Techno 2019

My Orbit (Single Edit)

Tracklist
https://go.protonrad.io/rl589Cv7sm49c
01 Theodore Elektrk - Deep Into the Sound
02 Theodore Elektrk - Hypertensor
03 Miss Adk - Approved (Wolk Remix)
04 ECHOBEAT - Se7en (Oxyd Remix)
05 Stefan Nite - Revoke
06 Shabboo Harper - Delirium
07 ECHOBEAT - VBvirus
08 ECHOBEAT - Guru (Ceren Tekno Remix)
09 LIO RIVAK - Electronic Vandalism
10 WOLK - Outsider
11 NADWAS - Berlin
12 WOLK - Solitude


#005 Toxic Compilation

Theodore Elektrk - Hypertensor [Toxic Recordings]

SUADA

"The Invisible Man" by @daxj will be released on March 4th through @monnom-black. Info: bit.ly/DaySible

Info

Dax J - The Invisible Man

Beatport

Truncate - Another One (Len Faki Remix)

Cleric - 2nd Limit [CRG003]

Out now on vinyl and digital - lnk.to/REKIDS104

German duo Obscure Shape & SHDW drop three robust Techno tracks in their first full release on Rekids this May.

One of the most exciting acts in Techno today, Obscure Shape & SHDW are the founders of From Another Mind - the label and party series making waves in South-Germany. Aside from Rekids, where they remixed Radio Slave’s ‘Vision’ last year, the pair’s abilities in the studio have seen them invited by Slam for two separate remixes of Monoloc and Envoy on Soma, with more projects to be announced.

‘Himmel Und Erde’ is a cavernous cut boasting colossal kicks and skipping percussion before a tantalising melody comes into play. ‘Am Ende Der Welt’ is more deep and atmospheric in comparison, blending dusky percussion with echoing synths until ‘Gefallene Engel’ demonstrates syncopated drums and an otherworldly hook that conjure up a mesmerising aesthetic to conclude the release.

TRACKLIST:

A1 Himmel Und Erde 
B1 Am Ende Der Welt 
B2 Gefallene Engel

Obscure Shape & SHDW

Himmel Und Erde

Buy Now

A1. Obscure Shape & SHDW - Himmel Und Erde

Solid Buzz EP

Solid Buzz

Industrialyzer - Solid Buzz

Patrick Mason and Rekids boss Matt Edwards return for their second appearance as SRVD with two cuts entitled ‘RAW FILES’.

Not confined to a single art form, Patrick Mason is a young creative at the forefront of Berlin’s art, fashion, dance music and LGBT scene; an influential club kid who developed a friendship with Matt Edwards after a chance meeting in Panorama Bar, resulting in numerous studio sessions and improvised live sets. Joining forces in 2018, the pair adopted their SRVD moniker – an alias inspired by New York’s vogue scene – before dropping their debut release on Rekids, playing at various clubs (notably Panorama Bar), not to mention an unforgettable performance at Boiler Room x Pornceptual.

‘The Yard Man’ presents rattling drums, piercing vocal chants and a tormenting melody that SRVD has been destroying dancefloors with over the last year. On the flip, ‘Brotha’ presents a compelling groove as a shuffling rhythm joins abrasive synths and Mason’s penetrating voice.

SRVD - Brotha

SRVD - The Yard Man

Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.

Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.

A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’. 

A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

Buy all

Wehbba & DJ Deeon - We Have Bass - Drumcode - DC202

Buy it at:

Bandcamp: bit.ly/MATERIA023-BANDCAMP
Beatport: bit.ly/MATERIA023-BEATPORT

Follow Marco Bailey on Facebook:
https://www.facebook.com/officialmarcobailey

Follow MATERIA on Facebook:
https://www.facebook.com/materiaevents

Marco Bailey - Nasty Road (Original Mix) [MATERIA]

Alone with the Gods

REKNIK

[ Wex 10 ] - Crypto

ARTSCORE005

Backstage Gathering

ARTSCORE010 | Keith Carnal - Body Brain
𝗬𝗼𝘂 𝗰𝗮𝗻 𝗯𝘂𝘆 𝘁𝗵𝗲 𝗿𝗲𝗰𝗼𝗿𝗱 𝗼𝗻 𝗕𝗮𝗻𝗱𝗰𝗮𝗺𝗽 12" and Digital: artsrecordings.bandcamp.com/album/body-brain

Keith Carnal's unmistakable style is a mainstay of the label, he is back on the ARTSCORE catalog with a record that paints his deeper side of his musical knowledge, delivering a full-length record that can find a home in a wider spectrum of dj-bags, "Body Brain" is a meticulous work that can warm up, or destroy dance floors, all depends on the way you use it.

Artwork: Emmanuel

Keith Carnal - Body Brain

Amsterdam based Keith Carnal has in recent years become seen as somewhat of a tastemaker in today’s world of techno. It might not then come as a big surprise to you that he has also become a favoured producer among many who are seen as “techno mainstay”, gaining support from numerous of his own musical inspirations and champions. Carnal, who grew up in a very musical home in the northern part of Holland, found techno at an early age when he began sourcing and selecting on his own. Techno was, and very much is, the first music that made a deep impression on Keith. This feeling only went on to become more cemented after a few years of composing on his own. It simply became clearer and clearer that Carnal is exactly where he belongs.

Keith’s own style of techno always has a strong emphasis on melodies and groove - it is made for dancing no doubt. Often the melody creates a rather ominous feeling for the listener, but with a certain melancholy to it. This is weighed up expertly with Keith focusing on the tracks being driven forward by strong percussion elements. His compositions contain a fresh vibe that immerses his audience as much as it does with his fellow producer and DJ colleagues. 

Carnal’s own productions very much goes hand in hand with the selections he makes as a DJ. A set of Keith’s always focuses on keeping the tempo and the groove up and going. Classic productions are mixed confidently with more current ones. His sets flourish with tracks that are atmospheric and contain strong melodic segments - tracks where percussion and bass play a major part in why being selected. For Keith Carnal creating the right groove is the main target. This year will see Keith releasing several strong productions as well as continuing his extensive international touring schedule, where he is headlining many of the major festivals and clubs. Keith Carnal is a fresh wind in today’s techno climate.

Backstage Gathering

Keith Carnal

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