Trackslist:

Big Ass Drums - Antranig
Motivate - Jeremiah Asiamah
Impossible Beat - Fletcher Kerr, KEFFI
Rumble (Kohmi Remix) - Skrillex, Fred Again, Flowdan
Just Won’t Do (Airwolf Paradise Edit) - Tim Deluxe
My High - Disclosure
Ya Mama (Dance System’s Back to Boutique Remix) - Fatboy Slim
Tribal Skank - Fr3E
Bad (Vocal Mix) - Logan, Kouslin
Music Is The Medication - Leftwing : Kody, James Hurr, I Jah
Physically - Jaded
Wanna Be Startin’ Somethin’ (Edit) - Méle
Festival Track - George Smeddles
This Is The Sound - Low Steppa, Crusy
The Greatest Thing Alive - Mark Knight, Green Velvet, James Hurr
Sing (Supermini Remix) - BK298, Byron Stingily
Sinnerman (2022 Version) - Siwell

KEFFI - BBC Introducing Guest Mix - Toolroom Residency

More info on Instagram @mark_us_house
Markus Willemeit aka "MARK US", from Hamburg in Germany, Tech House DJ and producer. Releases on labels like Toolroom, Vamos Music, WyldCard, White Widow Records, BRAW, Código56, Get Down, Amber Music Red and We Funk.

His musical journey started in the 90's with RnB/HipHop. House joined in the 2000s and Tech House bumped into the journey in the 2010s. Musically, he favors a high-energy mood and rousing emotion, which he expresses in his energetic tech-house records.

The mission of MARK US is to create a balance through an energetic and driving atmosphere on the dance floor through its accessible sound.

He loves to play records from labels like Toolroom, Wh0 Plays, Toolroom Trax, Tropica, Cr2 and Solid Grooves Records. Musically inspired by Mark Knight, Martin Ikin, James Hurr, GUZ, Crusy, Chaney and Format:B.

Toolroom / Tropica Records

Earning early support from the likes of Carl Cox, Radio 1’s Danny Howard, and Dombresky, KEFFI has quickly established himself as an artist to watch in the Tech House scene. His debut release shot to #1 on Beatport’s Tech House chart, setting the tone for an exciting three years of music, with multiple releases on Toolroom Trax and Tropica Records. 

Now based in London, the Scottish-born DJ and producer channels percussive grooves and rolling basslines into a sound that’s already found its way onto stages like UNVRS, Hï, and Elrow - and is only building from here.