MadTech Records was founded in 2012 as an offshoot imprint to Madhouse Records, the long-running record label launched by Kerri Chandler in 1992. Now MadTech is a few years old and having been musically guided by Kerri himself has gone on to form a well-respected reputation with a coterie of emerging talents on the roster.

Definition:Music is a down-to-earth, non-chalant label that lives somewhere between House and Techno, displaying a diversity that never loses sight of the common theme.

Definition keeps in mind the fact that a lot of electronic music today is difficult to classify, making it all the more important to follow his very own idea of quality club music.

New York City based Grammy Award nominated DJ/Producer/Remixer

Produced multiple top 40 hits on the UK pop charts including “U Don't Know Me” (UK pop charts #1), Dizzee Rascal & Armand Van Helden “Bonkers” (UK pop charts #1), Duck Sauce “Barbra Streisand” (UK pop charts #3), “Koochy” (UK pop charts #4), “My My My” (UK pop charts #12), Armand Van Helden & A-Trak Present Duck Sauce “aNYway”, “I Want Your Soul”, “NYC Beat”, “Flowerz”, “Hear My Name”, “Why Can't You Free Some Time?”, “Ultrafunkula”, “Witch Doctor”, and “Funk Phenomena”

Produced full length artist albums ‘Enter The Meatmarket’, ‘2 Future 4 U’, ‘Killing Puritans’, ‘Gandhi Khan’, ‘Nympho’, and ‘Ghettoblaster’

Mixed compilations ‘Live From Ya Mutha’s House’, ‘Get Up’, ‘Repro’, ‘New York: A Mix Odyssey’, and ‘New York: A Mix Odyssey 2’

Remixed platinum artists including Rolling Stones, Katy Perry, P. Diddy, Janet Jackson, Britney Spears, and Tori Amos (UK pop charts #1)

One half of the duo Duck Sauce with fellow DJ/producer A-Trak

Headlined clubs, festivals, and special events around the world as a DJ

Duck Sauce “Barbra Streisand”, "aNYways" and "Big Bad Wolf"  is out now worldwide with more to come in 2013

K-Klass are responsible for some of the biggest house tracks ever made. They are all about entertaining and playing for the crowd. They play at various events and venues all over the world on a weekly basis, which means it is important that they adapt their music to suit each venue and expose all house music styles they master.

Nights out at the legendary Hacienda “Nude” nights in 1988 led to the meeting of minds and the beginnings of the K-Klass phenomena that lead to regular performances at the Hacienda. From there K-Klass became residents for the worlds biggest dance brands CREAM, playing guest slots all over the world at some of the most prestigious and biggest dance events K-Klass had already gained under-ground support for their acclaimed “Wildlife E.P”, released in 1990 before they unleashed their sound onto a nationwide audience with the release of “Rhythm is a Mystery” (No.3 in U.K.Top 40) and the huge “Let Me Show You” (No.13 in U.K.Top 40)

With countless remixes/ productions under their belt it comes as no surprise that K-Klass won the International Dance Awards in 1995 & were nominated for the USA Grammy Awards in the 2002 remix category. When K-Klass are not behind the decks they spend their time in the studio and have worked alongside most of the biggest and most established artists around, some of these include : The Pet Shop Boys, Kathy Brown, Shake Down, Whitney Houston, Gerri Halliwell, Blondie, Bobby Brown, M-People, Level 42, Kylie Minogue, Rozalla, Sunscreem, Frankie Knuckles, Bizzare Inc, Kathy Sledge, New Order, Janet Jackson, Luther Vandross, Lisa Stansfield and Candi Staton and many, many more.

The last few years K-Klass have continued to create and release big tunes, like “Capture Me” on Nocturnal Groove (Shapeshifters label) “Right & Exact” on Stealth Records, “Bad Boy” on Hotfingers, “Let The Freak” ft. Reza on Mjuzieek Digital,  a collab with Rob Nutek “La Luna” on Whartone Records, “People Of All Nations”on Wazzup, a remake of their K-Klass 1994 hit “What Your Missing” on Lissat & Voltaxx and Marc Fisher’s Tactical Records, their massive rework of Duke’s “So In Love With You”, a smash remix for Eurovision winner Loreen’s single “Crying Out Your Name” for Warner Music Sweden and their latest deep house remix for Nicky Romero’s Protocol imprint on Tritonal & Paris Blohm ft. Sterling Fox – Colors .

Late 2012 the K-Klass have started their own label Klass Action, which will feature releases from up and coming as well as established producers and new K-Klass material. The first release setting the standard was “Rock The House”. Their single with Todd Terry called Just Come proved to be yet another smash and the latest release by Good & Plenty also gained widespread support.

K-Klass are still very much in demand on the production, remix and DJ-ing front, this year celebrating their 25 years in the business, with a K-Klass 25 comp through Newstate, a UK tour and their return as a full LIVE band for the first time in 18 years for an ecstatic Manchester crowd. Check the video HERE. 

Ultimate DJ Moment:

“With over a 2 decade’s of memories to choose from, two of our high light’s that spring to mind would have to be when Graeme Park dropped “Rhythm Is A Mystery” at the world famous Hacienda nightclub back in 1991, and when we where very honored to play the final set in the main room at Cream’s last weekly night in Liverpool which was the 10th birthday. The last record we played was “Let Me Show You”, the Cream self made anthem”

For management:

Get Real! Management / http://www.getrealmanagement.com/
Contact: Bas Jansen
bas@getrealmanagement.com



Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Keilzer87 is following