Treeacts

Timmo’s debut Drumcode release ‘We Beat On’ carries a flow through out that gives Timmo his own unique sound that has captured the ears of many highly revered techno DJ’s around the world. Timmo uses hypnotic sounds and phrases whilst he always maintains a thumping techno beat that underlies all the tracks within this EP to maximum effect. Furthermore, there is a ghostly feel amongst Timmo’s tracks that really provide him with his acquired sound, the pads in ‘Canvas’ are a beautiful reminder of this. Timmo also uses strong synth stabs to full effect that juxtapose against the drums to help create the tension and aggression that is present within techno.

Timmo - We Beat On - Drumcode - DC125

Warehaus Records drops a stacked new VA, showcasing underground talent at its finest.
Hypnotic techno, groove heavy rollers, and Detroit inspired heat come together for a release built strictly for the dance floor.

PREMIERE: Tälor - Drop On The Drum (WHR011)

Buy here

Anna May - Flou (Original mix)

Bart Skils’ fifth Drumcode offering comes in the shape of ‘Black Vans’. A high energy, full force, four track EP of powerful techno; he showcases his skills to produce four tight and solid tracks. Layering the EP with samples, synths and hard hitting drums, the four tracks create an emotive journey that proves Bart Skils is still on top of his game.

Bart Skils - Fifth Gear - Drumcode - DC153

SLAM/@paragraph | Parallel Phase EP
[SOMA449D]

1. Parallel Phase
2. Shadow Art
3. Morass
4. Contour     

After the unprecedented success of the opening of the unique ‘Soma Track Series’, Stuart & Orde are back in business with pure, thundering Techno packed full of soul and a vision that sees them take Soma into 2016.

Title track ‘Parallel Phase’ wastes no time in crashing though the speakers as steam train drums and 
pulsing rhythmic tones serve as the back bone of this driving, dance floor orientated weapon. ‘Shadow Art’ combines perfectly held drones, evolving pads and subtly dubbed percussion against another solid groove as Slam really delve deep on this one. The duo brings out another heavy hitter in ‘Morass’ that utilises perfectly matched rhythms in the low end and synth hook creating tension with every build. Slam round of this storming EP with the gentle yet powerful ‘Contour’. A warping baseline fluctuates amongst swarms of glistening high end and straight up percussion creating an immersive, subterranean sound.

With a whole lot more in the pipeline, Slam make a bold start to the new year with this expertly crafted EP showing full control over all the Techno elements.

*All tracks mastered by Conor Dalton @ glowcast.co.uk

Parallel Phase EP

Parallel Phase

Slam - Parallel Phase (Soma 449d)

More info - http://loose-lips.co.uk/blog/premiere-rommek-arkose-bp0521

Sedimentary - Set in Stone Trilogy

Arkose

Pre-Order

PREMIERE: Rommek - Arkose (BP052.1)

Slam / @paragraph - Transport EP
Soma 533d

1. The Method
2. Response
3. Strike Encounter
4. Transport

Slam’s final release of the year has them heading back into dance floor orientated territory with the Transport EP. 2018 has been a massive year for the duo with their non stop touring alongside typically huge releases on Soma, plus the release of their 7th studio album ‘Athenæum 101’ to critical acclaim. 

The Method gets the EP going as evolving, modulating synths carry the vibe against straight up and effective drums. Taking a more deeper approach, Response glides gently with pulsating yet subtle tones used for hypnotic effect as energetic percussion constructs a jacking element to the track. Picking up the pace again, Strike Encounter has a tripped out sequence, reminiscent of early Hood minimalism, driving the core with a sense of urgency. Highly effective drum patterns keep the rapidity in check also. Slam power home the EP with it’s titular final track, Transport. Jarring, percussive like synth attack with unrelenting momentum, further tension being built by creative FX use once again. A more emotive element is introduced with a hovering yet uneasing pad, that gives way to the unyielding energy present throughout.

Mastered By Conor Dalton @ http://www.glowcast.co.uk/

Transport EP

The Method

Slam - The Method (Soma533d)

K Ø Z L Ø V - Must Be Fearful
~150 BPM~

K Ø Z L Ø V - Must Be Fearful

K Ø Z L Ø V - Tchernobyl
~ 145 BPM ~
Artwork by Nicolas Thabart
Release date : 29/07/2019
Video clip : https://www.youtube.com/watch?v=UDuw2ro0j-4

Project made with some remix on their soundcloud page :
NTBR & PROXYMA

K Ø Z L Ø V - Tchernobyl

Illusion

K Ø Z L Ø V - Coronavirus
~ 150 BPM ~
Artwork by Nicolas Kaufmann
https://kozlovtechno.bandcamp.com/track/k-z-l-v-coronavirus-antidote

K Ø Z L Ø V - Coronavirus (Antidote)

Kmyle is a young artist that shaped his own space in the Techno scene in these last 5 years. His sound is a beautiful craft of all the technical aspects that make a Big Room track relevant, he has no fear in showing emotions but at the same time locking key elements essential for the dancefloor. Kmyle presents himself on the label with a hard explosion, but yet with an elegant touch.

Bandcamp → https://artsrecordings.bandcamp.com/album/equator
Artwork: Emmanuel & Jan Petry

A2. Kmyle - Ora

Out now on Rekids: lnk.to/RSPX20

Rekids boss Matt Edwards debuts on Rekids Special Projects under his prolific Radio Slave moniker with ‘Command Z’, marking the twentieth release on the offshoot series.

Undeniably one of house and techno’s most sought after and beloved producers and remixers, Matt Edwards kickstarted Special Projects as a techno focused series in 2017. Since then it has gone on to host incredible artists like FBK, Shinedoe, P.Leone, Hemka and Dustin Zahn, not to mention SRVD - Edwards’s collaborative project alongside club kid Patrick Mason. Three years later, the Berlin-based Brit finally graces the label under his most revered
pseudonym.

‘Command Z’ opens with roaming synth patterns, slick kicks, delicately placed plucks and a haunting soundfloor which gives a sense of allure alongside it’s thundering rhythm. On the flip, ‘Command X’ situates itself perfectly for cavernous warehouse spaces or intimate club environments with its rattling snares, arpeggiated keys, lively saturated claps, rawly reversed pads and rippling cymbals.

Radio Slave - Command Z

Raxon lands his first richly-deserved Drumcode EP.

There’s something distinctive about the Egyptian-born artist’s productions that provoke a special response. His debut outing on Drumcode, ‘Dream Space’ soundtracked our favourite takeaway moment from Awakenings Festival in 2019, as Adam Beyer and his three daughters danced along to their mum Ida Engberg’s set, wearing smiles the size of watermelons. More recently, when Beyer played ‘Connection’ during the ‘Drumcode Indoors II’ stream from his Ibiza home, once more, his daughters sprang into dance mode, their fists striking the sky. Raxon’s music just touches you, it’s unavoidable. 

After a pair of contributions to Truesoul and ‘Dream Space’ appearing on A-Sides Vol.8 last year, his maiden Drumcode EP is perfectly timed. ‘Connection’ is catchy intergalactic techno, driven by thick wedges of bass and an irresistible lead hook. ‘Orbit’ initially takes a crunchier and more percussive tone, before rich melodic chords sprout from the darkness to add colour to the mix.

Buy all

Raxon — Connection — Drumcode — DC227

The Rapture

Burned Hand (Emmanuel Remix)

Amsterdam based Keith Carnal has in recent years become seen as somewhat of a tastemaker in today’s world of techno. It might not then come as a big surprise to you that he has also become a favoured producer among many who are seen as “techno mainstay”, gaining support from numerous of his own musical inspirations and champions. Carnal, who grew up in a very musical home in the northern part of Holland, found techno at an early age when he began sourcing and selecting on his own. Techno was, and very much is, the first music that made a deep impression on Keith. This feeling only went on to become more cemented after a few years of composing on his own. It simply became clearer and clearer that Carnal is exactly where he belongs.

Keith’s own style of techno always has a strong emphasis on melodies and groove - it is made for dancing no doubt. Often the melody creates a rather ominous feeling for the listener, but with a certain melancholy to it. This is weighed up expertly with Keith focusing on the tracks being driven forward by strong percussion elements. His compositions contain a fresh vibe that immerses his audience as much as it does with his fellow producer and DJ colleagues. 

Carnal’s own productions very much goes hand in hand with the selections he makes as a DJ. A set of Keith’s always focuses on keeping the tempo and the groove up and going. Classic productions are mixed confidently with more current ones. His sets flourish with tracks that are atmospheric and contain strong melodic segments - tracks where percussion and bass play a major part in why being selected. For Keith Carnal creating the right groove is the main target. This year will see Keith releasing several strong productions as well as continuing his extensive international touring schedule, where he is headlining many of the major festivals and clubs. Keith Carnal is a fresh wind in today’s techno climate.

Illusion

Keith Carnal

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