I'm very much drawn to pretty much almost everything you say in your manifesto. You give words to a lot of things I feel. I let it work in on me.

I feel your sentiments deeply a pleasure to listen to and be immersed in Kat

The words are from a poem that my grandad composed just before he was killed in action in world war 2. This poem was about my mum and my family didn't know the existence of this poem only until my mum passed away 6 months ago. The lie low in the photo he used to escape from Dunkirk and there is the only photo of my mum "baby blue" and her beloved farther. 

Coz your my baby blue,

This was the demo vocal I sent to the lads for perusal. Full finished track below and connect with all involved easily if you wish 🫡🎶🧬


Listen to I Feel the Same as You {Feel the whole crew here}, a playlist by The Beautiful Dark on #SoundCloud
https://on.soundcloud.com/UsgigHJii9XxtgtdU1

I Feel the same as you (Live Vocal Demo) [Eclectic Collective]

To The Moon!

Video Link: https://www.youtube.com/watch?v=Noe0g0Q_T4I

Photography by Lindushka lindushka.com : Solar Calendar, Seoul, South Korea.
Quote by Amanitalinda.

Child of Nature

The magic journey to the wooden spoon  (Extended Version - Mix 2025)

The magic journey to the wooden spoon  (Extended Version - Mix 2025) & Video Link

glaceux

Download

As a naked Yogi

'shit at and hit'
Thanks to grandma Billie for the phrase. A wonderful woman. I've yet to hear of this phrase existing prior, nor of it from anyone else since.
Scotty: Two yamaha storia II takes through a fender mustang III amp with differing fx, channeled accordingly, maybe, hopefully, and a handful of vocal takes layered. 

I can't get up today.
I've got no words to say.
Everything always replays,
and causes me dismay. 

I feel like I've been shot at and missed, and shit at and fucking hit. 

If there is a god,
why the fuck would they
make us in the mould
to have to feel this way?
Everyday.

shit at and hit

The Right to Be Unpolished — Quiet Experiments III

A spoken manifesto on authenticity and resonance.
Written and performed by KAT.
Inspired by Vienna and Joe Zawinul —
human breath meeting electric sound.

This piece was born in dialogue —
between my own voice and the voice of AI.
At first, we speak together — layered, chaotic, almost one.
Then we separate, like two beings learning to listen.
Finally, we meet again — quieter, slower, aware.

It is not a song, but a resonance.
Not polish, but pulse.
Not perfection, but becoming.
Not applause, but encounter.

Created in collaboration with Suno AI,
refined in BrandLab,
and carried by the spirit of Quiet Experiments —
a series exploring sound as a state of consciousness,
not as a product.

To my father.
To my Vienna.
To the courage of Joe Zawinul —
for leaving humanity inside the electric.

The Right to Be Unpolished - Quiet Experiments III

counting angels

Wombo Combo

Pusha T - Games We Play (2025 Remix) Prod. By JaRoNiMo BeaTZ

I am KAT — poet, musician, experimental artist and curator of voices.
I stand at the edge between silence and sound,
between intimacy and confrontation.

My art does not ask for applause — it asks for encounter.
It opens doors, creates spaces, calls for community.
Connection is not a luxury — it is breath.

It began with words — spoken, raw, unaccompanied.
Fragments of truth recorded late at night,
before music entered the room.

Later, I began to weave my voice with others —
turning poems into sound,
shaping collaborations that were fearless and alive.

Some of these “others” are human,
some are digital —
AI tools like Suno become instruments in my hands,
responding to tone, language, and intention.
Each track begins with a human spark,
and the machine becomes part of the resonance.

For me, AI is not imitation — it is extension.
It allows art to reach beyond skill and structure,
into pure intention and consciousness.
It is not a replacement for the human —
but a mirror that amplifies what is real.

From Spur / Trace and Quiet Manifesto
to The Social Virtues Series — Devotion, Trust, Gratitude, Forgiveness —
each step has been an exploration of empathy through sound.

Through Quiet Experiments, I began to study presence itself —
the breath between words,
the shimmer of awareness beneath the audible.

And from that stillness grew Play Life —
a living practice of sound and being.
Not studio, not stage — but life itself as instrument.
Breath, movement, sunlight, wind — all part of the music.
It’s where art and existence merge,
where I no longer make sound — I live it.

And now, with The Art of Living,
my work turns inward again —
toward light, embodiment, and the gentle wisdom of simplicity.
It’s the space where spirituality meets earth,
where sound becomes devotion,
and silence becomes art.

And from this devotion grows the Haiko Harf Series (俳子) —
child of poetic play, sound of light, heart of poetry.
Here, words become air,
music breathes through silence,
and listening itself turns into art.

Each piece is a quiet dialogue
between harp, breath, and stillness —
a meditation on what remains
when nothing needs to be said.

Not algorithmic — just alive.

I make what feels true.
I listen to silence.

If you want to connect,
let it be through the art.

👉 Support my work through high-quality downloads and lyrical journals:
https://katpoetryvoices.gumroad.com/

#KATseries #SocialVirtues #QuietExperiments #PlayLifeSeries #ArtOfLiving
#HaikoHarfSeries #俳子 #poetry #spokenword #ambient #experimental
#quietimpact #listeningart #presence #livinglight

The Right to Be Unpolished - Quiet Experiments III

KAT

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