Kubrick Dreams

Kubrick Dreams (feat. Flowaboii)

I heard this Wonderful Production of work from Noxz and assigned myself to curate it to sound like this. It's been a lovely project and I hope all ears listen with optimism.

Sunshine. [Beat by Noxz]

Written by Samsara & Brandon Ralane
Performed by Samsara, Brandon & Mpilo
Mixed and Mastered by The Illustratxr
Cover picture by Larada

A new chapter.

Be there for you

Buya (TCCP) Prod. Bongane Mag'oveni

Liquortalkin. w Mxchael Blue & Flakey Jay

Time. A piece I curated.
In a perfect world, life would not have any negative effects on one's way of living. in this case, time is the negative effect.  It's always enough but never enough for the things for the things one would want to achieve.

please enjoy this piece

Produced: Crxigcreates
Written:Girlthewoman 
mix and mastering:Girlthewoman 
performance:Girlthewoman 

Time.

1 am w/GQAMI

Another Day (cover)

i was at a friends house, whose roofing is mostly zinc & when it started raining — i pulled my phone out to record the sound of water, caressing the surface of “amazenke”.

this then became the sample which undergoes a lot of timing & sound design to become the first sound you hear within this composition.

once that had served as the foundational sound together with a bongo arrangement that’s in the thirds, i played a harp progression which i went on to layer with a double bass, a sub bass & a hit foley, before introducing an arpeggiated guitar to tie the production altogether.

upon arrangement & having exported the composition, i sent it to LUNGĒLWA as a congratulatory for their Narowbi debut & they sent the song that you’re to immerse yourself in, in a matter of hours — almost a flex of their immeasurable genius.

- [kimetsu.]

When I wrote this song it was me being my most vulnerable and about not recognizing someone l used to be with. It almost felt like betrayal and the only way I could process it was just letting the song cry for me. As reference to Jay Z and how he has a classic joint called a song cry I had to let the song embody that type of pain.

Abandonment is something I often deal with but still haven't yet fully mastered the aftermath that come with it. Although this is not a love song it's love singing through yearning for a deeper understanding into one's experience of heartbreak. It can be from family a friend, a lover but you interpret it how you must [kimetsu.] sent it to me as a celebratory gift after my NarowBi debut and I sent it in within 2-3 hours back because it spoke to me and exactly what I was feeling during that time, an ode to vulnerability.

Not a love song but love singing
Poetry in our wounds

- LUNGĒLWA

LUNGĒLWA & [kimetsu.] - do i really know you...

Hello sugarplums, This is a freestyle I just recorded and I enjoyed the production process and I hope you all enjoy the results. Thankyou all for continuously showing me love and support in everything I put out or wish to put out. May peace be with all of you and thankyou for stopping by my page.

Written by: Girlthewoman 
Produced by: Crxigcreates 
Mixing and mastering by: Girlthewoman 
Performance by:Girlthewoman 


21:48 Freestyle.

i Rom vid Campo dei Fiori
oliv och citronfyllda korgar,
gatstenar stänkta av vin
och av blommornas spillror.

Handlare strör ut på borden
havets rosiga frukter,
famnar av mörka druvklasar
faller på persikofjunet.

Just här vid denna piazza
brändes Giordano Bruno.
Bödeln antände bålet
i en ring av nyfikna hopar.

Knappt hade lågorna mattats,
fylldes tavernorna åter,
oliv- och citronfyllda korgar
bars på handlarnas huvud.

Jag mindes Campo dei Fiori
i Warszawa vid karusellen
det var vår och
ljummen var kvällen

Till toner av livlig musik
Melodin dövade ljuden
av salvorna som avlossades
bakom muren.

Och paren lyfte högt
upp mot den molnfria himlen.
Ibland kom svarta drakar
med vinden från brinnande hus.

De som åkte runt i karusellen
fångade flagor i luften.

Vinden från brinnande hus
lyfte flickornas kjolar.
Kvällen var varm och ljus
av skarornas glada skratt
en ljuv söndag i Warszawa.

För några blir sensmoralen
att folk i Rom och Warszawa
köpslår, roar sig, älskar
medan martyrbålen brinner.

För andra handlar moralen
om att allt mänskligt passerar,
om glömskan som triumferar
fast lågan inte har slocknat.

Själv tänkte jag denna kväll
på de döendes ensamhet.

På det att när Giordano
var på väg uppför schavotten
kunde han inte hitta
ett ord i människans språk
till avsked från mänskligheten
ett ord från dem som ännu går kvar.

De sprang redan för att skåla,
sälja vita sjöstjärnor,
oliv- och citronfyllda korgar
bars under muntra skratt.

Och han var redan långt borta
som om sekler hade passerat,
och de dröjde sig kvar en stund
för att se hans flykt i branden.

Och de döende, ensamma,
redan bortglömda av världen,
vårt språk blev främmande för dem,
ett språk från en svunnen planet.

Tills allt blir legend
och då, när åren har gått
tänds revolten
vid ett nytt Campo dei Fiori
genom ordet av en poet.

Sånger som inte finns

Campo Dei Fiori

My Sound...it's my sound.
The Outcast artist 

Girlthewoman (Keamogetswe Makgoba) is a versatile artist. She believes that a creative cannot be boxed into one musical lane. Born and raised in Seshego,Polokwane , most of her love for creation came from influences such as her great grandmother and aunt. Girlthewoman's versatility can be seen on her discography. Enjoy sugarplums. 
Instagram @girlthewoman_
Tiktok @girlthewoman2
Amuse @girlthewoman
Bandlab @girlthewoman 
YouTube @girlthewoman 



21:48 Freestyle.

Girlthewoman

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