Base Techno ,Experimental ,House,Underground Culture

Down Low; Rush Hour; Skylevel; Delusions of Grandeur; Mister Saturday Night, Heist, Razor-N-Tape, Friends & Relations

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

MGMT: rebukemgmt@purplewall.com

Rebūke is a standout star. A breakout act forged in the white-hot atmosphere of the Irish underground music scene. An artist constantly searching for something new and exciting who’s captured that elusive thing – a sound and a style... all his own. 
  
ERA is Rebūke’s brand new world. A place for people to lose themselves in a realm of sound and vision. The first release, the double header "Glow / Void" – is an introduction to ERA's universe, where Rebūke has created a captivating sense of futurism. Carefully crafted pieces of music accompanied by a visual narrative, allowing people to experience Rebūke’s ERA vision and storytelling in full and create something truly remarkable across music releases, live shows, and a thriving online community.  
  
All of this has been built on a rock-solid discography on some of the most sought-after labels of the last decade. His Afterlife collaboration with Anyma ‘Syren’ is a magnificent piece of forward thinking melodic techno and has already become one of the most requested tracks of 2023. 
 
‘Along Came Polly’ was a game changing track that sounded like nothing else at the time. It rocketed to the top of the Beatport charts, staying there for two months. It was Essential New Tune for Pete Tong on BBC Radio 1 and established instantly Rebuke’s reputation for creative sound design. 
 
On the remix front his magic touch has been applied to a who’s who of underground music including Underworld, Tiga and Kölsch, Chris Lake, Kevin Saunderson, Green Velvet, Max Cooper among others. 
 
He continues to sell out venues across the globe and expand his fanbase with a series of carefully curated ERA live shows in Barcelona, Beirut, New York, Los Angeles and beyond.

Bookings: louis@vaultedmusic.nl
podcasts, promo's, contact etc. : Flitstechno@gmail.com
Bandcamp: 
http://flitshvb.bandcamp.com

Flits is a dj/producer from the Netherlands. 
Focused on techno with a high intensity, most of the time with a dark, groovy or hypnotic vibe.

love is everything

ENQUIRIES: ellis@lookingfortrouble.club
BOOKING EUROPE: SJH@wmeagency.com
BOOKING AMERICAS: mallgrab@teamwass.com
BOOKING OCEANIA: swald@wmeagency.com

Label boss of Float Records & OOM Records
For bookings contact:  gils@kromantiagency.com

TWR72 pioneers a forward thinking approach towards electronic music: a fusing and pulsing rhythm with a cutting drive, binding it with a strong signature groove. Tracky, stripped-back and tough as hell, TWR72, delivers an ultra-lean cut of prime techno.

Biz is an artist that creates techno from the soul, straight up, no bullshit..living it since the early days....
https://cliq.bandcamp.com


bookings: biz@machinemusik.com
Facebook: https://www.facebook.com/biz808
Instagram: https://www.instagram.com/biz808

Nick Holder is a DJ & producer from Toronto, Canada and the owner of DNH Records.  One of the most respected producers in the history of underground house music, Holder’s recordings span a sound range from deep disco vibes, to minimal Chicago-style house.  Some of his early influences came from the late 80’s, when he discovered the burgeoning Detroit techno scene only a few hours away from his home in Toronto.  Detroit icons like Derrick May and Carl Craig captivated Holder, as did many of the tracks coming from Chicago during the same late-’80s period by producers like Adonis.

In the ‘90s, Holder began producing his own tracks and released 12”s for a number of labels like Definitive, Stickmen, his own imprint DNH, and !K7 (which released his first two full-length albums One Night in the Disco, and Back On Track).  Furthermore, Holder released many of his productions through NRK Sound Division, including many of his biggest hits such as "I Once Believed in U", "Trying to Find Myself" and ”Da Sambafrique", in addition to full-length efforts From Within, Underground Alternatives, and The Other Side. 

Upcoming in 2016, look out for numerous releases on his label DNH under both Holder’s own name, as well as his Trackheadz alias.  Nick has also recently launched his own radio show DEEP SECTION, which is broadcast every Wednesday night at 8-10pm EST on VIBE 105.5 in Toronto and online at www.vibe1055.com.

All Inquiries:
jermaine@repeatandrinse.com 
nick@repeatandrinse.com

Kadomatsu is following