The Columbia Sinfonietta conducted by Jeffrey Milarsky with Taimur Sullivan alto saxophone solo.

Radial, for alto saxophone, chamber orchestra and live electronics

Forever Young, for two baritone saxophones and two digital delays

hiatus pitch, for solo alto saxophone

Vagrants On Every Floor, for solo violin: V.

Vagrants On Every Floor, for solo violin: IV.

Vagrants On Every Floor, for solo violin: III.

Vagrants On Every Floor, for solo violin: II.

Vagrants On Every Floor, for solo violin: I.

From The Diary Of An Organaut, for solo organ: II. Quarter Note = 120

From The Diary Of An Organaut, for solo organ: I. Quarter Note = 60

Vent, for bass trombone and six instruments: III.

Vent, for bass trombone and six instruments: II.

Vent, for bass trombone and six instruments: I.

Anthony Braxton: Compositions No. 76 (for three multi-instrumentalists) Moore, Lazarevich and Grosser soloists, and No. 165 (for large ensemble) in simultaneous performance. 

Total timing: 50 minutes. Excerpt: 23:30-26:05. 

FUNMusic IV, Krannert Center for the Performing Arts, the University of Illinois at Urbana-Champaign, July 27, 1996. 

Composition No. 76 (1977)
Keith Moore, Alex Lazarevich and Benjamin Grosser 

Composition No. 165 (1992)
FUNMusic Orchestra, conducted by Drew Krause
David Moffet, alto saxophone
Marty Kalas, alto saxophone
Ron Bridgewater, tenor saxophone
Megan Nortrup, baritone saxophone
Doug Spaniol, bassoon
Tony Prisk, trumpet
Jeff Helgeson, trumpet
Judd Danby, trumpet
Rocco Quarranta, trombone
Steve Wilson, trombone
Dave Kunkle, trombone
Stacy Baker, tuba
David Bohn, synthesizer
Tom Paynter, piano
Adam Davis, bass
Mark Zanter, guitar
Keith Connolly, percussion
Mel Mobley, percussion

Anthony Braxton Nos. 76 & 165, simultaneous performance, KCPA (Excerpt)

An excerpt from "Draft" commissioned by Voix Nouvelles, Abbaye du Royaumont, for Ensemble l’Itinéraire.

Draft, for alto flute, bassoon and viola (Excerpt)

Working with RTcmix lately and ran across these. Prentis Hall, 1999. Enjoy.
(RTcmix takes four snippets of violin recordings--two vintage & two modern--and builds on their characteristics, including analog noise, vibrato, and glissando.)

RTcmix Study 1b (the former, saturated in noise)

RTcmix Study 1a (four violin fragments with analog and digital noise)

To hear all instruments, please use headphones.

Moore MP3

Black Box (8) Excerpt

Black Box 8_Tupapau

Black Box (8) Excerpt 2 / Tupapau (The Transforming Fish)

Keith Moore uses the fields of acoustics and psychoacoustics to compose expressive and conceptually rich instrumental works that compel listeners to consider the beauty and breadth of perception itself.

Moore completed his D.M.A. at Columbia University studying with Fred Lerdahl, Tristan Murail and George Lewis. His teachers also include Sir Harrison Birtwistle (M.M., King’s College), Alvin Lucier, Anthony Braxton, Neely Bruce (M.A., Wesleyan University) and the storied composition faculty of the University of Illinois (B.M.). He has participated in extended courses with David Tudor, Joan Tower, James Tenney, Pauline Oliveros, Brian Ferneyhough and Martin Bresnick.

Popular tracks by Keith Moore, Composer