my SoundCloud marks in a playlist...no special order..newest additions at the end.
a new volume every 101 titles. this is the volume 14

cloud.selector volume 14

This track is part of my series of dark, cinematic pieces, specifically created for sci-fi films, which I have exclusively produced for YouTube.

Have a look on my channel https://www.youtube.com/@LogicMoonMusic
Subscribe, like and comment. Thanks! 🙌🏻

Return to Metropolis

HOPE is a somewhat special piece. I would describe it as uplifting ambient, as it conveys a kind of inherent evolving energy untypical of this style. The sound is dense, warm, and full, and it can also be heard very loudly.

HOPE

Memories Of Tomorrow

Lunar

Hello. I am Aethery Fields.

There are moments when time seems to stand still.

Instants when fog settles over a landscape and contours blur. "hello." is such a moment, captured in sound, preserved like a fading Polaroid whose edges are already dissolving.
After a distant time in the shadows, sailing the cinematic seas of Dark Ambient and Soundscape with my moniker "Logic Moon", I felt the need to give my brighter side more space. **Aethery Fields** was born, not as an escape, but as a complement. A place where light penetrates through the mist, where silence is not empty but filled with fleeting impressions.

"hello." is the counterpoint to my otherwise busy self. It is a still frame in a fog-veiled landscape, blurred, hazy, yet all the more haunting for it. Sometimes they are mere silhouettes drifting through the sound, vague intimations of melodies that emerge from the mist and vanish again. Then suddenly simple lines crystallize, clear and immediate, before fading back into the haze.

Process
Every track on this album emerged spontaneously, born from the moment itself. I sat down, pressed record, and let the things flow. No overthinking, no perfectionism, only the urge to capture the here and now before it slips away. What you hear is what happened in that instant. A texture, a melody appearing out of nowhere. Minimalist in form, yet rich in emotion. This music reveals my quiet side, that self which strives for deceleration, which dwells in the now and transforms impressions into sound as naturally as breathing. Each piece is an impulse made audible, a fleeting thought given form. It is a pause between breaths, a lingering in the moment before it dissolves.

Like a Polaroid capturing the essence of a vanishing moment, the diffuse light, the blurred atmosphere, the unrepeatable accident, "hello." reflects instants that can never be fully grasped or recreated. Still lifes in stillness, which despite their calm are permeated by countless sounds and impressions. It is the beauty of the imperfect, the transient, the barely visible, the unplanned.
"hello." is an invitation to pause, to lose yourself in the fog and to discover the essential in the blurred, to feel the aliveness within the stillness.

hello.

Support

Hello

Heim

Alfheim

Sometimes, things happen that you couldn’t foresee. The story behind these tracks is that I had actually forgotten about them, and while cleaning up, I stumbled upon these pieces made in 2023. Well, I just remastered them and here they are now, seeing the light of day years later.

Musically, it leans again towards neoclassicism, orchesdrone, guitar and cello here. But actually, it’s very subtle and my signature sound is very present. Just listen for yourself.

Helheim

Song1

Still

You are wondering why the track is called “The Wintr” instead of “The Winter”? That was a deliberate typo. I just kept it.

Ashes

The Wintr

D4RK

unplugged semi-hollow guitar
alto recorder
voice / cardboard tubes
kalimba
keyboard
home-made udu
floor tom, broken cymbal
cup with rocks

Hoof and Mouth

off the forthcoming "s u p e r f o o d s" tape out on November 2nd. 

swarvy- chee

"Sluice Box Tavern" is the first song released from the forthcoming new EP by CONTACT FIELD ORCHESTRA "Mapping The Futures Gone By" [HNR55] on HIT+RUN.

"Mapping The Futures Gone By" furthers CONTACT FIELD ORCHESTRA's exploration of dubby broken percussion and haunting found sounds.   Sirens and lasers accent plaintive woodwind arrangements set against mbiras and bluesy guitars.  Fitting in a time and place that's uniquely it's own, MTFGB is a travelogue to a lucid dream, a mining expedition or a trip to space--somehow nostalgic and familiar, yet somehow not at all.

This 6-track EP is the fourth release from CONTACT FIELD ORCHESTRA with HIT+RUN ("Volume 1", "Volume 2", plus the cassette-only H+R Mixtape from 2012).  CFO has also appeared on Giles Peterson's seminal compilation series "Brownswood Bubblers Vol. 10", and contributed to Ninja Tune's popular "Solid Steel" mix series.  

CONTACT FIELD ORCHESTRA is produced by Southern California musician & artist Damon Aaron.  In 2008 he came across a box of 7" tapes at an estate sale in Altadena that turned out to be field recordings of a turn-of-the century orchestra of ex-miners; recorded almost entirely with hand-made instruments and contact microphones.  This became the source material for this collection of celebrated releases with HIT+RUN.   

"Mapping The Futures Gone By" is available in two very distinct limited-edition green/bronze & green/black heavy-splattered 10" vinyl, each housed in a one-of-a-kind hand silkscreened jackets printed by Hit+Run in downtown Los Angeles. Limited pressing of only 400 copies! 

**RELEASE DATE: TUESDAY, NOVEMBER 17, 2015**

K2TR - Pelican

Grave of Keinzweiter

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