AFTERLIFE OUT NOW 

bitly.ws/CMZ9

Since launching the Datsik brand, Troy Beetles continues to evolve as a solo artist all the while pushing his beloved bass music world to new lengths, both on a personal artistry level and as a genre as a whole. From bedroom producer to chart-topping artist, internationally touring act, and owner and founder of the enterprising Firepower Records, Datsik is poised to make bass music the sound of the future with his recent Down 4 My Ninjas EP (Nov. 2014 / Firepower Records) and upcoming release Smoke Bomb ft. Snoop Dogg (Nov. 2015 / Ultra Records). 

Datsik took his initial steps into global dominance in 2009 with his first official release, the Nuke ‘Em EP, which set the new precedence of the future of dubstep and bass music. Immediately following that was the Boom EP featuring Excision and the legendary Flux Pavilion as collaborators. In that same year, Datsik claimed 10 Beatport #1 releases. Additionally, he has also released massive remixes for dance music icons Skrillex, Diplo, Kaskade, and Zedd, as well as two collaborations with Bassnectar and two more with Diplo on his Express Yourself EP. He has also remixed artists from the mainstream pop world and hip-hop spheres such as Coldplay, Lil Wayne, MGMT, Linkin Park, Wu-Tang Clan, one of the biggest influences on his sound, and, most recently, Lana Del Rey.

Nonetheless, Vitamin D, his debut artist album released on Dim Mak Records in 2012, remains his gleaming trophy of work. Rightfully so, as Vitamin D was the first project to illustrate the full spectrum of Datsik’s production cannon and to give glimpses of the artist’s potential as a producer and songwriter. Vitamin D was the first major milestone of many to come in the Datsik storyline. The next chapter came in 2013 in the form of a two-part release, the Cold Blooded EP and the corresponding Let It Burn full-length album, both released on Firepower. While shorter in length, Cold Blooded packs as much a punch as big brother Let It Burn. Hand in hand, Cold Blooded and Let It Burn comprise the knockout one-two punch in Datsik’s artillery.

Datsik stands at a point of transition with his recent EP Down 4 My Ninjas. It exemplifies a more mature Datsik, both in sound and in vision, as it sees the producer taking vast steps outside of dubstep and deeper into his ever-burning fondness for hip-hop. In essence, it is his love letter to the hip-hop and bass music genres and sees a full circle for Datsik as it combines the best of both worlds. Featuring collaborations with DJ Paul of renowned Southern rap group Three 6 Mafia and the legendary KRS-One, Down 4 My Ninjas sees Datsik keeping one foot in bass and one foot in hip-hop and, for the first time ever, sees the artist pairing his original productions with bona fide, universally celebrated members of the rap world. 

With Down 4 My Ninjas in tow and a hefty supporting tour scheduled for 2015, expectations are higher than they’ve ever been for Datsik. Beetles welcomes the challenge, though. It’s what’s kept him developing since those bedroom producer days, and it’s what verifies Datsik as one of the leading figures in the bass music scene of today and tomorrow.

Backup Planet is a progressive funk-rock band based out of Nashville, Tennessee. To see Backup Planet perform live is to simultaneously travel back in time and forward into the future. Their truly unique sound emanates from a place that seems familiar, yet unchartered. Elements of jazz, funk, roots, blues, electronic, and progressive rock all emerge during the course of their shows. Their sound draws from so much you’ve heard before—‘70s rock and funk, high-energy improv, a touch of pop, and a sliver of metal. But the members of Backup Planet mix and match those elements—with just a hint of modern tech to burnish a sturdy nucleus of retro-minded organ and guitar—in ways that never fail to astonish.  With a fantastic repertoire of original songs, they’re able to build fluid sets interspersed with extended improvisation.

Incorporating some degree of uncertainty into live performances is innate to the improvisational, or ‘jam band,’ music scene. Audiences can sense when a group takes major risks onstage; the elements of surprise and unpredictability foster a level of joy unparalleled in other types of musical performances.  Masters of this process, Ben Cooper, Gavin Donati, Blake Gallant, and Carson Brown, are doing all of the above while their rapidly growing fan base nods in approval and shouts for more.

https://rlgrime.lnk.to/play

contact: deker@mixedmanagement.com

booking: dcallender@teamwass.com

mixing / mastering / tour dates
https://www.vanicmusic.com/

MGMT: 
devdoroff.mgmt@gmail.com

BOOKING N.A.: 
peter@minttalentagency.com

Music producer from Norway.


Booking North/South America: 
Joel Zimmerman  JZimmerman@wmeentertainment.com

Bookings International: 
Simon Clarkson SClarkson@wmeentertainment.com 


Management/All other inquries: 
myles@goldenharegroup.com

Press INFO:
US Press: myles@goldenharegroup.com
UK/EU Press: matt@getinpr.com

Scand: scandinavia.press@gmail.com

Worldwide Bookings:
max@rawagency.org

Hailing from an isolated city in Bohemia, but based in Berlin for more than a decade, Tereza K. alias Tigerhead has built a steady reputation over the past years with appearances on various beloved techno labels and gigs in some of the most respected clubs and festivals on the planet.

Tigerhead has found her sonic niche, driven by an obsession with digging for hidden treasures, and underpinned by a deep musicality fostered over time as a musician, vocalist, DJ, and producer. In dealing with the more abstract corners of electronic music, she has harnessed an ear to create unconventional, boundary-pushing sounds without losing sight of the groove.

Tour Dates: http://twofriendsmusic.com/tour

IG: @twofriends
Text us: +1-323-310-1431‬

Management
info@twofriendsmusic.com

Bookings
Ferry Rais-Shaghaghi - CAA
bookings@twofriendsmusic.com

Promo
promo@twofriendsmusic.com

Keef is following