hardwax techno (updated daily) - 5

Listen to the exclusive GROOVE-Premiere of @delano_smith & @kage 's track „For The music", taken from the „Keep Em Moving” EP on @michigandermusic . Released on September 3rd. 

Read our introduction here: bit.ly/3DkeeU6

Veröffentlicht von:
Michigander

Erscheinungsdatum :
03.09.2021

Delano Smith & Brian Kage - For The Music

Mord launches a new sublabel: KAZERNE

Label: Kazerne
Artist: PWCCA
Title: Incorrect Transit EP
Cat No: KAZERNE001
Format: 12" and Digital

Release date: 03.02.2023

A1 Incorrect Transit
A2 Circle Trip
B1 Wrong Destination
B2 Failed Data
D1 Base Error [digi only]
D2 Test For Randomness [digi only]

Incorrect Transit EP

KAZERNE001 - PWCCA - Incorrect Transit EP [Previews]

Study23

RELEASE-DATE: 11.10.2025

electronic groove culture presents the second deep files, deep, sometimes slightly emotional techno. In addition to egc veteran Jared Austin, Moe-le-Cul is also back. The whole thing is rounded off with tracks by Dee Jay pari and Dan Matei.

@dan-matei-magraon @dee_jay_pari @jared-austin-paradox @moe_le_cul

The Deep Files II

The Island

Buy & Stream

COMING SOON: Moe-le-Cul - The Island

ATTENTION---Until the 17th Of May 2020 you can have a free download  for this tune at www.brawther.com -- Unreleased and probably never to be released re:mix/edit/rub of "Loosefingers - What Is House ?" i did last year ! Enjoy the preview !

Loosefingers - What Is House ? (Brawther Re-rub) preview

Purchase 12"

K - HAND My Love (Acacia Records)

Workshop 19

Untitled A3

Untitled B1

Untitled A2

Workshop 08

Untitled A1

portal vision

Portal vision (Kali)

May 2018,

Label news from our label. 
A bit of perspective: This is fun, sincere, serious, unambiguous and friendly - unlike politics today. 
A bit of press-pective: Central wants these black and white records with club music on ‘em, so we do another one. This one homes 4 takes on vibes for the floor.
How do we keep BS at bay?“


Safe Distribution & Triple Vision

HELP011 · DJ Central · Li'ud EP (Previews)

Flashbacks 1992 - 1998

Hibernation Drive

3AM Spares is a new compilation of Australian Electronic Dance Music selected by Andras and Instant Peterson, encompassing the darker sounds and later nights of the 1990s and beyond. Following on from forerunner compilation Midnite Spares, this double LP draws from local 12” releases, CDRs and the archives of community radio station 3RRR FM to make a diverse and pumping scene audible once more. No longer confined to beer barns and back rooms, this generation of producers, DJs, clubbers and ravers spilled out into pavilions, warehouses and paddocks, embracing a new culture of machine-metaphor and chemical love.

Future Sound of Melbourne’s warehouse triptych Resist The Beat embodies a time when the country’s youth united with juggernaut stamina, partying beyond the long arm of the law. Restored from the ARIA award-winning trio’s original DATs, this debut 12” incited label offers from Jeff Mills, Frank De Wulf and Carl Cox.

Released by the likes of Clan Analogue, Creative Vibes, Volition, DanceNet, Juice and Psy-Harmonics, this era’s material has evaded sufficient digital documentation until now, some lost in the decommission of Angelfire, Tripod and Geocities websites. Often these bedroom experiments and one-off collaborations existed solely for compilation inclusions, a plausible scenario for the mysterious Inner Harmony. In the case of Tetrphnm, graphic artist Jeremy Dower’s glacial sub-bass was digitised from the only known CD-R copy, preserved by the 3RRR FM library.

Many key figures of this narrative have deep roots in the DIY/post-punk family tree. Third Eye, the impressive evolution of Whirlywirld founder and industrial legend Ollie Olsen, finds common ground with I Will Go, a hypnotic concoction by Adrenalentil and Poets of the Machine associate Jandy Rainbow, a transgender artist whose liberated electronics trace back to 1978.

The most unique take on this new wave of dance music comes from Turrbal-Gubbi Gubbi woman and Stolen Generations survivor Maroochy Barambah. Recorded in New York, Mongungi incorporates two lines of a traditional Gubbi Gubbi song Gurri Nina Nami with the sound palette of tribal house, highlighting the broadening ways that identity and culture were being negotiated and manifested within club music.

A lesson in intelligent appropriation, Artificial’s Sobriquet remix bends one of the most looped samples of all time to fit a wired new generation’s interrogation of that thing called disco. Artificial’s ingenuity was vital impact to the scene, releasing three influential albums as one half of B(if)tek and establishing the WINK Awards - a music prize that recognised and encouraged subversive electronics. Her playfulness is mirrored in Blimp’s frisky garage house, recalling Paul Johnson, while Ian Eccles-Smith’s borrowing is comparatively more discrete on the chillout sampledelic collage The Slaughtering Eye.

Andy Rantzen returns to Efficient Space in two incarnations - as one half of Itch-E + Scratch-E ambient alias Screensaver, and in collaboration with General Electrik on Leather Lover, a cocked and loaded glimpse at the bottom end of Oxford street, originally recorded for the Club Kooky compilation Gay In The Life: Adventures in the Queer Underground. Reinventing himself as Hypnoblob, fellow Sydney Oz Wave artist Ian Andrews also gives us his pneumatic-drill-step Deep Down.

3AM Spares: Compiled by Andras and Instant Peterson

B1 General Electrik Meets Andy Rantzen - Leather Lover 5:53 (ES009)

soundcloud:tracks:374920550

soundcloud:tracks:374866580

soundcloud:tracks:374863199

soundcloud:tracks:374863382

Untitled B1

Kassem Mosse

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