Harsh noise Ambient with some distorted instruments

Animals

Jucios

Robe rehearsal 181017

Created for Azimuth 6, here as a stereo version of the original 32-channel version.

'Based on the introduction of Jean-Paul Resweber's book "The Philosophy of Language", the piece explores the ambiguity between the voice that conveys a message and the voice whose acoustic and musical qualities are heard. It seems that when our attention is focused on the musical aspect of the voice, we forget the message it carries, and vice versa. The back and forth between these different levels of listening leaves the listener free to give it its own meaning, if there is one. And this is precisely the question asked by the original text. '

https://www.azimuthfoundation.net

La philosophie du langage

Each Morning of the World #04
South American Phonographic Mornings #03/20
Puerto Saavedra ~ South Chili
Lafken Kürüf  de Julie Rousse

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The piece - Lafken Kürüf - has been composed from recordings taken in the south of Chile in 2015. Mixing various sounds of the wind and the ocean, as well as glimpses of voices, those emblematic sounds from my stay there are composed in a short piece transcribing the powerful sonic landscape that has accompany me during the three months spent in the Mapuche Lafkenche community of Traïtraïko Leufu. The noise of the wind on the rooftop of my house and the rumble from the Pacific Ocean close by kept me from sleeping at night as i would imagine it coming out from its bed, like in the Mapuche Lafkenche mythology.

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Crédits
de l’album South American PhoNographic Mornings
ce titre est sorti le 6 mai 2018
Credit photo : © Julie Rousse 2018

Lafken Kürüf

LAFKEN KÜRÜF

Starting to work with different layers from my bicycle recordings. This sketch includes recordings where contact mics are attached to the bicycle while riding, and ones where it is stationary and 'played' as an instrument.

Bike Sketch - Kate Carr

Splinters as a composition has a dream like quality, dark and enigmatic. Electronic noise colours the drone and bubbling soundscapes of a somewhere. Repeating musical phrases mix with recognisable sounds from life - a spoken utterance, a rumbling train. As a listener you drift with the current through misty scenes, on a journey down a river towards some marshland on the edge of an urban sprawl.

Made in response to an invitation from TACO! - an artist space in Thamesmead in South East London - Splinters documents Kate Carr’s relationship with that space, and the area of London it is located in. Over an 18 month period Kate kept a growing sonic diary of her journeys to the space from her home, her construction of work in the gallery, her wanderings around the green spaces and urban architecture, the coming and goings of visitors and the artistic material from other artists and musicians working at the space. This work is a sonic portrait of a time and a place, and the actions and events within it.


Splinters includes audio samples from concerts and exhibitions held at TACO! Featuring material from live sets by Liz Helman, Tom White, Rebecca Lennon, Pouya Ehsaei, Jonathan Higgins and Hannah Dargavel-Leafe, and audio material from the exhibitions Scratch! by George Barber, and Heavy View by Laura Yuile.

Mat Jenner, director, TACO!
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Mastered by Simon Scott at SPS Mastering.
Design by Louise Mason.
A huge thanks to Liz Helman, Tom White, Rebecca Lennon, Pouya Ehsaei, Jonathan Higgins and Hannah Dargavel-Leafe for permission to use short excerpts of audio material from their wonderful live sets, and to George Barber and Laura Yuile for access to audio from their installations. 
Also massive thanks to Mat Jenner for inviting me to TACO in the first place!

Detritus Clouds from Splinters out Sept 3

RLUNG RADIANT

Seidō 青銅

1986754

Modern Classics

Night Foundation - Hold That Thought

New: 
A Field Guide to Phantasmic Birds
https://room40.bandcamp.com/album/a-field-guide-to-phantasmic-birds

Detritus Clouds from Splinters out Sept 3

katecarr