Canceller X

track name:
1. playback of anxiety			6'33
2. stopped memory			3'34
3. falling memory			3'32
4. difference memory			4'09
5. long memory				5'12
6. first cancel				5'32
7. playback again and again 		6'35
8. loop memory				2'26
9. ordinary memory			5'49
10. bad memory				7'15
11. bug memory				3'09
12. second cancel			3'26
13. cancel again 			5'15
14. flow of memory -cancel version-	6'57


KYOU RECORDS
KYOU-001
JAN: 4562293382219

2,000yen+Tax

Mastered by KAZUYA ISHIGAMI
Designed by HIRAMEKI837STUDIO

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Purchase in Japan:
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Purchase from outside Japan:
http://www.cdjapan.co.jp/product/KYOU-1S

Canceller X

ENGLISH TEXT FOLLOWS

Auf der CD "Sprühweißquellgold verleih mir Flügel" (Eigenverlag, 2022)

Weitere Veröffentlichung der Komposition auf der CD "Lautgedicht" (Musique moléculaire label, August 2024)

https://musiquemoleculaire.bandcamp.com/album/lautgedicht

Programmnotiz
Im Sommer 2015 verbrachte ich zwei Monate (Juli und August) in der NES Artist Residency in Skagaströnd, Island. Jetzt, sechs Jahre später, habe ich ein elektroakustisches Stück komponiert, das ein wenig von Island inspiriert ist. Die Komposition besteht aus bearbeiteten Perkussionsklängen und unbearbeiteten Klängen (nur wenige Sekunden) von der CD „Duo Svanni – RÆTUR“ von Hildur Wågsjö Heimisdóttir und Júlia Traustadóttir Kondrup und der CD „Sounds of Island“ von Hafdis Bjarnadóttir.
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On the CD "Sprühweißquellgold verleih mir Flügel" (Eigenverlag, 2022)

Further publication of the composition on the CD "Lautgedicht" (Musique moléculaire label, August 2024) 

https://musiquemoleculaire.bandcamp.com/album/lautgedicht

Program Note
In summer 2015 I spent two months (July and August) at the NES Artist Residency in Skagastrrönd, Iceland. Now, six years later, I created an electroacoustic composition, which is a little bit inspired by Iceland. The composition consists of edited percussion sounds and unedited sounds (just a few seconds) of the CD „Duo Svanni – RÆTUR“ by Hildur Heimisdottir and Julia Traustadottir and of the CD "Sounds of Iceland" by Hafdis Bjarnadottir.

I finished this work in January 2022

Sprühweißquellgold verleih mir Flügel

Electroacoustic Music 2022

On the CD Sprühweißquellgold verleih mir Flügel, 2022

Adagio - Electroacoustic Music

Pour ce deuxième épisode du podcast Electrodoc, nous avons le plaisir de recevoir Hans Tutschku qui présente un carte blanche pour Musiques & Recherches le mercredi 29 mars 2023 au Senghor à Bruxelles.

Toutes les infos: https://www.musiques-recherches.be/fr/agenda/concert-acousmatique/item/5730-2022-11-10-15-42-50

pièces présentes dans le podcast:
Hans Tutschku "Remembering Japan, Immersion"
Francis Dhomont "Frankenstein Symphony, Allegro"
Annette Vande Gorne "FIgures d'espace"
Ingrid Drese "Voix de l'aurore"
Manuel Viallet (alias Scarabj) "Crocs"

Acheter l'album "Remembering Japan" de Hans Tutschku:
https://electrocd.com/fr/album/6390/hans-tutschku/remembering-japan

Pour en savoir plus sur Hans Tutschku: https://tutschku.com/

au micro: Sophie Delafontaine
réalisation: Jean-Baptiste Zellal

Electrodoc #2 - La mémoire avec Hans Tutschku

Sequenz für Streichquartett. Entstehungsjahr: 2014. 
Armida Quartett - Livemitschnitt

Sequenz für Streichquartett / Sequence for string quartet

13 Cancel Again

05 Long Memory

04 Difference Memory

03 Falling Memory

02 Stopped Memory

01 Playback Of Anxiety

She's One Brave Lady

image music - narita airport -

dirty points

Tacks

Adumbration: to suggest, disclose, or outline partially; to foreshadow vaguely; overshadow, obscure.

Adumbrations goes through a series of statements towards a sensibility of ideals and shadows, utilizing female voices reciting a series of tongue twisters that iterate sibilant, fricative, and bilabial sounds. If spoken incorrectly, the sound qualities of these tongue twisters are heard as curse words. Therefore, there needs to be consistency in the process of speaking these tongue twisters explicitly. In the English language curse words can function as multiple parts of speech, and as the saying goes, people who curse more frequently are more honest. 

This piece explores the dichotomous relationship between certain ideals and shadows, i.e. consistencies and inconsistencies, actuality and potentiality, and the explicit and the honest, as it goes through a series of musical adumbrations that “halo” the process of these tongue twisters. Through these adumbrations, the contradictory can be either one or the other of the ideals or shadows turning on itself, and at times the appearance of the clarity and the inaccuracy are in an indefinite flux through these halos.  This occurs as inconsistent phonemes are turned from inaccurate iterations of the tongue twisters into something sounding consistent.  The halos are supplementing the voice within varying simultaneous parameters that include shimmering, radiating around the iterations and vice/versa, and existing as a spatial supplement revolving in different stereo planes around and as a process, and out of the immersive comes our personal perception of the contradiction.  One can think of this adumbrated halo, in this sense, as a place where the dichotomous relationship becomes indistinguishable, and laughter for a flawed system. 

This piece is partially inspired by Ingmar Bergman’s movie Persona.

Thank you so much for the wonderful voice recordings:
Elizabeth Gartman
Caroline Mckinzie
Logan Piker

Adumbrations

KAZUYA ISHIGAMI, is composer, sound designer, sound performer and sound engineer born in 1972, in Osaka/JAPAN. He learned electro-acoustic music composition at INA-GRM in 1997. His pieces were performed at DR(DeutschlandRadio/Germnay) ,WDR(westdeutscher rundfunk/Germany), CCMC(Japan), JSEM(Japan), FUTURA(France), MUSLAB(Mexico), SR(Radio Saarbruecken/Germany), HR(Hessischer Rundfunk/Germany), ISCM(Stuttgart/Germany), Spark(USA), NICOGRAPH(Japan), SILENCE(Italy), VII International FKL-Symposium(Italy),  ICMC(2015_USA/TEXAS)  and so on. He has an independent label “NEUS-318”.

13 Cancel Again

KAZUYA ISHIGAMI

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