Instrumental 10/05/2019

Check it out on YouTube: https://youtu.be/ZXGsnelW2yk

===== DIALOGUE =====
"If you do strike me down... my symphonies will go unfinished."
"If I strike you down..."
"My symphonies go unheard."
"So you see, you have put me in quite a conundrum."
"But perhaps it is this weird sense of... optimism..."
"That enables me to do this."
"..."
"Applaud, my friend, the comedy is over."

"And tragedy is about to strike."

===== NOTES =====
AT LAST. 7 MONTHS LATER. AND IT SOUNDS LITERALLY ***NOTHING*** LIKE THE PREVIEW.
BUT BEETHOVENIA IS RELEASED.
AND THE CRITICS
ARE
Q

This was a little bit of an experiment. I had no idea what I was gonna do with Beethovenlovania when it struck me:
Make a it megalo that goes from pure piano to orchestral to fucking batshit metal.
The orchestral part idea originates from the first version of LUNATIC, a part that you haven't heard because it wasn't part of the preview (nor was it actually made at the time of the preview's upload i think).

I had a lot of fun messing around with numerous songs Beethoven's known for. There's one song I would've wanted to add but had no idea how to. And that's fucking beethoven song that comes on Windows XP. The mixing is probably rougher around the edges than i'd wanna admit but overall I still think this is one of my better works, 'specially compositionally.

EDIT: NO THIS ISN'T FOR CLASSICAL CHRONICLES SWAP GET THAT SHIT OUT OF YOUR HEAD.

===== CREDITS =====
@pyrartmid for inspiring the dialogue

[A Beethoven Megalovania] LUNATIC

✗ (going to be) available exclusively for DL @ https://laxcity.lnk.to/bandcamp (under construction 🚧👷)
✗ main account: @laxcitymusic

✗ DL (bandcamp) ✗

oculus

Handel's Classical Guitar Lullaby Vol, 5

Handel: Suite No.3 In D Minor HWV 428 - V. Air & 5 variations

Art: https://www.pixiv.net/member_illust.php?mode=medium&illust_id=74377348

Halo

Download

Please support me on Patreon if you enjoy my work!
https://www.patreon.com/user?u=9318037

Spotify: https://open.spotify.com/artist/1tdHPEu7gU9axrfswtGmhL
Bandcamp: https://seycara.bandcamp.com

Credits:

Composition/Orchestration/Conducting - Yuang Chen
BG/Thumbnail - Tazaki Uni

Program used: Finale, Studio One

Visit our Soundcloud for more Seycara tunes: https://soundcloud.com/seycara-orchestral
Website: www.seycara.com
Contact: music@seycara.com

Orchestration:

Solo Bass Oboe

2 Horns in F
1 Trumpet in C

Timpani + 1 Percussion

Strings
------------------------------

Please do not re-upload without permission.

------------------------------

Earth Spirit | Bass Oboe & Orchestra | Original

demos

chrysalis (demo)

Composed by: Khaled Al Kammar for Qabeel, airing on MBC starting the 4th of May 2019. 
موسيقى: خالد الكمار
Performed by: The English Chamber Orchestra


Violins

Ofer Falk
John Mills
Richard Milone
Lucy Jeal
Marcus Barcham-Stevens
Matthew Elston
Ruth Funnell


Violas

Jonathan Barritt
Lydia Lowndes-Northcott
Cara Coetzee


Cellos

Caroline Dale
Bozidar Vukotic
Reinoud Ford
Eve Heyde

Trumpet
محمد سواح

Oud
هشام عصام

Guitars
Ryan Haberfield 

Recording Engineer
Jeremy Murphy

Orchestration
Khaled Al Kammar


Orchestra Managers

Lydia Brookes
Jill Groom

Qabeel OST - موسيقى مسلسل قابيل

Edit >> Arab Soundtracks

Composed by: Khaled Al Kammar for Qabeel

Performed by: The English Chamber Orchestra

Violins

Ofer Falk
John Mills
Richard Milone
Lucy Jeal
Marcus Barcham-Stevens
Matthew Elston
Ruth Funnell

Violas

Jonathan Barritt
Lydia Lowndes-Northcott
Cara Coetzee

Cellos

Caroline Dale
Bozidar Vukotic
Reinoud Ford
Eve Heyde

Trumpet
محمد سواح

Oud
هشام عصام

Guitars
Ryan Haberfield

Recording Engineer
Jeremy Murphy

Orchestration
Khaled Al Kammar

Orchestra Managers

Lydia Brookes
Jill Groom

موسيقي مسلسل قابيل - Qabeel Music

PREORDER/ https://shelterpress.bandcamp.com/album/the-flower-and-the-vessel-2

Félicia Atkinson  'The Flower & The Vessel '
Shelter Press / SP110

French poet and ASMR auteur Félicia Atkinson has frequently fixated on the elusive interwoven relationship between microcosms and macrocosms – how even the quietest creative act ripples outward in unforeseen ways, a whisper with no fixed meaning. Her latest work pursues this notion in a more literal and lasting fashion, as it was crafted while pregnant on tour, in impersonal hotel rooms in foreign cities. She describes it as “a record not about being pregnant but a record made with pregnancy.” Each day and night, finding herself far from home, she asked herself “What am I doing here? How can I connect myself to the world?” The answer gradually revealed itself: “With small gestures: recording my voice, recording birds, a simple melody.”

In truth there is nothing simple about The Flower & The Vessel. The album’s 11 songs span a vast pantheon of whispering textures, opaque moods, and surreal spoken word, leading the listener through a mirrored hall of beguiling mirages. Atkinson cites a trio of French classical compositions from her childhood as formative influences on this particular collection: Maurice Ravel’s “L'enfant et les sortilèges” (“a scary opera for kids”), Debussy’s “La Mer” (for its union of narration and music) and Erik Satie’s “Gymnopédies” (as an exercise in negative space, irony without cynicism, and “melody with doubt”). There’s certainly a shade of classicism woven within these tracks, however veiled, abstracted, or unorthodox. Melancholic piano motifs repeat then retreat into a radiant frost of shivering frequencies; processed voices recite cut-up poems and interviews over delay-refracted Rhodes and Wurlitzer; iPad gamelan patterns flutter from meditative to melancholic and back again, offset by pointillist patches of delicate software synesthesia.

Although much of Atkinson’s past discography is shaped by speech and the lyricism of language, The Flower & The Vessel ventures farther into silence, absence, and voiceless wilderness. Among her sources of inspiration were “women who wonder, dream, and create vacant spaces in their art,” as well as Ikebana flower arrangements, which reflect her own relationship with listening: “structure combined with everyday noises, selecting them to make a sparse music bouquet.” Field recordings from Tasmania and the Mojave Desert murmur beneath hushed reverberations of gong, vibraphone, marimba, softly processed into an elegant emptiness, alternately eerie and serene.
 
Her mode of minimalism has long been one of reduction, riddles, and curation, but here Atkinson’s synergy feels close to apotheosis, emotive but ambivalent, a ceremony of expectation and invisible forces. The 19-minute closing collaboration with SUNN O))) guitarist Stephen O’Malley, “Des Pierres,” is one of the album’s few pieces tracked in a proper studio (Music Unit in Montreuil, France) but it broods and burns with the same subliminal majesty as the rest of The Flower & The Vessel: an ember in amber, seeds planted in shifting sands. Atkinson’s voice flickers like a flame, framed by slabs of shadowy feedback. Her process may be personal is but its impact ripples to the edges of existence: “How does the act of creation connect us, not only to history, but to the cosmic? It’s a process of taking, and then giving back. It makes us belong to the world.”

The Flower and the Vessel

Shirley to Shirley

FELICIA ATKINSON — Shirley To Shirley (SP110)

missed a few uploads, have a double upload :)

✗ (going to be) available exclusively for DL @ https://laxcity.lnk.to/bandcamp (under construction 🚧👷)
✗ main account: @laxcitymusic

lonely

Here's an orchestration of the TEMA motif from "Gunslinger Girl". Mostly done to exercise my string mockupage as it's one of those pieces that is very difficult to recreate realistically.

You can find more anime covers, as well as video-game orchestrations on my YouTube channel. Mostly done to practice my rusty string mockupage

This orchestration: https://www.youtube.com/watch?v=pIWRLHaB6DU
Facebook: http://facebook.com/syntheticorchestra
Twitter: http://twitter.com/#!/syntheticorch
SoundCloud: http://soundcloud.com/blaketothefuture/
Site:http://syntheticorchestra.com

A Collection of Orchestrations

Gunslinger Girl - TEMA Orchestra

Check out my YouTube video here:

https://www.youtube.com/watch?v=pbLDWkzPhEU

Hollywood - Avengers Endgame; Portals (Piano Cover)

Spitfire Solo Strings - Vc noodle #2

Breathing in April

First single from Japanese composer and pianist @daigohanada 'Ouka' EP out June 21st. 

Pre-order the album on CD/DL : https://modernarecords.bandcamp.com/album/ouka 

Stream the track on your favourite digital platform : https://orcd.co/utts 

Written and recorded by Daigo Hanada 
Mastered by Martyn Heyne

Ouka

Under The Starry Sky

Buy CD/DL

Daigo Hanada - Under The Starry Sky

↪ Video: https://youtu.be/1cgO42sh-ZY

Youtube: https://www.Youtube.com/Jurrivh
Facebook: https://www.Facebook.com/Jurrivh
Instagram: https://Instagram.com/Jurrivh
Twitter: http://Twitter.com/Jurrivh

Youtube

Falling To Pieces - *SAD* Piano Beautiful Song Instrumental

Musique Yacine Azaiez
Crédit Photo Mariem Hbaieb

Azaiez Yacine - Foam . كشكوشة

www.recitalprogram.com/the-entertainer/
Limited LP Edition of 250
includes signed insert
OUT ON JUNE 7th
www.recitalprogram.com/purchase/

Instrumental 10/05/2019

Khalil Ardat