Food Prep:
IG @ whoeatsart
Shibari | Cheese Bondage

Mix:
Soundcloud @andrea_andreaaa
IG @ andrea_andrea808

Tracklist:
crimeboys - deja entendu w/ james k 
opheliaxz - ghostride to fade 
poison damage - rainboots dub
usof - wish you were nicer 
kevin (ben bondy, mister water wet) - frog valley
hysterical love project - siphon and exchange
duster - sleepyhead 
king softy - e-mos
nate scheilbe - theres nothing that says i cant dream
grouper - kelso (blue sky)
ana roxanne - suite pour l'invisible
k2dj - starty
j and the woolen stars - knees

Food Prep 009: andrea_andrea

Unspeakable Visions

Hometapers's Tricky Universe

Specific Relation.
Re-Upload. 28th September 2020. PAVEL MILYAKOV W/ INFX.
Original was deleted by host.


JAMES FERRARO
Green Hill Cross

NOZOMU MATSUMOTO
Night/Disco

JAKE MUIR
Green Eyes

THE CARETAKER
Confusion So Thick You Forget Forgetting

ELYSIA CRAMPTON;FANNY CHUQUMIA
Crest

NOZOMU MATSUMOTO
Photocentrism

ONEOTHRIX POINT NEVER
No Good

SDEM
I Couldn’t Shake The Dread

HELM
Don’t Lick The Jacket

ULLA
Stunned Suddenly

JONOTAN LEANDOER96
Evil

EVALA
Scrabble

EVALA
Cracking

MEYERS
Granular Opportunities 2

EXAEL ft. ARAD ACID
Glass In Plastic

METOME
Little Woman

DOUGLAS MCCASLAND
Neo-Lalia

YVANKO
Irradiees

ART CRIME
Darkness is the light that slips away from you

PALMISTRY
In My Heart II

JAAP VINK
En Dehors (1980-1985)

https://www.nts.live/shows/buttechno/episodes/rassvet-records-w-buttechno-28th-september-2020

NTS1. Specific Relation. 18bc - 598f - 4093 - Af9a - 80af52bbc6e9 BkUeRhM

Sedimental is honored to release the newest work, ARITHW, from Paris based based electronic musician and sound artist Kassel Jaeger (François Bonnet), realized during a week long artist residency at Epsilon Spires in Brattleboro, Vermont in June of 2023. In addition to creating and performing ARITHW he also performed Eliane Radigue’s L'île resonante, bookending the week.

ARITHW (A Rift in the Horizon's Wall)  was developed during an artist residency at the Epsilon Spires art center based in Brattelboro, VT, USA. During this residency, François J. Bonnet appropriated the space to create original music. Using their 1906 Estey 3-Manual Organ Pipe as his primary source, Bonnet then set about exploring secondary instrumental sources, such as the in house grand piano, but also, and perhaps more importantly, the acoustics of the three-tiered sanctuary of the former historic church (built 1889) that is now Epsilon Spires. ARITHW unfolds like an interstice, a gap between two frames on a flat surface generated by the organ, a surface that shatters to reveal an unclear, ghostly, and elusive space. In this work, Bonnet focuses on more instrumental material, only to subvert it and dilute it further before melting it into an uncertain acoustic space that evokes reminiscences of Erik Satie, Walter Marchetti or even Eliane Radigue, as well as his own previous music and the liminal electroacoustic climates that have been his trademark for many years. A profound work of subtle complexity and suspended tension.

ARITHW (A Rift in the Horizon's Wall) also refers to the vernacular literary mythology of New England, a land, at the same time, still attached to Europe and torn from it. A place that carries the ancient myths and mysteries of the Old-World while being teleported to a totally different land, where a new 'sense of nature' seems to have emerged, a sense never entirely free of ancient, reminiscent nightmares

Kassel Jaeger - ARITHW Excerpt

Nouvelle édition d’Emprise avec Aho Ssan continuant d’explorer les répertoires électroniques contemporains ! On pourra y retrouver des artistes comme Juana Molina, Perila, Nearly God ou Pierre Henry.


Emprise w/ Aho Ssan (19/11/24)

New Album "Luna Aux" out January 10th
https://a-v-c.bandcamp.com/album/luna-aux

atoyota

Ce deuxième émission d&amp#39;Acoustic Landscapes mets à l&amp#39;honneur un instrument de la renaissance : la viole d&amp#39;amour, une sorte de grand violon a 6 cordes avec des cordes sympathiques. Re1000 invite Sounds Of La Cave à explorer les sonorités de la viole d&amp#39;amour sur un mix inspiré des musiques mystiques.


Acoustic landscapes w/ Re1000 ft. Sounds Of La Cave (07/11/24)

What happens when dubby drum & bass meets Dischord’s post-punk colossus Black Eyes? “Break” is the new EP from NY’s Relaxer, the long running alias of Daniel Martin-McCormick (Black Eyes, Ital and co-founder of Dripping), and it signals a decisive shift in his music.

Prompted by friends to write a drum & bass live set just as Black Eyes was reuniting, the results didn’t quite fit the d&b genre. But it felt right. Quick, nimble, with room for the ferocity of his favorite post punk and some of the spaciousness of dub. Evergreen vibes, really, but seen from a fresh perspective.

Honed over a period of two years, the five tracks on “Break” fuse Relaxer’s careening, technoid sounds with free jazz-tinted drum programming, snarling sound design and spacious echo trails. It’s a perfect fit for 29 Speedway’s future-facing, exploratory anti-genre approach to electronics. The tape features two remixes by the singular DJ Marcelle and mastering by Dubplates & Mastering. Daniel tells his side of the story below:

“Two years ago my friends who run the drum ‘n’ bass party Headznite asked me to write a live set for a Ukraine fundraiser they were putting on. Right at the same time, my punk band Black Eyes was having our first practices in 20 years, which meant I was re-training my body to scream at top volume and high registers and to lay into my guitar at full force. In those same months, Dripping was forming and ideas were flying for crazy, boundary-pushing lineups. I had just finished writing the meditative composition suite “In Softening Air” and was feeling the call; it was time to let it rip.

Everything poured into that live set for Headznite, and a new style was born. Relaxer had begun as a decisively techno project, but pushing the BPMs and working in drum breaks tweaked the formula enough to cut any lingering ties with that ethos.

Over the next two years I kept on it, writing more, recording, pushing the technique and exploring the sound. “Break” is the first time any of this work has been made public. Sometimes a detour can hack your brain. My first dance 12” as Ital was supposed to be a one-off side project to my punk band and it ended up taking over my life. Now punk music is calling asking for the debt to be repaid. Fuck it.”

Written & recorded by Daniel Martin-McCormick, 2022-2024.
Mixed by Daniel Martin-McCormick & Sol León, with assistance from Sphente Shepherd.
Mastered at Dubplates & Mastering.
Art & design by Brian Mark.
Thanks to Headznite for the prompt.