Living Room n°35 ~ @usofusofusofusof

q. pls introduce yourself:
 a. I’m usof/unitedstatesof/João Rochinha and I run some labels, am a part of some collectives and make music

q. is there a story behind the mix? how did it come together? 
a. No particular story, I just wanted to my living room mix to sound like a movie 

q. in your opinion, what would be the ideal circumstances to enjoy your mix? 
a. I think this mix is perfect to listen to surrounded by friends in a inebriated state. It’s made for smiling 

q. describe a favorite object in your living room... 
a. The couch! But these next few weeks me and my roomies will decorate it with a lot of art on the walls ❤

q. are you working on any projects right now (music or not music)?
 a. I’m developing my live performances and going harder on improving my dj expertise. also want to make more visual art and audio mastering jobs.

~~~

Tracklist:
Wish - camping
Palta - Punk Musik
Nick Malkin - View From Two Perspectives
Jake Muir - the dimness of the sealed eye
Echium - Overlapped Fluidity
OCA - Stretching in Water
usof - Sad to Hear
Mistareez - T.A.T.A.N.A.Y.L.T.T.B
Lag OS - Liquid Bells
Pun Collins - Mainframe (feat. Nico Niquo)
lava-u - Surpise Surprise
Laila Sakini - Life Out Here Is Changing
Alley Catss - charge
011668 - ae ii
Broshuda - Pinnacle Soiree
Sam Gendel and Sam Wilkes - Track One
Bin​Goon​Ler黽 - HOPES AND DREAMS feat. MOOLAHOOPER希望と夢
Sophia Lucie - Song 5
Sean Being - You Can Make Me Feel Bad
OCA - Gentle to You When You're Low
Ex Wiish - Irreverant Banshee
ᕦ​(​ò_óˇ​)​ᕤ - Aldis X-Drive
queendyster - Candyrope
Dave Saved - Stanza 2
lostwhere - meet me in the meadow
O Yuki Conjugate - Mansoases
lostwhere - truth index
Pink Fantasia- Ocean Angels

Living Room n°35 ~ usof

Unspeakable Visions

Hometapers's Tricky Universe

Specific Relation.
Re-Upload. 28th September 2020. PAVEL MILYAKOV W/ INFX.
Original was deleted by host.


JAMES FERRARO
Green Hill Cross

NOZOMU MATSUMOTO
Night/Disco

JAKE MUIR
Green Eyes

THE CARETAKER
Confusion So Thick You Forget Forgetting

ELYSIA CRAMPTON;FANNY CHUQUMIA
Crest

NOZOMU MATSUMOTO
Photocentrism

ONEOTHRIX POINT NEVER
No Good

SDEM
I Couldn’t Shake The Dread

HELM
Don’t Lick The Jacket

ULLA
Stunned Suddenly

JONOTAN LEANDOER96
Evil

EVALA
Scrabble

EVALA
Cracking

MEYERS
Granular Opportunities 2

EXAEL ft. ARAD ACID
Glass In Plastic

METOME
Little Woman

DOUGLAS MCCASLAND
Neo-Lalia

YVANKO
Irradiees

ART CRIME
Darkness is the light that slips away from you

PALMISTRY
In My Heart II

JAAP VINK
En Dehors (1980-1985)

https://www.nts.live/shows/buttechno/episodes/rassvet-records-w-buttechno-28th-september-2020

NTS1. Specific Relation. 18bc - 598f - 4093 - Af9a - 80af52bbc6e9 BkUeRhM

Sedimental is honored to release the newest work, ARITHW, from Paris based based electronic musician and sound artist Kassel Jaeger (François Bonnet), realized during a week long artist residency at Epsilon Spires in Brattleboro, Vermont in June of 2023. In addition to creating and performing ARITHW he also performed Eliane Radigue’s L'île resonante, bookending the week.

ARITHW (A Rift in the Horizon's Wall)  was developed during an artist residency at the Epsilon Spires art center based in Brattelboro, VT, USA. During this residency, François J. Bonnet appropriated the space to create original music. Using their 1906 Estey 3-Manual Organ Pipe as his primary source, Bonnet then set about exploring secondary instrumental sources, such as the in house grand piano, but also, and perhaps more importantly, the acoustics of the three-tiered sanctuary of the former historic church (built 1889) that is now Epsilon Spires. ARITHW unfolds like an interstice, a gap between two frames on a flat surface generated by the organ, a surface that shatters to reveal an unclear, ghostly, and elusive space. In this work, Bonnet focuses on more instrumental material, only to subvert it and dilute it further before melting it into an uncertain acoustic space that evokes reminiscences of Erik Satie, Walter Marchetti or even Eliane Radigue, as well as his own previous music and the liminal electroacoustic climates that have been his trademark for many years. A profound work of subtle complexity and suspended tension.

ARITHW (A Rift in the Horizon's Wall) also refers to the vernacular literary mythology of New England, a land, at the same time, still attached to Europe and torn from it. A place that carries the ancient myths and mysteries of the Old-World while being teleported to a totally different land, where a new 'sense of nature' seems to have emerged, a sense never entirely free of ancient, reminiscent nightmares

Kassel Jaeger - ARITHW Excerpt

Nouvelle édition d’Emprise avec Aho Ssan continuant d’explorer les répertoires électroniques contemporains ! On pourra y retrouver des artistes comme Juana Molina, Perila, Nearly God ou Pierre Henry.


Emprise w/ Aho Ssan (19/11/24)

New Album "Luna Aux" out January 10th
https://a-v-c.bandcamp.com/album/luna-aux

atoyota

Ce deuxième émission d&amp#39;Acoustic Landscapes mets à l&amp#39;honneur un instrument de la renaissance : la viole d&amp#39;amour, une sorte de grand violon a 6 cordes avec des cordes sympathiques. Re1000 invite Sounds Of La Cave à explorer les sonorités de la viole d&amp#39;amour sur un mix inspiré des musiques mystiques.


Acoustic landscapes w/ Re1000 ft. Sounds Of La Cave (07/11/24)

What happens when dubby drum & bass meets Dischord’s post-punk colossus Black Eyes? “Break” is the new EP from NY’s Relaxer, the long running alias of Daniel Martin-McCormick (Black Eyes, Ital and co-founder of Dripping), and it signals a decisive shift in his music.

Prompted by friends to write a drum & bass live set just as Black Eyes was reuniting, the results didn’t quite fit the d&b genre. But it felt right. Quick, nimble, with room for the ferocity of his favorite post punk and some of the spaciousness of dub. Evergreen vibes, really, but seen from a fresh perspective.

Honed over a period of two years, the five tracks on “Break” fuse Relaxer’s careening, technoid sounds with free jazz-tinted drum programming, snarling sound design and spacious echo trails. It’s a perfect fit for 29 Speedway’s future-facing, exploratory anti-genre approach to electronics. The tape features two remixes by the singular DJ Marcelle and mastering by Dubplates & Mastering. Daniel tells his side of the story below:

“Two years ago my friends who run the drum ‘n’ bass party Headznite asked me to write a live set for a Ukraine fundraiser they were putting on. Right at the same time, my punk band Black Eyes was having our first practices in 20 years, which meant I was re-training my body to scream at top volume and high registers and to lay into my guitar at full force. In those same months, Dripping was forming and ideas were flying for crazy, boundary-pushing lineups. I had just finished writing the meditative composition suite “In Softening Air” and was feeling the call; it was time to let it rip.

Everything poured into that live set for Headznite, and a new style was born. Relaxer had begun as a decisively techno project, but pushing the BPMs and working in drum breaks tweaked the formula enough to cut any lingering ties with that ethos.

Over the next two years I kept on it, writing more, recording, pushing the technique and exploring the sound. “Break” is the first time any of this work has been made public. Sometimes a detour can hack your brain. My first dance 12” as Ital was supposed to be a one-off side project to my punk band and it ended up taking over my life. Now punk music is calling asking for the debt to be repaid. Fuck it.”

Written & recorded by Daniel Martin-McCormick, 2022-2024.
Mixed by Daniel Martin-McCormick & Sol León, with assistance from Sphente Shepherd.
Mastered at Dubplates & Mastering.
Art & design by Brian Mark.
Thanks to Headznite for the prompt.

Chasing Your Own Tail (DJ Marcelle's Strong Tale Remix)

stream / download: 
https://lyrambient.fanlink.tv/please-just-be-real

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please, just be real

"The Final Chapter" unfolds over 4 minutes and 16 seconds of serene, immersive ambience. Soft, evolving textures drift like mist through a quiet soundscape, building a gentle sense of closure and reflection. Layers of airy pads and subtle drones create a warm yet spacious atmosphere, perfect for moments of meditation, focus, or emotional release. With its delicate dynamics and cinematic undertone, this piece feels like the last page of a long journey, both tranquil and bittersweet.

The final chapter

live modular session recorded with Zoom H1, Post mastered in Ableton Live 12

Kassel Jaeger - ARITHW Excerpt

Kassel Jaeger

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