Composer, musician, producer, sounddesigner from Germany nowadays mainly working in the genres of orchestral and chamber music, film and theatre music, sound design, live-electronics and production music.

I'm using Soundcloud mainly as a backend for my websites patchpool.net and absynthsounds.com where I offer plenty of patches, samples and audio files for music and sound design production, so you will find thousands of demos here. To check out my music please visit my website and look for the MP3 link and/or have a listen to my production music on Audiosparx or take a sonic tour through my MP3 Store.

Finis Africae (lê-se africe) quer dizer, em latim, “nos limites da África”. O nome da banda foi inspirado pela leitura do livro O Nome da Rosa, do escritor italiano Umberto Eco, que dava ao principal mistério de sua saga o nome de Finis Africae. O significado do finis revelava a intenção sonora da banda, que surgiu misturando batida tribal com ritmos negros como o funk e o soul com levada de rock baseada no pós-punk inglês.



"Beautiful" out now: found.ee/Rhye_Beautiful

Afterlife / Siamese / Upperground / Simulate / Ellum 
Worldwide booking: citizenkain.booking@gmail.com

French DJ/producer/label boss Citizen Kain is the DJ’s DJ – his powerful tracks at the heart of sets by many a top name (Tale Of Us, Maceo Plex, Artbat, Solomun, Mind Against, Adriatique…). He releases on Afterlife, Ellum, Upperground, Siamese, Atlant, plays at global events such as Fusion Festival (DE), Marvelous Island (FR), Ying Yang Festival (Great Wall of China), Les Plages Electroniques, Sunburn Festival (India), Spilt Milk (South Africa), Les Nuits Sonores, Piknic Électronik… while supporting luminaries such as Artbat, Laurent Garnier, Adriatique, Adam Beyer, Maceo Plex, Solomun, Mind Against… 

 Add to that his impressive following on DSPs and honourable history (including jail!) as part of the French illegal rave scene and it’s high time he was more of a headliner in every sense of the word. So, he’s emerging from his ‘eminence gris’ status into the limelight, in time to make his new label’s name UNSEEN (launched Aug 2022 with ‘Kiss Me Again’) well and truly ironic as well as releasing his own new work, remixes and other artists. 2023 sees his track‘Ghosts & Shadows’ drop on Artbat’s label Upperground, after his ‘Ricochet’ dropped March 2023 on Adriatique's Siamese imprint – more big releases TBC amidst a hectic tour schedule.  

SOUND, STORY & EARLY INFLUENCES: Kain describes his sought-after and very strong individual sound as ‘Melodic Techno, always melodic, but with an edge and very groovy rhythmics. I mix genres of Techno, Hardcore, DnB and House from each period of my music development, defining a very fat, high energy sound.’ Other influences from 80s New Wave (Depeche Mode, Kraftwerk…), Punk, and his earliest youth playing guitar in a Metal band also enrich the mix. 

Kain’s childhood passion for making music began at age 10, an electric guitar from his parents leading to forming Metal bands with friends and gigging from age 15. He got the House/Techno bug soon after, and from 2002, he gave up a car factory job for full-time DJ/producing after a small legacy allowed him 2 years free to learn his craft, the one silver lining to the tragedy of losing his mother at age 20. From then on, he earned his living in music. A period of mainly Techno Hardcore/DnB eventually evolved into his current passion, Melodic Techno. 2006 saw his first vinyl release, and from 2007 he released vinyl on high stature labels and began serious touring. From gigs in local bars and clubs, to organising small illegal rave parties and then much bigger illegal events (which landed him briefly in jail!), he has lived his love of music on stage and never stopped. 

Early influences began with Metal, Hardcore and Punk (Biohazard, Sick Of It All, Madball, Agnostic Front, Fugazi, Discharge) while playing in bands, then when DJing it was Electro/New Wave like Depeche Mode, Kraftwerk, Joy Division, The Cure that got him into Dance Music, seeing him through his Techno epiphany. 

RECENT RELEASES: As well as his 2023 July single ‘Ghosts & Shadows’ from a 4track VA EP on Artbat’s label Upperground, and lots more in the works, there was also ‘Ricochet’ March 2023 on Siamese while 2022 gave us ‘DRAG’, and ‘Pancho Villa’ (both on Tale Of Us' Afterlife), his label launch track ‘Kiss Me Again’ on UNSEEN, plus releases on BOg’s Atlant and a second track on Afterlife’s VA compilation, as well as a track ‘Supercycle’ with David Guetta’s alter ego Jack Back. He made his Ellum debut with ‘Charly Charly’ in 2021. His tracks are eagerly snapped up by DJs such as Tale Of Us, Maceo Plex, Artbat, Solomun, Mind Against, Adriatique, David Guetta, Laurent Garnier, Carl Cox, Dubfire, Richie Hawtin, Joris Voorn, Joseph Capriati…

PERFORMANCES: Citizen Kain has shared a stage with all the major artists since 2000, most recently Artbat, Maceo Plex, Solomun, Mind Against, David Guetta, Adam Beyer, Laurent Garnier, previously Richie Hawtin, Sven Vath, Ricardo Villalobos, Carl Cox, Dubfire, Luciano, and earlier, Underground Resistance artists like Mad Mike, Jeff Mills, James Pennington. He has a packed touring schedule for 2023. 

GIGS INCLUDE: Fusion Festival (Germany), Piknic Électronik Montreal, Ying Yang Festival (Great Wall of China), Les Plages Electroniques, Sunburn Festival (India), Spilt Milk (South Africa), Dream Festival (Mexico), I Love Techno (Europe), Sea You Festival (Germany), Marvelous Festival (France), Family Piknik Festival (France), Klubbers Day Festival (Spain), Big Bang Festival (France), Les Déferlantes Festival (France), Burning Beach Festival (Germany), Icarus Festival (Germany), Panoramas Festival (France), Eclipse Festival (Canada), Les Nuits Sonores (France).

Now Citizen Kain has stepped fully out of the shadows, with such a list of achievements and accolades, the sky’s the limit.

Swedish duo. We Still Don't Care 👩🏻‍🦰🪩👩🏽

BODY TYPE out now  💖💲🏃🏽‍♀️🏃🏼‍♀️ https://lnk.to/body-type 

STREAM CLUB ROMANTECH 💚⭣
https://lnk.to/clubromantech-deluxe

Empire of the Sun, the visionary Australian electronic duo comprising Luke Steele and Nick Littlemore, have been making waves across the world with phenomenal live shows and anthemic smash hits for the last decade as one of Australia’s most successful musical exports.
With Steele's background in The Sleepy Jackson and Littlemore's founding role in PNAU, the duo embarked on a sonic odyssey that has captivated audiences worldwide. Since their emergence, Empire of the Sun has transcended boundaries, blending alternative electronica with mesmerizing visuals to create an immersive musical experience unlike any other.

Their seminal debut album, Walking On A Dream, which the musicians described as "a spiritual road movie" spawned iconic singles “Walking On A Dream” and “We Are The People”. The critically acclaimed second LP, disco-pop Ice On The Dune featured “Alive” and “DNA” and saw the band tour the world. Third LP "Two Vines," saw the band welcoming guests like Lindsey Buckingham, members of David Bowie's band from the Blackstar sessions, and Wendy Melvoin from Prince & the Revolution and featured singles “High And Low” and “Way To Go”.
Their chart success extends far beyond their native Australia, with their albums achieving multi-platinum certifications across the globe. In addition to their commercial triumphs, the duo has garnered an impressive array of accolades, including eight ARIA Awards, two APRA Awards, and an APRA Billions Award. With over 5.5 million albums sold globally and a staggering 7.6 billion streams, Empire of the Sun's impact on the music industry is undeniable, solidifying their status as icons of the electronic music genre. 8 years since their last LP, 2024 sees the dawn of a new era. The journey continues…this time we’re going through “Changes”.

We're not the best, but we're pretty good.

Keflavik, the hometown in Iceland where the artist was born, is the solo project of Jason Knight. After a decade journey into electronic music, Jason has returned to his roots in guitar driven soundscapes. Whatever terms used to describe it – ambient, drone, etherial, transcendent, driving, wall of sound – there is a singularity in it’s intention to create a sonic journey that elevates the listeners consciousness, bringing them closer to their spiritual self.

In a world of ever recycled trends, Tiefschwarz (deep black) is that most classic of shades. Its timeless style is testament to its staying power, and with a DJ and production career spanning over 14 years, this German deep house duo have proven just how apt a moniker can be. Born and bred in Stuttgart, brothers Ali and Basti Schwarz’s passion for techno and deep house flourished their initial experience as DJs in the early 90’s at the now legendary clubs that Ali ran in their home town, ON –U and Red Dog. This led to the formation of Tiefschwarz in 1997, from which they found rapid success with their debut single ‘Music’ (on Francois K’s Wave Music label) and album Ral 9005. By 2001, this had been licensed to the London label Classic Recordings from where they springboarded to international recognition. They decided to make the move to Berlin, at the time fast becoming the epicentre of a true electronic music renaissance, from where they pursued a hectic touring schedule and remixing the likes of Cassius, The Rapture, Missy Elliott, Kelis and their personal heroes Masters At Work. They then scored a double whammy with their all-conquering crossover hit remix of Spektrum’s ‘Kinda New’ and the single ‘Isst’ off their 2005 long-player, ‘Eat Books’. This was also the year that electrohouse dominated the charts and minimal the clubs, but Tiefschwarz have never allowed themselves to be tied down to a certain sound, staying true to their love of melody as demonstrated on their contribution to the Fabric mix series that year.
A series of high profile mixes in 2006, including Depeche Mode, Madonna, Roxy Music, Booka Shade, Phonique, Plastikman, dOP, and many others saw them continue perfecting their distinctive sound. Yet this was also the year in which Ali and Basti gravitated back to Berlin to found their own label, Souvenir. Basti explains “We like the idea of seeing music as a souvenir, an impression you take from somewhere. Something intimate that you remember”. They haven’t let this slow down their impressive production workload though, with a ten year anniversary compilation and a 2010 follow up album ‘Chocolate’ made in collaboration with Santé, and featuring Cassy, Seth Troxler, Dave Aju amongst others. At a perfect time to take stock of their career, the brothers are proudly contributing the ninth installment in the Watergate mix series, and have chosen a number of tracks that simultaneously pay homage to the tracks that shaped the beginnings of their career whilst also remaining very much forward looking. After years of constant touring, however, their Souvenir label has allowed them to lay down more permanent roots back in Berlin. It’s a place to foster talent, both young and old, not only in a sense of releasing records but also as a platform to share mutual experiences within a common network, a close core of artists work together including Ruede Hagelstein, Maher Daniel, the brothers Santé and Re.You, Ali &amp; Basti at the helm. With plenty more artists on the roster as well as a digital only subsidiary, Souvenir Plus, and a debut LP from Hagelstein on the horizon, there is promise of plenty yet to come for the Schwarz brothers’ imprint.

Keflavik is following