Backwards Movements (2004)- Divertimento Ensemble

The Open-Focus Brain

4 General Open-Focus Training

recorded with 2 x JrF d-series hydrophones placed directly in the 100 degree centigrade + mud pools at Krafla, Iceland, June 2014

Krafla mud pools with hydrophones (extract)

Selkie story long version

Fish chorus

Lead To Gold

Taken from the forthcoming album 'Fuckmonster Xtreme' available for free on Bandcamp

Pretty Little Halo Kitty Payload Version

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On 25th May Ireland will vote on amending its restrictive abortion laws. I was asked by Room for Rebellion and C.A.N.V.A.S. to create a piece for a compilation in aid of pro-choice charities to be released prior to the referendum. For logistical reasons this compilation won’t be released until later in the year, so I’ve decided to share the piece now, a week away from the referendum.

If you’re an Irish citizen or resident, please donate to Together for Yes:
https://www.togetherforyes.ie/donate/
If you’re not an Irish citizen or resident, please donate to Abortion Support Network or Alliance for Choice: https://www.asn.org.uk  http://www.alliance4choice.com/donate-2/

ABOUT THE PIECE:

“I am an old woman now, with one foot in the grave and the other on its edge.” 

Like most people of my generation, I studied the work of Peig Sayers (1873-1958) at school and the opening lines of her 1936 autobiography "Peig" are burned into my consciousness. "Peg 2018" takes those opening lines as a starting point, but departs immediately from the original, imagining the reflections of an entirely different, fictional Peg, an Irishwoman born in the 1950s. 

NOTE: The piece in no way represents the views of Peig Sayers or her descendants.
CONTENT ADVISORY: Material may be distressing for some listeners.

Image: Gustave Courbet's Jo, the Beautiful Irish Girl

Peg 2018

Rabbit Hole

An orchestral piece with singing fish and hydrophone recordings of me singing and playing metal instruments as heard underwater

Katherine Betteridge's Album

Turas

Experimental composer living in North Wales, UK with a main musical output leaning towards classical and ambient style, generally inspired by my love of nature.

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Katherine Betteridge

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