**𝙁𝙍𝙀𝙀 𝙁𝙊𝙍 𝙉𝙊𝙉 𝙋𝙍𝙊𝙁𝙄𝙏 𝙐𝙎𝙀 𝙊𝙉𝙇𝙔**
💰 Purchase Link | 📲Download Link: https://bsta.rs/0381a4949
🔥 Subscribe Here: bit.ly/2V2Q35o
📧 Email: Alldaynightshift@gmail.com
🌎 Website: alldaynightshift.com/
Buy 2 get 1 free! Buy 3 get 2 free! Buy 10 get 8 free! 🔥🔥

Socialmedia:

► As ALLDAYNIGHTSHIFT on Instagram:
www.instagram.com/

►As ALLDAYNIGHTSHIFT on Twitter:
twitter.com/ADnightshift

►As prod. by Alldaynightshift on Youtube:
www.youtube.com/channel/UCdVmsRHWxDY8d3XHPNF9L1Q

[BEAT] In Bloom - Bouncy Melodic Rap Beat / Kelvyn Colt Type Beat - Prod. by Alldaynightshift🌗

Produced /Written Vocals  by Eleyan Di Palma Ashe,
On Bandcamp for Purchase

Thinking Of You

I have my doubts again
And that won't change
I am alone again 
And that won't change
I have my fears again 
And that won't change

That won't change
Not before we die
That won't change
As long as we're alive
That won't change
Not before we die
That won't change

I'm in love again
And that won't change
I feel joy again
And that won't change
I like myself again
And that won't change

Chorus

Go away or get me
Take it from me now

This is the life I wanna live
This is the life I'm gonna live

That Won't Change

Rodgers and Hart's “Blue Moon”, written in 1934, has been covered by so many great artists in so many distinctive styles that I shall not even attempt to list them.   The song was written in 4:4 and all the versions I have been able to find are recorded in 4:4.
Somewhere, and I do not remember where or by whom, I heard a version in 6:8 - if anyone can enlighten me, PLEASE DO!   At any rate, as a soloist, I would do the song in 6:8 because it just swung so naturally in that meter.
More recently while comparing the 4:4 and 6:8 versions of the song, I began to wonder if it could also be done convincingly in 7:8.   Hence this recording.
It consistes of 3 iterations, one in 8:8, one in 7:8 and one in 6:8.   To give the recording more depth and consistency, I asked Dan (ProgRockDan) Lockhart to check it out and add whatever he thought the track could use.   He very kindly, and promptly, did so.   Many thanks Dan!
The lead vocal, the rhythm guitar and the bass guitar are mine, Dan added percussion, the choral background and the instrumental orchestration.
At 6 and a half minutes, this is a long and somewhat repetitive track, but, those with an interest in vocal phrasing and comparative ambience might find some reward in listening right through to the end.
Dan "ProgRockDan" Lockhart can be found at:
     https://soundcloud.com/progrockdan1
The cover art is from Pixabay :
      https://pixabay.com/photos/alone-astronomy-blue-2297211/

Blue Moon

Blue Moon - Mixed Meters W ProgRockDan

https://soundcloud.com/tengos-trail/sealed-off

Sealed Off - Tengo's Trail - Sunday Jam-Collab

Music, lyrics, vocal & acoustic guitar : Dave
Drums, bass, acoustic guitars & mix : PJ Project

Friday Night Lovers, W/ UK Man

Just "Takin' It Easy" while playing Breedlove Acoustic-Electric and decided to record Instrumental SongShot. Eagles-inspired insanity. ;-) For anyone that enjoys creating and sharing music, have fun and keep it real. Do your best, even when it's just sharing a simple contemporaneous mix of a song sketch or idea. Some will like it, some won't, so what? Next. Life is short. Be true to yourself. Nothing wrong with "promoting" certain projects and songs, but we all know Numbers are simply 'Just Numbers' and don't, necessarily, always define success on SoundCloud....or anywhere else, really. Mostly all depends upon what we each define as "Success" for each of us. ;-) Cont'd Best Wishes to all! Thanks to anyone that listens and shares their comments. Always genuinely appreciated. "YOLO KOKO"!....As Quincy Jones used to say, You Only Live Once.....Keep On Keeping' On! :D))))

Sunny Beaches Abound

JamEagles AcoustaTronic SongShot

JamEagles AcoustaTronic - Original SongShot

The project is a collaboration with Jan Exner @exner from 2016. We divided the poem "Aufbruch" into six parts. With music and sounds Jan created a fascinating acoustic imagery. Lets go ⇢

Jan Exner : Guitar / Synths / Mix / Production
Karin Tarabochia: Text / Voice / Image



Aufbruch
1 
Aufbruch! Was war, fällt ab. Knöpf’ meinen Kragen auf.
 Zieh’ die Weste aus, an der noch Land hängt. Warte ab.  
Was klammert, saugt, in Zaum hält, bröckelt und springt. 
Mein Schneckenloch, mein Honigfuß, mein Schritt ins Leere  
und endlich Fall, Bruch, Sturz … und Landen!

Departure. What was, falls off. Unbutton my collar.
Take off the vest with land still hanging on it. Wait.
What clings, sucks, bridles, (now) crumbles and cracks.
My snail hole, my honey foot, my step into the void …
And finally fall, break, plunge ... and landing!

2 
Neubeginn verschieben, unendlich lang?
 Das Ende aufzäumen, und den Anfang aufspüren? 
Erfüllung vorwegnehmen?
 
Postpone a new beginning, infinitely long? 
Bridling the end and tracking down the beginning? 
Anticipate fulfillment?

3 
Schnipp’ die Leine durch, lass Haus und Hof 
und was ich schuf, rollt durch den Kopf. 
Dreh' mich aus dem Schleiertanz.
Spann' meinem Wagen andere Pferde –  
höher geht’s und weiter!
Sonnenfahrt!  Der Täuschung abschwören - 
Wütend platzt mein Innerstes und gibt frei: 
Anemone, Traumpferd, das ein Holzbein schwingt.
 Am goldenen Wagen im Sturmwind treiben –  
den Füßen fehlt Boden, den Händen fehl'n Sprossen. 
Nichts da, nur Lederhaut an Sohlen und Schwielen.

Snap the leash, leave house and yard
and what I created rolls through my head.
Turn me out of the veil dance.
Bring other horses to my carriage -
Higher it goes and further! Sun trip!
Renounce deception -
Enraged my innermost bursts and releases:
Anemone, dream horse swinging a wooden leg.
Floating on the golden chariot in the storm
and the feet are missing ground, the hands are missing rungs,
nothing there, just leather skin on the soles and calluses.

4
Träume meinen Flusslauf vom Anfang zum Ende
und schwimme zurück, dorthin wo ich bin.  
Fisch sein! Springen! Am Ufer lachen sie
und manchmal hält das Fischmaul die Trommel an  
und hört Sirenen singen.

Dream my river from the beginning to the end
and swim back to where I am.
Being fish. Leaping. On the bank they laugh.
Sometimes the fish's mouth stops the drum,
hears sirens singing.

5 
Wir müssen diesen Platz verlassen,
so schnell wie möglich unsern Kopf vergessen,
 der benommen Geschichten schwatzt, vergisst.  
An Scheiben rinnen Tränen. 
Was befürchtet war, wird wahr, vergeht.  
Am Weg besteht, was ist.

Mich nicht messen an anderen, mich nicht missen! 
Nicht verkaufen, dem Anderssein weglaufen!  
Mich am Fluss einfinden, wer ich war, wer ich bin,
im Zwischenraum die Zwischenfrau. 
Den Mädchentraum beenden,
den Zeitraum größer drehen und kleiner,
 Schritte sehen, die fest am Boden.
Ich war weg und komme wieder.

We have to leave this place,
as soon as possible forget our head 
who gossips stupid stories and forgets. 
Tears run down the panes. 
What was feared will come true and pass. 
On the way persists what is.

Not compete with others, not miss me,
not sell myself, nor run away from being different.
Find myself by the river, who I was, who I am,
in the interspace the interwoman.
End the girl's dream, turn the period bigger and smaller,
See footsteps firmly on the ground. 
I was gone and I'll be back.

6 
Lass’ mich nicht hängen und bis zum letzten Tag warten, 
bis ich mein Blut abgebe und mein Gesicht sich ins Tuch drückt.
Nicht bücken und suchen, mich zwischen Spuren verfluchen. 
Das Ziel sehen, nahe bei mir:  
Ich bin Traube. Ich bin Straße. Ich bin Mensch.

Not leave me hanging, waiting until the last day,
until I give up my blood and press my face into the cloth.
Not bend down and search, curse myself between tracks.
See the goal, close to me: I am grape, I am street, I'm human.

4 Träume meinen Flusslauf (eXner / Augenmerk)

La toute dernière collaboration avec Jean Luc au saxophone...

Photo by MBARDO from Pexels

Lounge style

Lounge style feat. JL from HÔP

Devouring now available in full on bandcamp at:
blackblight.bandcamp.com/album/devouring

Devouring - Meditations VIII: Thither

The Diva In The Watchmaker's Dream

singer/songwriter from Yarra Valley, Australia.   Struggling as much with modern times as with times past.   I guess that makes me a chronic struggler.

Blue Moon - Mixed Meters W ProgRockDan

Ken Minty