Let the beauty that you love be what you do. - Rumi
If you like any of the music you find here, please like/share/repost/download! Music is best when you spread around! Thank you so much for listening, and I hope you have a great day!

Sean Redrow, is an Organist, Church Music Director, Choral Conductor, Choral Singer, and Pianist.

My warmest thanks to everyone stopping by for listening to my  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and also to a minor LIST of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

Delfino Madrigal Gil, One of the most eminent composers and organists from Mexico. Born in 1924 in Erongarícuaro, Mich., On the shores of Lake of Patzcuaro.

 He belonged to the Morelia`s Boys Choir in 1935, when he was 6 years old, and at 18 he began studying music at the Conservatory de las Rosas, where he was designated director in early 1949, succeeding his first director and teacher, Master Miguel Bernal Jimenez.
He was graduated in Gregorian chant license in March 1946, and got the Magisterium of composition in July 1951. He studied piano with teacher Ignacio Mier Arriaga at the School of Sacred Music. Under the direction of Miguel Bernal Jimenez eminent teacher, he studied composition and organ, doing it the Magisterium in Superior School of Sacred Music in Guadalajara, Jal., On July 6, 1963, as Judge: Hermilio Hernandez, Domingo Lobato and P. Jesus Arechiga.

 In 1952 he was invited to work in Mexico City, as teacher at the School of Sacred Music,  and at the Seminary,  in 1961 was appointed as organist of  Cathedral Metropolitana of  Mexico city,  In that role, he plays his own works which are as follows: Toccata for organ, the Church Sonata, Mass Guadalupana, the funeral Mass in Memory of Master Bernal, many Matins, Vespers, and five more Masses, with a remarkable gregorian style.

Followers of Katie Moss