Experimental, Mystical , alt -pop artist. 
think Fiona Apple, Florence Welsh, Caroline Polachek.

www.bachelorsofscience.com
www.coderecs.com
Bookings: Rob@RespectArtistAgency.com

Few artists to emerge from North America’s Drum & Bass culture have made such a significant or enduring impact as San Francisco based trio Bachelors of Science. Formed in 2005, the group has carved out an unmistakable signature sound that spans the full emotional scope of the genre. From deep liquid over to the harder dance floor sounds of DnB, BoS have retained their musical quality and a loyal following, picking up a Beatport award for Best Drum n Bass single and several features on BBC Radio 1 while garnering DJ support across the scene from artists like LTJ Bukem, High Contrast, Friction, S.P.Y, Spectrasoul, Doc Scott, Bryan Gee, Marky, and many more.

Having released music on labels like Spearhead, Dirtybird, Fokuz, Horizons and Intrigue, in 2012 they launched CODE Recordings as an outlet for their music as well as standout productions from some of the top artists in the DnB scene.

On stage BoS bring an energy and vibe that is all their own. From top clubs like Fabric and Ministry of Sound to festivals and events such as Tomorrowland, Sun and Bass, Hospitality and Liquicity, the guys regularly perform around the world taking crowds on a unique journey with everything from originals and bootlegs to custom edits of cutting edge tracks and past future classics.

Most recently they were chosen by the iconic Kool FM to host a monthly radio show which has now been running since 2023. More details here: https://www.rinse.fm/shows/bachelors-of-science/

Labels: CODE Recordings // Spearhead // Intrigue // DirtyBird // Horizons Music // Formation // D&B Arena // Fokuz // BBE // Om // Santorin // Smoke n Mirrors

Light That Leads Me (with Bebe Rexha) ↙
https://helixrecords.ffm.to/ltlm

State of Mind is the Drum and Bass duo from New Zealand of Patrick Hawkins and Stu Maxwell.  

For bookings:

New Zealand: STRIKE AGENCY - h@strikeagency.co.nz
Australia: INHIBIT AGENCY - geoff@inhibitenterainment.com.au
Europe & UK: GRAM AGENCY - tom@gramagency.co.uk
Russia: ROYAL AGENCY - info@royalpromotions.ru
USA: CYBER GROOVE - scott@cybergrooveprod.com

Concord Dawn -
New Zealand dude Matt Harvey is the man behind Uprising Records and Concord Dawn.
Matt also runs Uprising Records, which has released artists including Trei, Camo and Krooked, Psidream, State of Mind, Axiom, Pendulum,the Upbeats, Dose, Prolix and many more..... 


Undoubtedly one of NZ's finest DJ / Producers; TREi, has been a leader in the drum and bass scene 'downunder' since 2007. Along with a slew of producers coming from Australia and New Zealand including Pendulum, The Upbeats, ShockOne, State of Mind, Dose, Flowidus, Concord Dawn and Lee Mvtthews. TREi has made a name for himself with releases on prestigious labels such as: Viper Recordings, Technique, Commercial Suicide, Elevate, Device, Rampage, SOM Music and Samurai Music.

Bookings:
NZ:  treimusicnz@gmail.com or treibookings@gmail.com
Worldwide: treibookings@gmail.com

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Kayla Maree is following