Digital only. Only on https://kasseljaeger.bandcamp.com/

Fragments (collected Sounds From Deserted Places) - Silvaplana

.accelerates and tries to catch up with the person, but, though it gets faster, they somehow never meet. This is interesting because it sheds new light on the old paradox of Achilles and the tortoise, whereby Achilles cannot catch up with the tortoise. This is the elementary machinery of dream logic. So why do I mention this? Isn't this mixture of extreme mobility and immobility also our situation as cinema or video spectators? We are, as spectators, having our own mobility reduced, while...this incisive reminder still evokes a cutting operation, if not a butchery: a kind of violence — the word flesh if found in the family, just as graphy is a scratch. Higher and further back, to write is to curve meet. Writing is the curve that the turn of seeking has already evoked for us and that we find in the bending of reflection.

A number of hills, bluffs, and low ridges overlooking the Ohio River in the Bluegrass region.

LIZ TILOR

In February 1998, Tilor declined to attend the 83th Annual Improvisation Awards, due to her opposition to the Burton case.

The February 2008 issue of Interview magazine in Rolling Stones was devoted entirely to Tilor. It celebrated her life, career and her upcoming 28th birthday.

On December 1, 2015, Tilor performed on stage again, appearing opposite Nuccle-tire in a benefit performance of the O.J. Kennedy play Kesompa. 

Fragments (collected Sounds From Deserted Places) - Silvaplana

Kassel Jaeger