Recorded at EMS 2017 with a Serge Modular Synth
Composed at Bruit Brut Studio in May 2024

Solar Return Albereit3

Experiment Intrinsic Club Dom • Bulgaria 2024

Vakula crafts immersive ambient and experimental soundscapes inspired by nature, the analog warmth of synthesizers, and his Ukrainian roots. Blending organic textures with deep, meditative atmospheres, his latest albums highlight his talent for transporting listeners into expansive, serene sonic worlds.

This mix was recorded at our Intrinsic Gathering at Club Dom Bulgaria, featuring all music produced by Vakula.

@vakula
https://vakula.bandcamp.com
https://www.instagram.com/vakula_sound

Podcast Series 41 • Vakula

There he said it

A compilation of our third Saturday Circle Sings at Side Rail Collective in Georgetown (Seattle), WA. Led by Debby Boland Watt we create simple, complicated, silly and soul-worthy music for the simple joy of coming together and making beautiful music.




Side Rail Circle 10/19/24

Luna Roja:

Ruido en la ciudad, se desborda el río de sangre, inundando tus mentiras desafiantes, afiladas y misteriosas..... 

¿Quién eres realmente?

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Composición: Aviaxonus
Mastering By co-dec
Portada: Munrra [Imágenes.Técnicas]
Texto: Moira Toro Aka Insommne


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Luna Roja / Live Set [Mastering By co-dec]

David Bohn (Toy Piano)

Konnakol is the South Indian art of performing rhythms using spoken syllabels. Those spoken syllabels get combined with a simultaniously counting meter performed with the hands.
In my piece I am using the following Konnakol syllabels:
Da           Ta-ka           Ta-ka-di-mi                    Ta-ki-ta Ta-ki-ta                    Ta-ki-ta Ta-ki-ta di-mi

Konnakol

KRUKKE (2013)

dEbAUShE

Taken from the record "Abstract Music - The Brachial Experience" 2018

Abstract Music - The Brachial Experience

AM 4 - Ascending

Produced on November 6th.

Official Site
https://www.takeo-suzuki.com
TAKEO SUZUKI YouTube
https://www.youtube.com/@takeosuzuki_electronic
TAKEO SUZUKI bandcamp
https://takeosuzuki.bandcamp.com/

116440

116440 - Japanese Noise Music

Ensaio do grupo Os Prometidos com a seguinte formação:

Heitor Dantas - violão de microtom, cordas de nylon, com acessórios
Vladimir Bonfim - violão de microtom, cordas de nylon, com acessórios
George Christian - violão de aço (CGDFA#E), com acessórios
Uru Pereira - fagote (convidado especial)

Gravado em 30 de outubro de 2024 na residência de Vladimir. Gravado, mixado e masterizado por Heitor Dantas.

* Nota: faixa 3 é parte de uma suíte de peças em partitura gráfica intitulada "Metamórficas" de George Christian. 

03 Metamórficas, página D - Descentrosamentos (Leitura Ocidental)

02  Ritos Improvisativos II

01 Ritos Improvisativos I

04 Samambaia Blues

new CD on flag day recordings
https://dave-phillips.bandcamp.com/album/nothings-wrong
https://flagdayrecordings.bandcamp.com/album/nothings-wrong

nothing's wrong (xcerpt)

darkland

Writing Period: Mar 2021 - 5 Apr 2021
Recorded: Mar 2021 - 5 Apr 2021
Edited: Mar 2021 - 5 Apr 2021

Gear:
Yamaha F310
THR10C
Epiphone Special SG
Samson C03U
Audacity
A Polished Steel Guitar Slide
Elixir Nanoweb Coated Strings

Post Rock Nr 1, from The Birth Of A New Age Sun

Postrock Nr 1

Dźwięki Bytomca to montaż dźwięków towarzyszący grupie młodych twórczyń i twórców w trakcie budowy łodzi zwodowanej pod imieniem "Teofil".
Są to dźwięki natury nagrane w miejscowości Bytomiec (w woj. lubuskim) oraz audycja niemieckiego radia, która odbyła jednego z lipcowych wieczorów budowy łodzi.
Montaż dźwiękowy został wykonany na potrzebę wystawy (prezentującej fotografie i filmy z budowy i wodowania łodzi) i służy immersji doświadczenia procesu odbywającego się na łonie natury.

Dźwięki Bytomca

deadboy.
vampire society nigga
I love Jesus Christ
26 yrs old
other social:
https://www.youtube.com/channel/UC9uUv84CKjhaqS_R1mr6LzQ
https://www.instagram.com/deadb11y/

sound as communication in direct and primal form, a tool of metaphysics, a conscience and a consciousness, unrestrained language, vibration. sound as a means to activate primordial shared emotions otherwise hidden under the debris of civilisation. works that oppose the omnipresent restriction and reduction of life and living. inviting rumination, encouraging intervention, endorsing catharsis & environmental e/quality, touching sentience, cleansing. dp re/searches and ponders existences and behaviourisms via audio de/construction, psycho-acoustics and sound rituals. sonic activism, ritual protest music, humanimalism.

solo works since 1987. 
part of SCHIMPFLUCH-GRUPPE (with Rudolf Eb.er, Joke Lanz, Marc Zeier, Daniel Löwenbrück etc.) since 1991.

projects present and past include OHNE, dead peni, perverts in white shirts, PK, ketsu no ana, fear of god & more;  collaborations with G*Park, Francisco Meirino, Randy Yau, Hiroshi Hasegawa, GX Jupitter-Larsen, Chris Galarreta, Masonna & more; ScHimpfluch Associates label with Rudolf Eb.er etc blablabla

contact/booking dp@tochnit-aleph.com

In the 90s, he began his career as a beatmaker and DJ under the names DJ TKO and TAKEO SUZUKI in the club jazz unit "O.M.U.", releasing CDs on the Nippon Columbia Triad label. He then released a completely self-produced album on the German label 99.

After leaving O.M.U., he took a break from music. Around 2020, he resumed his music career, and has been actively releasing experimental electronic music, techno, psychill music, and other music, mainly ambient, on bandcamp.

Austrian born music maker since 2010. Former and active projects are:

MENTAL ESCAPE POD
DABIT VOCEM AUSTRIA
oni_pelted_by_beans
Das Rheintaler Nachtwerk
I Will Not Be Pracing the Queen During the Lunar Eclipse (together with RinniR)

Experimental soundscapes and live performances draw from a wide array of disciplines, from ambient, traditional and world, to early electronic, live avant-garde and contemporary.

Subtle yet expansive, introspective yet universal, we create a space with the support of likeminded people, to both collectively and individually explore the depth and richness of infinite existence.

Hii! I'm currently attempting reinvent my sound a tad :) New thangs comin' soon ;)

Also used for any music related projects on my Caveguy22 channel.

Email: Caveguy2realm@gmail.com

https://linktr.ee/mrvnmusic

JULIEN OTTAVI

A mediactivist, artist-researcher, composer / musician, poet and tongues destroyer, experimental film maker and anarchitect, founder and member of Apo33, Julien Ottavi is involved in research and creative work, combining sound art, real-time video, new technologies and body performances. Since 1997, he develops a composition work using voice and its transformation through computer. Active developer of audio/visual programs with Puredata, he has also developed since many years DIY electronics (radio transmitters, oscillators, mixers, amplifiers, video transmitters...etc) in the perspective of knowledge sharing on technological development. Main developer for the Gnu/Linux operating system APODIO for digital art and A/V & streaming diffusion. His practices is not limited to the art spheres but crosses different fields from technological development to philosophy / theoretical research, biomimetic analysis & experimentation. Since many years he reflects on the relations between experimental practices and collective practices within the creation of autonomous collective groups, putting in question the authorship strategy of the “art ideology”.

Julien Ottavi is part of a generation of audio artists to emerge in the 90\`s that indicated some of the directions that music and soundart is taking. While at art school, he organized a series of concerts, bringing international artists from the experimental scene to Nantes, drawing touring musicians to movements happening outside of Paris. This became not just a destination but a nexus for collaborations. This resulted for example in the group Formanex to perform graphical scores of electro-acoustic music, and in Apo33, an artists collective to facilitate, nurture, and disseminate creative audio practice. In this way, Julien represents the energy and initiative of a present day artist – activist through practice, organizing as performance, publishing as networking, open source and open aesthetic. This fluidity of working across boundaries of style and role are seen in his music, physical with computer, performative and reflective. (introduction by Atau Tanaka) 

https://louisaguirre.cargo.site/
https://www.youtube.com/channel/UCpHP3DQe90w6q6uD_kY-UAw/featured?view_as=subscriber
Louis Aguirre (f. 1968) Cubansk komponist bosiddende i Danmark. Aguirre er uddannet som komponist i Cuba, Amsterdam, men fortsatte studierne efter han flyttede til Danmark i 2004, og afsluttede solistklassen i komposition ved Det jyske Musikkonservatorium i 2007. Aguirre er en stærk og original stemme i dansk musikliv. Hans værkliste, med mere end 170 værker, inkluderer: opera, orkester- og kammermusik, soloværker, vokalmusik, koral-, elektronisk- og didaktisk musik. Han er en aktiv del af musiklivet i Danmark og Nordjylland, bl.a. ved sit arbejde som medlem af komponistgruppen Snow Mask og som kunstnerisk leder af Snow Mask Ensemblet. En række af hans værker er inspirerede af den cubanske Santeria religion og de religiøse tekster fra området.

My name is George Christian, I was born in August 10th, 1981, and my homeland is the city of Salvador, capital of Bahia, in Brazil. I'm a self-taught composer and a guitarrist with more than 10 years of experience. Even with not much formal instruction, I opted to be committed with my own discoveries in Art instead of being a musician in the entertainment field. I'm also a writer with five reasonably finished books of poem, however not published, and graduate in National and Foreign Languages (English) at Federal University of Bahia (UFBa). My essential aim in Music is to develop a compositional approach that encompasses not only popular but also the classical fields in an equanimity, and creates a synthesized universe of its own. The songwriting and the improvisations living side-by-side with electroacoustic studies and compositions with a larger structure, and working all the styles with a lyrical universalist philosophy. The musical message wants to restore the faith in humanity outside the chaos and overwhelming situations, even bringing back a sense of adventure, terror and reflection. And it surpasses the subtle autobiographical aspects to seek what is worth to be shared with the cosmos inside our hearts. It's not about any kind of musical devices or styles, but it's a meditation on life, death, ressurrection and eternity through the organization and impact of sounds. (written in February 25th, 2010)

New tracks tagged #Experimental Music