Really like these dark cinematic tones immersed in this electronic soup. Pretty cool.  Maybe some warm vocals can fit and can enhance the overall vibes. Bravo!

Big atmosphere in your tracks 🌒  I particularly love this one 🖤❣️

Your basslines are fantastic and this is awesome as is, look forward to the addition of that guitar though - get on with it lol :)

hypnotic flow in this track, really nice.

This is fabulous! Love the vibe, the sounds, great rhythm, too!

The 7th EP of "past is the verse"

-Spotify
https://open.spotify.com/track/61WDY5gOzzhD7VRlNXKy4u

-Apple Music
https://music.apple.com/album/calm-calm/1560415883

-Amazon Music
https://music.amazon.co.jp/albums/B09173RCC7

-bandcamp
https://pastverse.bandcamp.com/track/calm-calm

Calm Calm

Download

Silent Nemesis In The Mirror

Fret Not

.. and what will our centurions say when all the colors fade to gray where they used to run wild and free?
Put a fence around it.
You can charge admission then. 
If we raze it they will come. It's not "if" but "when".
And, all the money makers say God's beauty shouldn't be free.
Some see our perfect world: others opportunity.
Put a fence around it.

https://www.youtube.com/watch?v=Y5zX60WCycU

Put A Fence Around It

Half Life Demo

Migratory Bird  (Τhe hope)

Up in space 
there’s a correlation 
I’ve found
I wish that
You could turn around, babe
And come outside

And I wake up 
to the seven fates
I learned my place
but I go insane
where I find it
where I found you


It's new love
Don't say its true love
I've been there too, love
An obscenity fool in love

Obscenity Fool

I was inspired after listening to Jesus Flores Guitarrista's "Popurri The Beatles".

(Disclaimer:  I do not own the copyright to this song.  It is presented here in a non-commercial format and only for entertainment and educational purposes.)

Imagine (John Lennon Cover in instrumental form)

Blueprint for track that became 'Sandycove Milk'.

Inspired by wondrous music by Conin, whose track 'Kitty's Wake' reminded of the rich clay of Joyce's 'Finnegan's Wake'. This track, about the opening pages of Joyce's Ulysses, borrows coffee spoons, forever those of T.S. Eliot, in an effort to add sweet milk...drawn from the milk-well of honeyed Sandycove.  The lyric speaker is, notionally, Stephen Daedalus. For practical purposes, the lyric speaker is James Joyce himself. His aim? To hit Haines for a guinea [a pre-decimal unit of currency] before heading to France on a ferry. Whilst Haines still feels guilty (sheepish) about having fired his pistol at an imaginary cat he thought he saw in the fireplace in the Martello tower in Sandycove (now the Joyce Museum....a sacred...magical place, whose attendant Joyce scholars told me about the Haines' imaginary cat episode....it is all true...yet also dovetails eerily with the first chapter of Ulysses).

The reference to Haines having consumed Absinthe is a narrative fiction, invented to offer an explanation for his dangerous behaviour. No peer reviewed evidence capable of demonstrating Absinthe has hallucinogenic properties, exists, to my knowledge.


Lyrics

[chorus]
Gotta learn me some Italian
Gonna get me a guitar
Gotta learn me some Italian
Gonna get me a guitar

Hellenise me now
She come and go
talking bout Michelangelo
there will be time
there will be time

do I dare to eat a quiche?
I shall wear enchanted trousers
and float upon the beach

I’m still dreamin
something happened last night

Haines downed a snot-green bottle of Absinthe
started shooting at his Schrödinger's cat
in the fireplace
looks real sheepish this morning
gonna hit him for a guinea [a pre-decimal unit of currency]
and get outta here
gliding on the Emerald sea
to Paris
with Haines’ guinea in my pocket
when I’m at sea

gonna go uptown now
hitting the top deck of this here Martello
gonna watch the mailboat
glide on an Emerald sea
gonna rest my shiny elbows
on the jagged granite
just leavin the harbour

and here comes stately Buck
bearing a bowl of lather
crossed razor and mirror as well
holding the bowl aloft
and intoning...intonin

Introibo ad altare Dei
sacred chalice
sacred cross
and now I’m lookin at the sea
Thallata...sweet mother
Hellenise me
mailboat clearin the harbour
rage of Caliban inside me
cos of Haines....[firing a gun inside the Martello tower when drunk the night before, at a giant cat he imagined was sitting near the fireplace]
sweet Thallata
buttercups on the quilt
powdered musk and gauds of amber beads
calm now like the sea
there will be time
there will be time

Martello

ATRIUM .

Electronic. Live instrumentals
https://www.youtube.com/@KatNest
https://facebook.com/katnest1/ 
https://instagram.com/kat_nest

____________________________

Bio: Kat is a multi-instrumentalist combining electronics, live instruments, and atmospheric dreamy soundscapes via experimental output, mixing in Ableton. Started as a drummer and guitarist, later integrating into music production. Living in Melbourne Aus, she is fresh to the scene and hit her first festival stage recently. 
____________________________

I love discovering new artists on here. Thank you to the countless producers and musicians who inspire me everyday. I have undying respect and admiration for your creativity and dedication. Endless gratitude for our community of growth, collaboration, openness and sharing, love connecting with people from all around the world.

Thank you to the people that interact, share thoughts and repost my music on Soundcloud, wonderful people I really appreciate you!
____________________________

Other projects:

Pink Noise Relaxation, an experimental ambient YouTube relaxation channel https://www.youtube.com/channel/UCtLHjxIy9zyjTc-5s-obz0Q?sub_confirmation=1

Half Life Demo

Kat Nest

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