#XI - Retrogrades

SuiteDreeeems

Taken from the forthcoming SLO EP out in May!

Watch the video here: bit.ly/sloYTs

https://www.facebook.com/sloofficial
https://twitter.com/sloofficial

Fortune

Angular Velocity

Estima-Hitman-s-Paradise (Relentless Rmx)

Brothertiger - Wake (The Electric Sons HEATWAKE Remix)

Keenhouse - Deep In The Forest

Ali Jamieson returns to Heavy Disco with London based soul singer Raff for this 2017 flip on the quiet storm classic The Sweetest Taboo originally recorded by Sade in 1985.

The EP is complete with an instrumental and pastiche Varorwave edit, because everything sound great slowed down. Ali is one third of Heavy Disco Records and have enlisted the assistance of some fantastic musicians for this cover, including label partner Hal Ritson, former bandmates David O’Neill and Oliver Jarvis, Brazil’s own Jadhiel Asaph and singer Raff, with whom he has collaborated many times.

Raff: Vocals 
David O'Neill: Bass
Jadhiel Asaph: Additional Guitar
Oliver Jarvis: Soprano Sax
Hal Ritson: Additional Production
Ali Jamieson: Moog, DX7, CP80, Guitar, everything else.

Buy
Beatport: http://btprt.dj/2osPTp2
iTunes: http://apple.co/2mY59x6
Juno: http://bit.ly/2mY600o

Buy / Stream

Ali Jamieson feat. Raff - The Sweetest Taboo

Video Versions:
https://www.youtube.com/watch?v=GU9pZsXbCiA
https://www.youtube.com/watch?v=b0kbcG8B6YM

https://soundcloud.com/closedparadise
https://closedparadise.bandcamp.com/

Closed Paradise - Set It Out (CoU004)

Heavy Disco's second instalment in their 'This Is' series. A deeper, slower, more introspective collection of fuzzy disco, chopped and screwed RnB, tropical, hip hop, chillwave and more.

<a href='http://www.facebook.com/HeavyDiscoRecords/'>Like </a> Heavy Disco on Facebook.
<a href='http://twitter.com/heavy_disco'>Follow</a> Heavy Disco on Twitter.

LAY BAC - Stay Out Tonight

Channeling the wild imagination and aesthetic enchantment of "Four Dream's" gorgeous album artwork into his songs, Keenhouse (Ken Rangkuty) entrances with soothing, aetherial vocals blended into seraphic synths that illuminate and perpetuate a fantastic fantasy world where magic breathes in iridescent dust of chimeric sound-waves.

Keenhouse’s “Four Dreams” lilts through your subconscious like prismatic clouds bursting with spectral colors. “Echoplants” charms as tropical birds and bugs cry out their lively echos against flora-like bass and synths that reverberate the sounds of a lively amazonian jungle. “Where I Belong” emotionally strings you along with wistful synths that cascade quietly in the background as wind chimes chirp in their high-pitched accents against Keenhouse’s mellifluously medicinal vocals that ache with the pain of a lost heart that can’t find its way home. Transcending traditional electronic music is the resplendent “Taura,” whose lead instrument is a Koto played by renowned new age composer Osamu Kitajima that solos and weeps over swirling pads like teardrops gently drenching the cheeks of a long-lost lover. The record concludes with “The Lullaby of Keenhouse,” a beautiful traditional piano piece played against the peaceful sounds of a babbling brook, as if Keenhouse himself was tickling the ivories beside a mystical creek, in the midst of an enchanted forest.
 