2016 - Techno

E-HRZN Records is thrilled to premiere a new track by Ben Reymann titled "Last Call," on GEISTFREI's Fundraiser VA for Palestine: "With You - Against Silence"

Bandcamp Buy Link: https://geistfrei.bandcamp.com/album/with-you-against-silence

Track: Last Call
Album Name: With You - Against Silence
Artist(s): Ben Reymann
Format: Digital
Genre: # Electronic
Style: # Techno
Release date: 21.08.2025
Mastering: Arclab
Artwork: Photography by Sakir Khader, edited by Sarra Azza

Support the Artist:
IG: https://www.instagram.com/ben_reymann/
SC: https://soundcloud.com/ben-reymann

E-HRZN Premiere: Ben Reymann - Last Call [Palestine Fundraiser VA by GEISTFREI]

Hard techno warehouse visual—industrial drive, acid sparks, peak‑time pressure.
Warehouse rave energy meets sci‑fi worlds—hard techno visual on max drive.
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Stream / download / buy ➜
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Merch Shop : https://grass-patch-bum-shop.fourthwall.com
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https://open.spotify.com/artist/3q0KcTUD3hmRdi1SUWd6VL
https://music.apple.com/us/artist/grass-patch-bum/1596136340
https://soundcloud.com/grasspatchbum
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Neo‑rave surge: hard techno, trance‑techno twists, warehouse energy unleashed.
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Support the tunes:
https://paypal.me/grasspatchbum
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Starwell of the Null Garden
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Keep in touch with latest releases:
https://www.youtube.com/@grasspatchbum
https://grasspatchbum.bandcamp.com/
https://grasspatchbum.com/
Trippy Music Video : https://youtu.be/6i25ex5LE6U
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The field was a sheet of cooled night—black glass stretched to every horizon, unmarked, unscarred, holding a silence that felt designed. Nothing moved. Even the wind kept its thoughts to itself. Above, a single white disk hung in a sky the color of an unblinking eye. It wasn’t a sun in any faithful sense; it didn’t warm, it didn’t arc, it didn’t dim. It merely existed in a way that implied observation.

The traveler arrived with boots that did not echo. They paused to test the place with a breath. Air, metallic and clean, entered and left their lungs as if passing through a narrow instrument. Their coat carried a seam of cyan light along the hem, a habit taken from other worlds where shadows kept score; here, the light cut no more than a suggestion along the glass.

A tremor rose beneath their feet—steady, unhurried, identical from one pulse to the next. The black field flexed like the surface of a held note, then cracked along a hexagon so precise it might have been measured by a patience older than mathematics. Light bled upward through the seam, saturating the hexagon, then the one beside it, then the next, until a column of hexagonal plates rose into the air with the diligence of a plant uncoiling.

It was an elevator without walls, a starwell, and the steps it offered were simple: up.

The traveler set a foot on the first light-plate. The plate accepted the weight, glowed a shade deeper, and ascended. Another plate took its place beneath, then another. The starwell climbed, carrying its passenger into a shaft of perfectly still air where dust never existed and sound had to invent itself. Each hexagon expanded and contracted as if breathing; the traveler matched that rhythm without knowing when the decision had been made.

As they rose, the glass field below revealed patterns like frost. Threads of quartz traced sigils that widened into channels and closed again, searching for a memory of water. Halfway through the ascent, the white disk overhead winked—one crisp shutter of absence—and returned to watching. The starwell reached a height where the horizon curved, then stopped as if listening.

The traveler stepped off. The platform had delivered them to a hovering terrace cut from nothing: a balcony of air with a thin rail of light to keep the idea of falling honest. Far below, the glass field was no longer empty. Pale filaments were pushing through it, quivering as they tested the world. In seconds the filaments thickened into latticed columns—quartz spines veined with faint teal. Plates slid into existence along the columns, opening like gills. The gills pulsed and released motes that drifted upward in spirals.

Continues on the website:
https://grasspatchbum.com/2025/08/13/graviton-maw-rapture/

#techno  #technomusic #visualizer  #hardtechno  #industrialtechno   #warehouserave  #peaktimetechno  #drivingtechno  #neorave  #rave2025

Starwell of the Null Garden - Trippy Visualizer @ YouTube

Buy/Download

Verge

Tonikattitude - Meth (exploSpirit Remix) [Minimal Killer Traxx]

Get this track here --> http://bit.ly/AnomalyEP

www.florianmeindl.com / @flash-recordings

Florian Meindl - Closed Circuit (FLASH Recordings)

Shkedul - ID15 (Max Cipriani Remix)

Shkedul - ID16 (Ricardo Garduno Rework)

Digital: http://bit.ly/DivingFromTheVoidBeatport 
Stream: http://bit.ly/DivingFromTheVoidSpotify 
CD: http://bit.ly/DivingFromTheVoidCD 

@charlesfenckler | Diving From The Void 
[SOMACD112] 

1.	Voices In Your Head
2.	Immersion
3.	Stellar Acid
4.	Frozen Room
5.	Estrange
6.	Flirting With Disaster
7.	Subject X103
8.	District 2 (909 Drums)
9.	The Unknown
10.	Anxiety
11.	Raven

Soma are proud to present the debut album from one of the most exiting Techno artists to spring out of the French scene in recent years, Charles Fenckler. A chance happening across his Soundcloud heralded some fine results for the Soma camp as back in 2014, the 20 year old Fenckler, exploded onto the label with the finely produced ‘Anklam’. Sporting such a mature sound for someone so young, his profile has been creeping up over the past 2 years, quickly gaining fans throughout the Techno community such as Jeff Mills, Marcel Dettmann, Josh Wink & Alan Fitzpatrick. His latest release in early 2016, Frozen Room saw him return to form after a short hiatus with the title track taking the scene by storm. With his debut album, Diving From The Void, Fenckler looks to continue his meteoric rise through electronic music.

Fenckler takes a heady dive straight into things as opener Voices In Your Head, with it’s droning yet uplifting quality, seeps eerily through before Immersion starts to up the pace of the album, it’s pounding kicks and percussive workouts sitting atop a glistening, acidic melody. Charles continues on an old school tip as the wild Stellar Acid comes hard and fast, complete with powerful breakdown moment. The rave inspired Frozen Room, already a massive hit from the youngster, clatters in once again as Charles then give a nod to UK-breakbeat with the contemplative Estrange. Things get back to techno business quickly as Flirting with Disaster & Subject X103 come thundering through but still, Charles brings an emotive element with both tracks laden with polished, ethereal pads. Originally released in 2015, District Two makes an appearance with its straight up, driven 909 percussive workout. The Unknown brings an air of minimalism with its sparse synths and groove laden drums whilst Anxiety’s sweeping drones and foreboding atmospheres follow before
the galloping Raven closes out the album at a ferocious pace

Charles has certainly explored all facets of Techno throughout this album and for someone still with much ahead of him, the future is certainly looking bright for this talented young Frenchman.

Mastered by Conor Dalton @ Glowcast Mastering

Diving From The Void

Flirting With Disaster

Charles Fenckler - Flirting With Disaster (SomaCD112)

premiere of "Arc1v" by @stefantews
taken from the sampler “DLSN001”, released soon on @delusion-official

EP Details:
https://novafuture-blog.com/2017/06/29/various-dlsn001-delusion/

DLSN001

Stefan Tews - Arc1v [DLSN001 | B1 | Premiere]

Buy link : 
http://classic.beatport.com/track/concursum-jusai-remix/9730424


Contact: Jusai.dj@gmail.com
Soundcloud: https://soundcloud.com/jusai
Facebook: https://www.facebook.com/Jusai.Page/
Twitter: https://twitter.com/JusaiJulien
Youtube: https://www.youtube.com/user/Jusaimovie
Beatport: http://www.beatport.com/artist/jusai/197927
Mixcloud: https://www.mixcloud.com/Jusaï
Instagram: https://www.instagram.com/jusai_julien/

Victoria 52 - Concursum (Jusai Remix)

Our World

The Bunker

Fields (Wunderblock Krack Dub)

Aluminium

Keep

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Follow us on Soundcloud: @nudetechno

Artists: Anja Schneider, Arjun Vagale, Daniel
Miller, Fidelity Kastrow, Guiamm, Jonty SkruFFF,
Marco Faraone, Vinicius Honorio
Title: Hammahalle
Label: Sisyphon
Catno: SISYPHON013
Release Date: November 29th, 2019
Format: Mistery Box ltd edition + digital

Premiere: Arjun Vagale - Enter The Halle [Sisyphon]

BUY: fanlink.to/deas-index

Digital: 14th February 2020
Vinyl: 28th February 2020

1: DEAS - Space Race
2: DEAS - Apart
3: DEAS - Index
4: DEAS - DRMS
5: DEAS - Radiation

Greek-born, Krakow-based DEAS is a producer of unusual stylistic and emotional breadth, possibly the result of growing up with a range of cultural and geographical influences. His fourth EP on Second State continues his impressive run, a mosaic of moods and textures that coalesces into a cohesive, compelling whole.

“Space Race” brings a futuristic cosmos to mind, a track that’s at once urgent and foreboding, yet light on its feet. Arpeggiating laser synths glide over peppy drum patterns in a manner that encourages dancefloor mayhem. “Apart” is a little more sinister but still highly danceable, with a propulsive bassline, noodling lashes of acid and an almost psychedelic vibe. “Index” strips it back and places the drums front and centre in a less-is-more piece designed to keep the party chugging, while “DRMS”, another percussion-based track, adds trippy effects to enhance those slightly sideways moments. “Radiation”, meanwhile, is a journey in the true sense of the word, a track that morphs from atmospheric to tense and back again in an arrangement that’s uncluttered, yet highly effective at creating a sense of delicious unease.

This EP is another collection of weapons from an internationally acclaimed techno producer and DJ, one that should ensure DEAS is in high demand for the coming year and beyond.

@michaelkleinberlin
@secondstateaudio

Index EP

BUY HERE

DEAS - Index

Amsterdam based Keith Carnal has in recent years become seen as somewhat of a tastemaker in today’s world of techno. It might not then come as a big surprise to you that he has also become a favoured producer among many who are seen as “techno mainstay”, gaining support from numerous of his own musical inspirations and champions. Carnal, who grew up in a very musical home in the northern part of Holland, found techno at an early age when he began sourcing and selecting on his own. Techno was, and very much is, the first music that made a deep impression on Keith. This feeling only went on to become more cemented after a few years of composing on his own. It simply became clearer and clearer that Carnal is exactly where he belongs.

Keith’s own style of techno always has a strong emphasis on melodies and groove - it is made for dancing no doubt. Often the melody creates a rather ominous feeling for the listener, but with a certain melancholy to it. This is weighed up expertly with Keith focusing on the tracks being driven forward by strong percussion elements. His compositions contain a fresh vibe that immerses his audience as much as it does with his fellow producer and DJ colleagues. 

Carnal’s own productions very much goes hand in hand with the selections he makes as a DJ. A set of Keith’s always focuses on keeping the tempo and the groove up and going. Classic productions are mixed confidently with more current ones. His sets flourish with tracks that are atmospheric and contain strong melodic segments - tracks where percussion and bass play a major part in why being selected. For Keith Carnal creating the right groove is the main target. This year will see Keith releasing several strong productions as well as continuing his extensive international touring schedule, where he is headlining many of the major festivals and clubs. Keith Carnal is a fresh wind in today’s techno climate.

Keep

Keith Carnal

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