■概要(Overview)
またピアノチャレンジです。
今回はMartha Mierさんの「Red Rose Rendezvous (Jazz Waltz)」のCoverです。
ちょっと音が割れてしまったのがまだ残っていますね。

Another piano challenge.
This time it's the cover of Martha Mier's "Red Rose Rendezvous (Jazz Waltz)".
I still have a bit of a cracked sound.

Cover - Red Rose Rendezvous (Jazz Waltz) / Martha Mier

Cast of Characters:
Steve's Planet-- @steve-vervaet —Steve—acoustic guitar, vocals, lyrics, composition/arrangement
TexMex Shaman– @texmex-shaman –Stephen–electric guitar
J.J. Terrell-- @j-j-terrell—JJ—organ and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and rhythm guitar
cgmaness-- @user-419254289-15129531 – Chris -- electric guitar
Llanpsych– @llanpsych –Tez–electric guitar, production, and mix
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – five string fretless bass 

This song was released a few weeks ago as a mix that Stephen did. Tez, being the equally talented producer that he is, decided to make a mix that highlighted the interplay between the guitars and the keys. This mix is more focused on the instruments, while still giving Steve's vocals their due. 
  The song was written by Steve on the acoustic guitar. He passed it along to Ken, who added a sturdy rhythm acoustic guitar, as well as his always solid, dynamic drums to it. In short order, Ken got the rest of the Eclectic Collective together on it, starting with Josh, who added his five string fretless bass to complete the rhythm section. Next up was JJ, who's keys, both organ and piano, can be heard livening the whole thing up. Then came Tez with his fiery ripping guitar fills. 
  We were all blown away, though, when Stephen added his equally ripping guitar fills as responses to Tez's parts. It really sounds like the two maestros are having a conversation. Not to be outdone, Chris sprinkled some of his magical guitar to fill in the spaces, mostly at the beginning.  
  We all really enjoy working on Steve's songs, although it's been a few months since we did one together.  It's been proven many times before that if you start out with something good, and you end up with some thing great. We hope you enjoy listening to this as much as we enjoyed making it.

Hope We Ever Meet-Llanpsyched (Eclectic Collective)

Apollo Crash

Apollo Crash.WAV

Everybody Loves You

disconnection's grace

Adrian Tchaikovsky imagines a sentient viral culture keen to explore any lifeform it encounters (via infection) to satify its insatiable curiosity about the universe - initially with disastrous results.  I found the unattributed image on Pinterest.

Viral Estate

Photo taken and edited by me.
https://www.deviantart.com/leehon/art/There-s-No-Point-In-Trying-To-Become-A-Billionaire-967027885

No One Hates You

https://youtu.be/vM4m-a5I4QY

Lies and Deceit

G	  Gm	    G7		   C
Lies and Deceit, you were sly as a fox
C			      G
How could I know the game you play?
G	  Gm	    G7		   C
Anger and grief and trust just disappeared
C		  G
Station call, no reply

A			       E
Did you really think you'd get away with this?
    A                E
it all looks like a hit and miss
  C9	     F9
Stuck in the limousine

Angels and muses, songs in disguise
please take off your tight mask
Balancing challenges, how can you sleep
White-knuckled down to the bone

Bullet ripped your ear
But here you are
Keep your eyes on the getaway car
How dark can this story get?

Did you really think you'd get away with this?
it all looks like a hit and miss
Stuck in the limousine

Lies and deceit, clouding our minds
The library is burning
Closing a deal, sealing a pledge
who do you think you are fooling?

Lies an deceit

Lies And Deceit

This is a "remix" of my previous tune
"March of the Mallet of Malice and Mayhem"

Hex of the Hammer of Horror and Havoc

Stämmor Före 1991

I have found my own song. ( 1984 ) Margareta Theorin ( Margareta )

Ideas for Mystique Wind 19-11-19.2   83.5bpm

After successfully participating in a PXD Musicsoftware competition, I gained my first experiences with composing and arranging electronic music in the late 90s. But then I concentrated on playing the bass in various bands from different musical genres. At the same time, I started my electronic-metal-solo-project BLUTWURST BREATH (1999 - 2010), which was featured on numerous samplers (https://blutwurstbreath.bandcamp.com). In 2011 it was succeeded by the new, more focused electronic-grindcore-project TUNNELBOHRER (https://tunnelbohrer.bandcamp.com), which is still active today. In autumn 2021, my bands, in which I had been working as a bassist since 2006, unfortunately broke up. This was the occasion to revive my old passion for electronic music: KASTROPODUX was born. KASTROPODUX is devoted to the synthwave-sound of the 80s and the techno-style of the early 90s, sometimes combined with rock-guitars.

Apollo Crash.WAV

kastropodux