dark studying

François J. Bonnet

чехова вечер

à côté

Domestic Exile (7/3/2021)

“Here’s a little half-cut mix I made for Bar Part Time for when you’re feeling a little tipsy. An hour of hazy pop and woozy dance music with Japanese IDM-Pop, Scottish breakbeats and even a little Paul McCartney thrown in. Could pair well with a Pet Nat?” - @jamietiller

B.P.T. Radio 014: Jamie Tiller

For this month's Rye Wax Show went through their archives and found a live recording from Jon K and Elle Andrews from way back in 2019. 2 hours of experimental electronica and leftfield techno live from the basement.

The Rye Wax Show w/ Jon K and Elle Andrews - March 2021

Real Landscape (20/3/21)

OLIVE OYL 23.3.21

Flux is a composition of the electromagnetic waves of various displays of Fluxus objects shown in the museum am Ostwall in Dortmund, Germany. 

Flux

From Fragments III — Collected Resonances from Radiophonic Æther now availble only on bandcamp.

Fragments III — Collected Resonances from Radiophonic Æther

D'une couleur oubliée

3. TO BE CAPTURED

Taken from album 'in cobalt aura sleeps' released as LP and Digital

Kassel Jaeger  Jim O'Rourke 'in cobalt aura sleeps 2 (excerpt)' (EMEGO 272)

demo

praise the lord every sunday

"We shall not cease from exploration, and the end of all our exploring, will be to arrive where we started and know the place for the first time".
— T.S. Eliot, Little Gidding (1942)

n³:  In this time all must be together for winning. I made this mixtape to support underground local artists and help to their music can be listened.

@n3sound
https://n333.bandcamp.com/album/rinsen
https://www.instagram.com/n3sound_/
https://www.facebook.com/n3sound/

#oddsratioMixtape08: n³ - A = D = N

QUARANTINE SONIC SQUAD est une communauté de musicien-nes de différents horizons formels et stylistiques, rassemblé-es sous cette seule et même bannière suite aux mesures de confinement radicales prises par l'État français en réponse à l'épidémie de COVID-19. 

L'idée derrière le projet "DAL DE VIVRE" est née de deux contextes spécifiques qui sont les conséquences directes de cette crise socio-sanitaire globale. Tout d'abord, cette situation nouvelle et extra-ordinaire de confinement (temporaire mais non moins nécessaire) qui nous a poussé toutes et tous en tant qu'artistes, interprètes, producteur-ices, instrumentistes, DJs et autre professionnel-les de la musique, à repenser notre activité professionnelle à l'aune d'un repli spatial forcé. Puis en un second temps, la situation plus qu'alarmante dont souffrent les plus démuni-es de nos soeurs et frères humain-es, mal-logé-es, sans-abris et autres occupants de logements insalubres, rendu-es de facto incapables de se confiner sereinement. Cette précarité, déjà visible bien avant l'apparition du virus, est exacerbée par la gestion ultra-libérale des territoires habitables. Effet collatéral d'une époque où la privatisation des biens publics par certaines puissances industrielles et économiques tend à être rendue légitime par les institutions qui devraient pourtant oeuvrer à  leur sauvegarde. Et dont les symptômes ressentis intimement, dans nos chairs, ne font que s'amplifier en ces temps d'urgence sanitaire.

Également conscient-es des engagements militants menés par le DAL (Droit Au Logement) afin de faire bouger les lignes sur ce sujet à une échelle plus globale, nous avons donc décidé de produire un objet musical qui viendrait soutenir leur lutte sur le plan financier (par contribution directe en achetant cet album - à prix libre) tout en constituant un relais à leurs différentes modes d'actions actuels revendications d’urgence : la réquisition des hôtels, meublés touristiques, logements et bureaux vacants pour loger les sans abris mais aussi très mal logés et victimes de violences conjugales et intra-familiales, le moratoire sur les loyers et les factures d’énergie, avec rétablissement et renforcement des APL, l’arrêt de toutes les expulsions...

Malgré ce contexte tout à fait nouveau qui tend à interpeller nos consciences, nous avons produit cet album animé-es par des énergies salvatrices. Tous les morceaux qui le composent sont les produits du confinement et du bouillonnement de ses auteur-ices. Il comprend aussi quelques collaborations inédites d'artistes qui n'auraient d'aventure pas été amenés à travailler ensemble dans une autre temporalité, mais qui se retrouvent ici main dans la main pour créer un contenu musical solidaire et militant. Sa narration a été pensée comme un écoulement, qui vient tout du long se faire remuer par des vagues soniques aux couleurs variées qui, nous l'espérons, rappelleront à nos auditeur-ices à quel point la scène électronique française est riche musicalement. Par delà les frontières du genre et des querelles esthétiques de chapelle. Bonne écoute et bonne lutte !

UN TOIT, UN DROIT

TAKE CARE
STAY HOME 
DO MUSIC
KEEP HELPING
 
QSS

Machka - Le Chant De La Tortue Rouge

Nike_Vomita vs. Fish Don't Like Milk
Móatún 7
7" Limited Ed. Record

Catalog number: MOA059
released September 7, 2020

A side written by Peter Furlan
B side written by Tomas Perinka
Vocal by Linda Thornton
Mastered by Árni Grétar
(p) (c) Móatún 7 2020

MOA059

Bethel | ∑37

7" Vinyl + Digital

Bethel | ∑37 - MOA59 - Side A

스므번 째 꿈 팟캐스트는 프랑스 파리에서 활동중인 일렉트로-어쿠스틱(electro-accustic) 예술가 Kassel Jaeger의 50분 세트와 함께합니다. 프랑스의 현대음악 그룹 INA GRM의 디렉터이자, 예술 이론가 및 작가인 François J. Bonnet의 음악 프로젝트인 Kassel Jaeger는 앰비언트, 노이즈, 실험음악, 그리고 현대음악 사이의 복잡한 균형을 추구하며 Editions Mego, Shelter Press, Black Truffle, Senufo Editions, Latency와 같은 레이블에서 여러 앨범을 발표해 왔습니다 
Kassel Jaeger가 표현하는 색다른 소리의 질감, 깊고 섬세한 음악적 표현들은 전자음악의 새로운 영역을 탐험하도록 이끌어 주며, 깊고 복잡한 음악세계는 많은 이들이게 큰 영향을 주고 있습니다.

http://kasseljaeger.com/
@kassel-jaeger

<Tracklist>
00:00-07:30 Marja Athi - Symbiogenesis - Vegetal Negatives
06:30-17:00 Walter Marchetti - Nei Mari Del Sud. Musica in Secca
16:00-21:00 Adam Pacione - The Last Five Minutes Of Sleep - With Wakened Eyes
21:00-28:00 Giancarlo Toniutti - La Mutazione
27:00-34:30 Kassel Jaeger - Tenebræ - Aster
34:00-43:30 Félicia Atkinson - This is the gate - Everything Evaporate
43:00 - End  Stephan Mathieu - Lambert’s Dream - Before Nostromo

The 20th Dream Kkum episode will be accompanied by a 50-minute set by Kassel Jaeger (aka François J. Bonnet), an electro-acoustic musician who is active mainly in Paris, France.
François J. Bonnet is a Franco-Swiss composer and electroacoustic musician based in Paris. In addition to being Director of INA GRM, Bonnet is also a writer and theoretician (The Order of Sounds, a sonorous Archipelago, The Infra-World and After Death are published in English by Urbanomic). As a musician, Bonnet often works under the project name Kassel Jaeger. He has been collaborating with artists such as Oren Ambarchi, Giuseppe Ielasi, Stephan Mathieu, Stephen O’Malley, Jim O’Rourke, Akira Rabelais or James Rushford.
Kassel Jaeger’s works are a complex balance between concrète experimentalism, ambient noise, and electroacoustic improvisation. He has released several albums on various labels such as Editions Mego,Shelter Press, Black Truffle, Senufo Editions, Latency… His music has been played in renown venues and festivals all over the world such as Whitney Museum of American Art (US), Super Deluxe (JP), Atonal (DE), Accademia Chigiana (IT) Harvard Museum of Natural History (US), CTM (DE), SFEMF (US), El Nicho (MX), Ultima (NO), Elevate (AT) Madeiradig (PT), Donau Festival (AT)…

꿈 Kkum 20 - Kassel Jaeger

Black Truffle is pleased to present Meith, a new composition in two parts from prolific composer/theorist François Bonnet. Usually operating under his Kassel Jaeger moniker, Bonnet is a major figure in contemporary electronics and electro-acoustic music, collaborating with artists such as Lucy Railton, Jim O’Rourke, and Stephen O’Malley, and releasing his work on labels including Editions Mego, Senufo, and Shelter Press. Always meticulously detailed yet immediately affecting, Bonnet’s work situates itself at a very personal intersection between the traditions of academic electronic and electroacoustic music, and a more shadowy, underground group of approaches to experimental sound: kosmische Musik, the tape murk of the 1980s underground, the haunted ambience of Christoph Heemann & Co.

Meith immediately welcomes us into its densely layered sound world of electronic tones, positive organ, and unidentifiable field-recorded textures. Almost static yet constantly in flux, it deliberately opens itself up to repeated and varied listening: from a distance, its many voices cohere into a monolithic plane of sound, while closer inspection reveals myriad details and momentary events. Like a drop of ink spreading through water, harmonic material present in one voice gradually fans out into the whole arrangement, creating fleeting moments of unity amid the constantly shifting waves of tone and texture.

Far from the austerity of some contemporary electro-acoustic music, Meith affects the listener as overwhelming organic; its individual layers are unstable and at times near-chaotic, imbued with life. Though it can appear almost formless, the piece undergoes major shifts throughout its duration, from the austere dissonance of the opening moments to the surging harmonies that appear midway through the second side before the piece gradually dissolves into a spectral glimmer.
Francis Plagne.

Kassel Jaeger - Meith (Excerpt)

Kassel Jaeger