Wonderful track! Really nice rhythm, piano playing & solo guitar! 🎶✨🎸🎹

gorgeous vibe. reminds me of B'z from the 90s.

Nice introduction, nice music and excellent finale!!! 👏

Great Track ...日本語は分かりませんが、音楽に込められた情熱と喜びが伝わってきます。とても美しい曲で、演奏も歌も素晴らしく…素晴らしい…

Daily Drops

CHRIS AND WALTER ....lyrics on now

DAY AFTER DAY

WORKER BEE WHERE CAN HE BE
TOO BUSY MAKING HONEY MONEY
TO SURVIVE IN THE WORLD
HE S JUST A DRONE , OUT ON PATROL
TO BUSY FORCING POLICY
TO SURVIVE IN THE WORLD

DAY AFTER DAY IT S ALL THE SAME
WE WORK FOR OUR PAY 
TOO BUSY MAKING HONEY MONEY
EVERYONE SHAMES EVERYONE BLAMES
GRITTY CORPORATIONS ONLY PROFITS TODAY

DISCIPLINED DISCIPLES WE ARE ONE
ON THE WAVE OF WILLFUL IGNORANCE
WE ALL STRESSED OUT ON THE MOMENT
FEEL THE CALL JUST TO FIND DELIVERANCE

DAY AFTER DAY IT S ALL THE SAME 
WE WORK FOR OUR PAY
TOO BUSY MAKING HONEY MONEY
EVERYONE BLAMES EVERYONE SHAMES
GRITTY CORPORATION ONLY PROFITS TODAY

SOLO

DAY AFTER DAY IT S ALL THE SAME 
WE WORK FOR OUR PAY 
TOO BUSY MAKING HONEY MONEY
EVERYONE SHAMES EVERYONE BLAMES
GRITTY CORPORATIONS ONLY PROFITS TODAY 

CHRIS and WALTER

DAY AFTER DAY

"The moon came down to watch, and all the creatures of the wood began to spin and sway, each to their own secret music." - Terri Windling

An improv composition inspired by fairy tales...Because you're never too old for a little magic!

Enchanted Forest Dance

She is an icon of folk music, she played her guitar upside down and backwards, and she served Don a fried chicken dinner when he got an opportunity to meet her in her home in Alexandria, Va.  In return he tried to teach her the Gary Davis tune "Candyman".  Don's roots run deep in folk music, not in just his knowledge of the genre, not just in the vintage instruments he owns and plays with deft skill, but in having encountered the artists themselves in live and personal settings.  His Cloud is full of his wonderful melodies and fine performances @https://soundcloud.com/user-399104119
We continue our "front porch jam" by covering "Libba" Cotten's cherished tune; I play the main melody on an Ibenez OM guitar, Don joins in with his Washburn parlor, Gibson mandolin, and a dulcimer tuned to C--a string band to be sure;)
Thanks also to Debra Buesking for her personal request that I attempt a cover of the song that got the ball rolling.

Freight Train (Elizabeth Cotten cover) Don Jennings, David Dunham

Instrumental, Production: Oussama Arichi
Lyrics, Vocals, Mix: Nadia Selvaggi
Drums: Trygve Larsen

To Die a Hero by Oussama Arichi & Nadia Selvaggi

Years

This song may seem like a step backwards, no DAW, just acoustic, quite simple, vocals and a guitalele as accompaniment. Are you familiar with this instrument? I didn't know it existed until I met someone on the train who had one with him, the GL1 from Yamaha. It's kind of a full-fledged mini guitar. It's rather inexpensive considering the quality, costing less than 100 euros including the case. It's a beautiful instrument, and you can easily take it with you anywhere. You can play it like a normal guitar, you just have to get used to the small frets on the fretboard. But I don't wish to advertise here...anyway, I am really happy with it.
I found that song on my phone, one of my very first songs, like „Giants“. I wasn't very good at playing at the time, so the accompaniment consisted mainly of 1 or 2 notes on the electric guitar, hardly any chords. When I rediscovered it, I thought it sounded so embarrassing (the guitar playing) that I wanted to delete it. But then I listened to the complete song and finally liked it a lot. I've taken over some of the minimal guitar playing here in the guitalele version, but play also full chords. So please don't expect a complex song here. Maybe if this is the first song you will hear from me, you perhaps better skip it and listen to another one first.

Get out of my Head

Now im home again 
and i just want to say how much i missed you.
Evening haunts the room 
and all i want to be is where im at.
i know you know i know
somethings hidden underneath our purpose
Earth is dying a slow death
so whatever mind you made up is mine
whatever story you told is lost
whatever harm you caused has healed
In the great divide

Im just sad to see we didnt get the chance to live forever
whatever its dying a slow death.

This isint yours to take
This isint yours to evade
This isint yours to see --

great slow death

Fighters is an epic cinematic work that transforms intensity, inner struggle, and the power of rising again into sound. The track begins with a dark foundation and gradually builds to monumental climaxes, carrying both hope and determination.

To create this atmosphere, I combined several orchestral libraries:

Spitfire Audio Abbey Road One – providing the orchestral foundation, recorded at the legendary Abbey Road Studios in London. Long notes, staccatos, and orchestral swells are featured here.

Spitfire Originals Epic Choir – with soprano and alto voices delivering long “Ahh” phrases that heighten the epic and hymn-like moments.

Spitfire LABS (BBC Symphony Orchestra) – delivering warm, soft viola layers that add emotional depth and a classical foundation.

EastWest Hollywood Orchestrator – bringing in powerful brass sections, driving percussion, and orchestral unison parts that push the track forward cinematically.

Each library contributes its own character:
The Abbey Road Strings add vastness and a majestic tone.
The Epic Choir creates spine-tingling moments, reaching beyond the fight into the spiritual.
The BBC violins & violas bring warmth and melancholy into the heart of the piece.
The Hollywood Orchestrator Brass & Percussion release raw, combative energy.

The result is a composition that feels like the soundtrack to an epic movie – a musical companion for battles fought both within and without. Fighters is not just a track, but an experience: dark, powerful, vulnerable, yet full of hope.

Fighters ist ein episch-cineastisches Werk, das die Intensität des Kampfes, die innere Zerrissenheit und die Kraft des Aufstehens in Klang verwandelt. Der Track beginnt mit einem düsteren Fundament und steigert sich stetig zu monumentalen Höhepunkten, die Hoffnung und Entschlossenheit gleichermaßen transportieren.

Um diese Atmosphäre zu erschaffen, habe ich verschiedene Orchester-Libraries kombiniert:

Spitfire Audio Abbey Road One – für die große orchestrale Basis, aufgenommen in den legendären Abbey Road Studios in London. Hier kommen vor allem die langen und staccato gespielten Streicher sowie die orchestralen Swells zum Einsatz.

Spitfire Originals Epic Choir – Sopran- und Altstimmen, die mit langgezogenen „Ahh“-Phrasen die epischen und hymnischen Passagen verstärken.

Spitfire LABS (BBC Symphony Orchestra) – für warme und weiche Violaklänge, die dem Track emotionale Tiefe und ein klassisches Fundament verleihen.

EastWest Hollywood Orchestrator – für kraftvolle Brass-Sektionen, markante Percussion-Elemente und orchestrale Unisono-Parts, die den Track filmisch vorantreiben.

Jede dieser Libraries trägt ihren eigenen Charakter bei:
Die Abbey Road Strings verleihen Weite und majestätische Klangräume.
Der Epic Choir schafft Gänsehaut-Momente, die über den Kampf hinaus in das Spirituelle reichen.
Die BBC Violinen & Violas bringen Wärme und Melancholie ins Zentrum des Stückes.
Die Hollywood Orchestrator Brass & Percussion setzen die kämpferische, rohe Energie frei.

So entsteht eine Komposition, die sich wie ein Soundtrack zu einem epischen Film anfühlt – ein musikalischer Begleiter für innere und äußere Schlachten. Fighters ist damit nicht nur ein Track, sondern ein Erlebnis: dunkel, mächtig, verletzlich und dennoch voller Hoffnung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Fighters

I decided to take another stab at this song (went down a rabbit hole for about 10 hours and completely re-played and re-sang the song).  I struggled with the vocals on my original version so I changed the key to E which made it easier to sing.   
****
Guitar:   strumming my Taylor 114CE
Organ: playing my midi keyboard with Native instruments clarinet organ
Wurlitzer 200A  Keys: playing my midi Keyboard with logic Wurlitzer sound.
Wurlitzer 200A:  EZ Keys 2
Bass: PG Music Real track
Drums: EZ drummer 3
****
Lyrics
In the planet of the ape’s movie in 1968
Astronauts crash landed on a planet that was in a sorry state
They stumbled across a society intelligent of apes who could speak
And there were humans, but they were mute and weak
They’d been asleep in their hibernation pods and 2006 years had elapsed
And somewhere during that time humanity had collapsed
And the astronauts didn’t realize they were on the planet where they’d been born as the apes hunted them and they hid in a field of corn
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that monkey fate, hope we smarten up
I wonder what those apes are thinking as they’re sitting in their cages at the zoo
Are they biding their time, making plans for what they’re goanna do
Are they dreaming of the day when they’re on the other side of that glass wall
Are they patiently counting the minutes, waiting for humanities downfall
The apes killed one of the astronauts and they stuffed him and put him on display j
Just like trophy hunters do with animals today
The Astronaut named Taylor, he got shot in the throat
He was unable to talk, so he got a pen and showed the apes what he wrote
The apes realized he was intelligent, and it shook them to their core
And the forbidden zone was a place they weren’t supposed to explore
Taylor met a girl he named Nova, she couldn’t talk but she was pretty.
A couple of apes helped them escape to what used to be New York city
And they rode together on a horse on a beach that looked like the west coast
Until they found that statue and realized humanity was toast
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that Monkey Fate, hope we smarten up
The planet of the ape’s is supposed to be science fiction
Let’s hope it doesn’t turn out to be an accurate depiction

Planet Of The Apes V 2.0

Marmot blues ━⚙

Surfers like Us ….. composition, all guitar parts, arrangement, mix and cover picture 

Hi Everyone!
This is the final part of my small experimental project called „What’s Up?”.
Hope you enjoy the „rockabilly vibe” of this song ! 😎

The lead guitar part was recorded in real time, as always in my songs! 🔆🎸

Thanks a lot for listening and support!
Artur

What’s Up? (Final Part)

Between the Worlds

In the Balance

4 Death

I don't intend to preach to anyone. I don't usually talk about anything specific in my songs, but for once, and thanks to the positive influence of Carl, the creator of The Beautiful Dark, in this song I express an idea, a concrete feeling beyond my usual soliloquies or the usual non-committal pop lyrics. I am committed to peace. Greetings to everyone.
Lyrics:
I can't choose between the victims
wich ones deserve respect and wich ones deserve spit on their graves
I can't choose between the victims
wich ones deserve respect and wich ones deserve spit on their graves
Haters are murderers.
murderers are on both sides of every conflict
evil reaches haters hearts
and makes them its instrument
and manages to spread everywhere
i can't choose between the victims
they are everywhere and they are all innocent.
i can't choose between the victims
they are everywhere and they are all innocent
I can't hate
I really don't know how to do it
i can't hate
I really don't know how to hate
but if i knew, i would hate the murderers, i would hate the violence and terrorism. 
i would hate to hate.
I can't choose between the victims
they are poor and rich, men and women too
i can't choose between the victims
they are young and old, and they all are getting cold
i can't choose between the victims
they come in every skin color there is, even white
no religion are save from hate
christian people die for their religion
no religion are save from hate
christian people die for their religion
in the world
I can't choose between the victims
wich ones deserves respect and wich ones deserve spit on their graves
I feel sorry for the victims who fell in gaza and for those who fell in yemen, in syria and sudan an in israel and ukraine and in new york city and madrid and in orem, utah
i know that your heart is noble and that it bleeds with the pain of the victims. don't choose, please don't choose
i can't choose between the victims
i can't choose between the victims
i can't choose between the victims

I can't choose between the victims

Video; https://youtu.be/nw-K-oB8PVM

Made in September 2025

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The Snow Queen – The Fox
October 2025
Duration: 2:15
Listen to more music from the Snow Queen ballet at: soundcloud.com/bruce-klepper-1/sets/the-snow-queen-music-for-danse
Based on a short melody from a Russian gypsy folk song 
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing The Snow Queen Ballet January 2026 in Colorado.
For violin, clarinet, alto sax, tenor sax, baritone sax, double bass, marimba and percussion.

The Snow Queen - The Fox

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Years

Kawauso_Rain.

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