veronica Falls, The Royal We, Sexy Kids and others. With Patience, Clifford has broken the band-shackles, jettisoned other voices and mainlines a sweetened melodic nous recognisable from her other work, though this time over an impeccable synth pop production. 

From the onset the listener is plunged into dry ice, a sweeping synth and drum opening beamed in from a club in mid-80s Italy. Clifford's voice cuts straight to the heart, a tale of late nights, the dance of guilt and ecstasy. Lyrically, we're rooted at the spot where the church once stood but the Patient heart waits elsewhere, in the dry mists of dreams. B-side My Own Invention is nominally a ballad, a minimal composition that with the sampled vocal harmonies references Laurie Anderson but with a heart-warming melodic line. It's a simple, nursery-rhyme mini-drama that is effortlessly breezy and a wonderfully sweet partner to dancing with tears in your eyes A-side.

Wait for Patience, there will be more.

PATIENCE: The Church (from The Church/My Own Invention 7" LSSN041)

Soft Riot is JJD : Voice, synthesizers, programming, effects and found sounds. Recorded and mixed at Studio 159, Sheffield UK. Extra vocals by MM Lyle of Marcel Wave. Original song written by Bruce Cockburn and released on his album “Stealing Fire” (1984). Additional re-records and mix done April 2021. www.softriot.com

On the upcoming Soft Riot compilation album "Second Lives", to be released June 2021 on Possession Records.

the first mix of this track was originally released on the "Young and Cold Sampler Vol.3" from Young & Cold Records. Release date: July 15, 2016.

Young & Cold Sampler Vol. 3

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Lovers In A Dangerous Time

Dark noisy music from Glasgow, Scotland. Ex-Divorce, ex-Downs.

The Man With No Name

Kaspar Hauser