so calming. love the dense harmonies in this track!

großartig. Gelungenes Arrangement und Top Sounddesign. Ganz mein Fall.

magnificent work ! very good recording too !

Great flowing arrangement and use of powerful sounds and effects.

Electroacoustic Music 2022

On the CD Sprühweißquellgold verleih mir Flügel, 2022

Adagio - Electroacoustic Music

Who but a brazen crazy person would go one-on-one with blank paper or canvas armed with nothing but ideas?
— Mark Vonnegut

OneKind- Brazen

A slow, solemn piano piece. Free time with bird song and ambience.

Sierra

CHANTS

Per incidere questo brano ci ho messo una vita, la mia.
Per tutti gli amici che non ho nominato, perdonatemi!
...o ringraziatemi...

Picture by my friend Andrea Lo Russo, during our fucking job.

Lavoratore dello Spettacolo

The earlier incarnation of Blink Twice was more dark ambient. This track dates back to around 1994-1995. It even predates the first Blink Twice CD "Other Locations", released in 1996. It is one of my personal favorites from the archives for it's haunting beauty rather than droning terror.
I have been thinking about re-releasing "Other Locations" on Bandcamp with some additional bonus tracks from back in that time period.

Unknown album (4/29/2017 8:22:00 PM)

Blink Twice - Phantom's Requiem

A beautiful slow ambient track with lopping melodic guitars.

Music For Sleeping Boys

Released December 20, 2024, made on analog gear.

BANDCAMP

Nostocales - Rework Version

Cailleach - Creator, Protector, Destroyer. https://youtu.be/joKYWzzjuro

Cailleach - Creator, Protector, Destroyer

A synapse-popping electro-acoustic soundwalk around Western Europe's cathedrals, chapels and churches, 𝑪𝒂𝒎𝒑𝒂𝒏𝒂 𝑺𝒐𝒏𝒂𝒏𝒔 skews recognizable sacred soundscapes, proposing a contemporary mythology that muddles the past, present and future. Following on from his critically-acclaimed 𝑩𝒂𝒕𝒉𝒉𝒐𝒖𝒔𝒆 𝑩𝒍𝒖𝒆𝒔 full-length, American sound artist Jake Muir familiarizes himself with German and British sonic architecture by studying some of the medieval shadows that still hang over Europe's streets, even as they continue to evolve. Manipulating environmental recordings captured in Germany and England, Muir presents an impressionistic juxtaposition of parallel cultures: the UK's distinctive "change ringing" technique, where a team of bell-ringers play long varied sequences on a set of tuned bells; and Germany's more sober style, with monotonous peals that add rhythm to daily life.

When Muir moved from Los Angeles to Berlin back in 2019, it wasn't just the German capital's damp weather and long, dark winters that came as a surprise. He was immediately struck by the city's anomalous acoustics, and one particular element stood out: the resonant church bells that echo around Berlin throughout the day to mark time, and for 10 minutes on Sundays as a call for mass. Gathering his field recording equipment, Muir acquainted himself with his new home by following the sonorous clangs, wandering from kiez to kiez to capture each church's distinct auditory flavor. And the more material he collected, the more engrossed he became in the history of bell ringing, prompting a deep dive that would shuttle him across Germany and into Italy, Belgium and the UK.

On 𝑪𝒂𝒎𝒑𝒂𝒏𝒂 𝑺𝒐𝒏𝒂𝒏𝒔, Muir trains his focus on Berlin, where his journey began, and on England, where he encountered the most elaborate bell ringing practice. 𝘌𝘳𝘻𝘬𝘭𝘢𝘯𝘨 is a hypnotic lattice of sounds recorded all over the German capital: at Parochialkirche, a reformed church in Mitte; at evangelical church St. Matthäus, at Sophienkirche, another Mitte landmark; and at St. Mathias, a Roman Catholic church just in front of the Potsdam Gate. By fusing the liturgical chimes with snippets of local ambiance - traffic, chattering tourists and birdsong, for example -  Muir takes a blurry snapshot of the city, queering its idiosyncratic color spectrum with his various digital processes. Using reverb to replicate the acoustic properties of both the streets and the church interiors, he subtly disturbs the timeline, stretching out brief peals into long, mesmerizing drones and turning garbled voices into ghostly babble.

The environment alters considerably on 𝘊𝘩𝘢𝘯𝘨𝘦𝘴; Muir uses the same technique and applies it to recordings made at the 1000-year-old St. Oswald church in Oswestry, St. Bartholomew's, Edgbaston and Holy Trinity in Stratford-Upon-Avon, home to Shakespeare’s final resting place. Here, Muir methodically untangles the change-ringing process, linking back to 𝘌𝘳𝘻𝘬𝘭𝘢𝘯𝘨 with a single bell tone before moving inside the church itself and documenting the ringers' shouted instructions, blending the calls with the bells' mathematical cyclic patterns. Muir memorializes what in 2025 is a dying art-form - a community skill that's disappearing worryingly quickly as young Brits lose interest in the church and its rituals. Unsettling distortions bite into the undulating sequences and underneath the noise, Muir highlights the music's latent euphoria, drawing out its most celestial tonalities.

File under: devotional music.

---

recorded by Jake Muir
audio finalized by Glyn Maier
photography by Jake Muir
design template by Joe Bastardo

Campana Sonans

Erzklang [Preview Clip] (ENM-14)

Original Mix by https://soundcloud.com/fatpockets/senor-suavemente
Jerry Lochman(Guitars) ... https://soundcloud.com/time2cclear
Dan Monroe(Bass & Mix) ... https://soundcloud.com/fatpockets
Vocal ..Teddy the Beer - Bien Dans Mon Époqueh  https://soundcloud.com/teddythebeer
Dave Money ......... percussion & Remix

Lochman & Fat Pockets - Señor Suavemente ( ft Teddy the Beer ) (Fantasy Club remix)

Composer Contemporary Music

Sibylle Pomorin (*1956) studied from 1975 until 1980 flute and saxophone at the Staatliche Hochschule für Musik in Münster, Germany. 

In 1984/85, she studied composition under Ernst Bechert in Hamburg, Germany and in 1994, she received composition lessons and an introduction to electroacoustic music from the American composer and electronic musician Alice Shields during a six-month stay in New York. 

Between 1982 and 1994 she toured with improvising musicians of the international scene and toured with her own groups and compositions through Europe and Israel. 

She received composition commissions for ensembles, festivals, broadcasting, and theatre as well as numerous prices and awards and was promoted by various working scholarships – inter alia in New York, Istanbul and Iceland. Scores publications and CD releases inter alia by Moers Music and in the Furore Verlag. 

Her music has been performed at international festivals for contemporary music in Europe, Israel, Mexico, Australia, Canada, Georgia, Japan and the USA.

Adagio - Electroacoustic Music

Sibylle Pomorin

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