shoegazer,postrock,emo,indie
twitter▶︎https://twitter.com/pieinthesky22 instagram▶︎https://www.instagram.com/pieinthesky2022/
Mail▶︎piinthesky2022@gmail.com

Making my feelings into SOUND which is based on Classic Music. The world is not only made of beautiful. I wish my sound would cuddle with your un-beautiful feelings. Then in the future, you may even think that is rather BEAUTIFUL.

▼△▼ Biography ▼△▼
♭2014/6/30
Released 1st EP『ここから、はじまる。』/ More than 100 audience came to the release show in Live Stage GUILTY (Tokyo, Shibuya)

♭2015/12/09
Release 2nd EP『錆』/ Beginning of release tour『私の錆、煎じて飲んでみませんか。』

♭2016/02/21
Held Release Tour Final『私の錆、煎じて飲んでみませんか。』

♭2017/12/09
Held 3 times of three-man live which ended up with 1st Solo Show『必然と偶然と、奇跡。』/ Released 1st mini album『世界が笑う音が聞こえたんだ』

♭2018/09/25
Formed a Shoegazer band 孤独ナ音霊ハ夢ヲ見ル (Kodoku na onryo wa yume wo miru)
Twitter: @yumemiruonryo

♭2018/11/10
Held 1st sponsored show『幻のワープゾーン』in Osaka

♭2019/02/21
Released 1st EP『残響式』as 孤独ナ音霊ハ夢ヲ見ル

♭2019/03/15
Held last show『卒業』before 1 year break of activity in Japan

♭2019/03/15〜2020/3/15
Moved to Toronto, Canada to play her music abroad

♭2020/03/15
Scheduled to hold returning show『あの扉の向こう側』in Japan

Also holding some unique shows such as show with screen on 3 surface front-left-right, show in complete darkness, collaboration with rapper, and so on.

==

クラシックを基に感情を音にした。世界は美しいものばかりじゃない。あなたの美しくない感情に寄り添える音楽を。そしていつか、それがもはや美しいと思えるように。

▼△▼ 経歴 ▼△▼
♭2014/6/30
Live Stage GUILTY（東京・渋谷）にて1st EP『ここから、はじまる。』をリリース / 100名以上の動員を達成

♭2015/12/09
2nd EP『錆』リリース / リリースツアー『私の錆、煎じて飲んでみませんか。』開始

♭2016/02/21
『私の錆、煎じて飲んでみませんか。』ツアーファイナル開催

♭2017/12/09
年内3本のスリーマンライブを経て、初ワンマンライブ『必然と偶然と、奇跡。』開催 / 1stミニアルバム『世界が笑う音が聞こえたんだ』リリース

♭2018/09/25
残響系バンド［孤独ナ音霊ハ夢ヲ見ル］結成
Twitter: @yumemiruonryo

♭2018/11/10
初大阪主催ライブ『幻のワープゾーン』開催

♭2019/02/21
孤独ナ音霊ハ夢ヲ見ルの1st EP『残響式』リリース

♭2019/03/15
日本国内一年間活動休止ライブ『卒業』開催

♭2019/03/15〜2020/3/15
拠点をカナダ・トロントに移動

♭2020/03/15
帰国ライブ『あの扉の向こう側』開催予定

その他、左右前三面映像ライブや、暗闇ライブ、ラップとのコラボレーションなど、ユニークな主催ライブを不定期に開催している。

#kiyozumiprimes  #indie #alternative #industrial #core #trap #shoegazer #post-grunge #post-hardcore #metalcore #metal #nu-metalcore
https://x.com/kiyozumiprimes

KIYOZUMIPRIMES

No one truly knows what stands behind this name. Some say it was found in an old archive where every record looked scorched from the inside. Others claim it’s a cipher, a mark left on things that were never meant to make a sound. Its first appearance happened at night - not on air, not online, but somewhere in the in-between. People reported hearing a strange rhythm where it couldn’t exist: inside the hum of ventilation, in the overload of a dying transformer, in the static between stations. The sound felt alive, as if something was trying to break through, but doing it carefully. Everyone who encountered the phenomenon describes the same thing: the melody seemed human… yet something else stood behind it. Cold. Breathing. Too close. And the strangest part - it never repeated itself. As if the source reacted to the listener, adjusted itself, whispered in rhythm with their own fears. Later, some began to insist that KIYOZUMIPRIMES is not a band, not a project, but an echo - a remnant of someone’s will stuck between states. Sometimes it manifests as music, sometimes as interference, sometimes as a voice with no body. But the most important thing is this: no one has ever seen the ones behind it. Not once. And still, the sound keeps appearing - clinging to devices, to empty rooms, to silence. They say that if you hear it once - it hears you back.

Joining Caroline Records recording artists Drop Nineteens as their lead guitarist, Justin Crosby's journey into the music industry began in the spring of 1993. The "Nineteens" were one of a few US-based bands who styled themselves on England's distinctive shoegazer sound. The band would ultimately lead the UK Indie Album and Singles charts with formal releases after signing to Caroline Records, (label home to Smashing Pumpkins, Hole, White Zombie, and countless other trend setting artists of their day.) They lead several European and domestic tours with 43 performances, both domestic and abroad. They were featured as Blur's supporting act on a 2 week US tour, shared the stage with Radiohead, Flaming Lips and Mazzy Star at England's Reading Festival, and headlined Lollapalooza's second stage at Waterloo in 1993.

From his days as a touring musician, Crosby can now be found composing music for a wide range television shows, independent films, Video Games and online media. His music can be heard in prime time TV hits on networks ranging from ABC, NBC & CBS, to SHOWTIME, BBC & Channel 4 UK. Crosby is credited as the percussion programmer for Daniel Licht's brilliantly eerie score of Silent Hill 8: Downpour, (Konami), and programming additional percussion beds for several seasons of Showtime's smash hit Dexter. Television music credits range from "Blackish" (ABC), "Castle" (ABC), "Do No Harm" (NBC), to "Deception" (NBC), "CSI Miami" (CBS), and "Top Gear" (BBC). 
www.jimdb.me/justincrosby

BMI Repertoire:
http://repertoire.bmi.com/Catalog.aspx?detail=writerid&page=1&fromrow=1&torow=25&keyid=1530859&subid=1

Safe Creative Copyright / Watermarking Registrations:
https://www.safecreative.org/search?q=justin+crosby&search=Search

Difficult to pinpoint stylistically, Animal Holograms are an elusive trio. High intensity, complex songs are balanced out by hypnotic, minimalist pieces often carried by Arabic and African based rhythms. 

Jason Williams - Vocals and guitars
Danny Ong - Guitars and synths
Marshall Greenhouse - Drums, hand percussion, Korg, Kaossillators and rhythmic effects/electronic drone and beat loops designer
Shannon Greenhouse - Vocals, theramin, saw, snare and keys
------------------------------
"Jason Williams, the mastermind behind Chicago based project Animal Holograms makes big waves with his debut E.P. "Phantasmagoric Menagerie". Leading off with the high energy number "Black Cats" Williams pushes the envelope between art rock and indie pop with a healthy dose of noise driven guitar chaos. The captivating feel of "Psychoasis" carry things on an atmospheric whirlwind that channels the spirits of Mercury Rev and The Flaming Lips while the synth drenched sounds of "Ferdinand Hodler" give way to an upbeat yet overall darker tone. It's a brilliant balance of both moody and uplifting territory. This mood continues with the dirge like grind of "Hello Mr. Dark" which at some point moves into a delightful realm of shoegaze bliss. Things wind down as the lulling presence of "The World Is Math" cap everything off with a collection of highly experimental textures that reverberate inside your mind . A beautiful collection of psychedelic dream pop wizardry."

--Dave Allison (Custom Made Music)

"Animal Holograms back up their stylish shoegazer tunes with some real muscle. A delectable saunter is developed in the tempo that carries the reach of everything across commendably. It is in these statures that the depth of tone is developed. Lingering qualities in the tempo follow a formulaic approach that is exacted with originality. As a result a due course falls across the causality of the tone neatly but also drives the worth of the tracking through in the meandering of the drift on show. Other tunes seem to grab the momentum when required. That sees a leaner calling answered in terms of how everything then sounds. In the operation of everything there is a mastery that truly gets to grips with the task at hand. What you get with this band is something that is very much on the proverbial money with the disenfranchised underground feel that permeates in the music." 

--U&I Unsigned and Independent Magazine

"Somewhere between the vocal stylings of Marc Bolan and Elliott Smith, Jason Williams’ voice is a hypnotic and understated element of Animal Holograms, a Chicago-based trio with a dreamily loose sound that blends shoegaze and dream-pop. What started as a solo project of Williams’ evolved into a trio consisting of Nick Biscardi and Jesse Askren. Now, Animal Holograms have their debut full-length - í sólina – slated for a May release. Judging by already-released tracks like ”lengi nætur”, listeners could be in for something special.

Starting with a progression that resembles both spacious post-rock and spaghetti-western nonchalance, ”lengi nætur” immediately shows Animal Holograms’ knack for atmosphere. Williams’ ghostly croon creeps in over the passive percussion and murmuring guitars, while an organ emerges as a bridge to a successfully clanky hook that is capped off by an elongated guitar solo. Much of the lyrics throughout the track are obscured somewhat by the gently involved production, which surely takes a cue from shoegaze. The actual instrumentation is more in the vein of post-punk and alternative, with a touch of glam-rock’s moodier bits. ”lengi nætur” is a great entry for listeners, as are tracks like ”halló dökk mín”."
 
--Mike Mineo (Obscure Sound)

2017.6 / formed
2019.11 / 1st single 『潮彩(shiosai)』
2020.4 / 2nd EP 『あなたの海（Your Sea）』
It is influenced by a wide range of music, including folk, classical, indie rock, alternative, post rock, shoegazer, dream pop, electronica, and film music.

The artists we were influenced by...
Radiohead, Sigur Ros, Bjork, Muse, The Beatles, Kodaline , James Blake,  Portishead,  Coldplay, Oasis, Weezer, Sia, Daughter, Eagles, U2, Ennio Morricone, 
 Claude Debussy, etc...

SPIROPA has been my lockdown GarageBand project where I've attempted to mimic the style of some of my favourite bands, tunes and grooves.

The 'Motorik' EP has been created to compliment the title track which is now available to subscribers on the Castles In Space 'Participation Vol 1’ album. 

See my likes for my influences and my SoundCloud track releases to date are listed below:-

1.) Canicular 03:22
2.) Melancholy 03:45

SPIROPA 'Motorik' EP
1.) Limitless 05:16
2.) Motorik 04:46
3.) Starglider 02:43
4.) Elevate 04:22
5.) Trisolaris 04:31
6.) Crestfallen 04:06

SPIROPA 4.0:-
1.) Eviscerate 03:08
2.) Replicant 04:00
3.) Nefarious 04:33
4.) Visualise 03:35
5.) Clandestine 03:26
6.) Revelation 05:28
7.) Soaring 05:07
8.) Quntiessential 04:29
9.) Reflections 00:49
10.) Resolutions 03:28

SPIROPA 3.0:-
1.) Galaxia 05:59
2.) Conjunction 04:30
3.) Sentinel 03:45
4.) Juggernaut 04:46
5.) Discombobulated 02:36
6.) Stratosphere 03:45
7.) Interstellar 03:59
8.) Enchantment 03:25
9.) Arrival 02:06
10.) Terminus 03:02

SPIROPA 2.0:-
1.) Odyssey 03:47 
2.) Monotony 03:14
3.) Gremlins 04:02
4.) Aurora 03:13
5.) Solaria 03:23
6.) Crescendo 03:57
7.) Foundation 03:17
8.) Synthetics 04:40
9.) Redemption 05:15
10.) Epilogue 01:08

SPIROPA 1.0:-
1.) Shoegazer 03:29
2.) Melodium 04:31
3.) Robolicious 03:32
4.) Pyroclastic 03:22
5.) Cacophony 03:13
6.) Bombastique 06:10
7.) Aerobotics 03:07
8.) Singularity 03:38
9.) Solstice 04:30

Jangle-pop powerhouse The Blue Herons are back with their fifth single Take Them Back which will be released Friday, November 19. This single is an upbeat, 80s-influenced jangle-pop tune with a hint of melancholy and a driving chorus that invites repeat listens. With Andy Jossi’s lustrous and Marr-esque guitars and Gretchen DeVault’s soaring vocals and luscious harmonies, Take Them Back is a song anyone who has been wounded by words can relate to.

The Blue Herons are a jangle-pop duo that calls to mind guitar riffs reminiscent of C86, and Sarah Records bands like Even as We Speak and Heavenly, with infectious melodies and soaring vocals that easily sit alongside the likes of current artists Alvvays, Hatchie and Hazel English. 

The Blue Herons are Andy Jossi (The Churchhill Garden, The Serpent Garden) and Gretchen DeVault (The Icicles, The Francine Odysseys, Voluptuous Panic), a serendipitous collision of two indie-pop masterminds. After establishing a following for his shoegaze band The Churchhill Garden, Jossi needed a separate space for his indie-pop songs. The Blue Herons featured frequent guest vocalists and musicians such as Krissy Vanderwoude (The Churchhill Garden, Whimsical), Marty Willson Piper (The Church, All About Eve), Hideka and Thierry Haliniak. Jossi began releasing music under The Blue Herons moniker, still searching for the perfect vocal complement to his instrumentals. In October 2020, he found just that in DeVault. 

DeVault, a veteran of the indie pop scene, led The Icicles through a series of well-received albums and licensing deals with Target and Motorola in the early 2000s. In 2013, she elevated her recording skills and vocals to new heights as half of the transoceanic shoegazer duo Voluptuous Panic. After relocating to LA in 2016, she got reacquainted with her indie pop roots and formed The Francine Odysseys.

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