Voices - Alev Lenz
Piano - Lucy Claire
Violins - John Garner and Julia Loucks
Viola - Marie Schreer
Cello - Samuel Justitz

Recorded by Josh Green
Produced by Lucy Claire

Somnus Ft. Bruised Skies

Improvisation 12 am. 

http://www.unseen-music.com

Keith Kenniff - Breaking

Under banners of fading light, echoes of valor resonate in halls of crystal and flame. The earth trembles under unbreakable oaths, where faith is forged in shadow and crowned in silence. Across vast domains of gold and ash, the eternal vigil continues: an inexhaustible testament to what endures when all else turns to dust.

Phantasmspear

www.patreon.com/alicebaldwin

Für Rik. 
Experimenting with an old song idea. Trying not to mess it all up with the strings..

Freiheit wär viel lustiger

An outtake from my solo piano album Tape Sketches, in memory of Conor Walsh
&
dedicated to Luke. 

Stop! Start! (Tape Sketches Outtake)

Eighty-Eight Days

August (Luke Howard)

OST for 'The White Tear Planet', an installation by Massimiliano Siccardi, Ginevra Napoleoni e Valerio Antonio Ciminelli.

Pavilion Concept: RCR Arquitectes

0'00" A hidden sea
2'33" The temple
4'45" Muraba

The White Tear Planet (Trittico in quattro tempi)

Anne Lovett’s stunning new release for 1631 is a departure from her beautiful previous solo piano album Beyond (and below). Without loosing any of the startling beauty of the preceding album, in The Eleventh Hour, Anne Lovett revels in a new sonic world. Joined by the London Contemporary Orchestra , UK’s most innovative and respected ensemble routinely heard alongside such luminaries as Radiohead or Johnny Greenwood, and later in duo with phenomenal cellist and composer Oliver Coates, Anne Lovett also introduces subtle electronics interwoven carefully alongside layered melodic piano lines.

The main narrative for the album was conceived shortly after a new addition was brought in to Anne’s studio, a plantation chair which sat opposite her Grotrian-Steinweg grand piano. It led to intense hours of rethinking around the instrument itself and more generally about the seismic shifts that were taking place in society. The album is an attempt to reconcile the flaws of time. 

Best described by the Japanese concept of Kintsugi or “broken beauty”, The Eleventh Hour is a heartbreakingly beautiful contribution to the modern “indie” classical genre. The thirteen tracks all meticulously crafted and ringing out with a dark luminosity, like an elegy to our troubled times. 

It will appeal to fans of Dustin O’Halloran, Nils Frahm, Max Richter, Philipp Glass, Jóhann Jóhannson who will find many reasons to love this album .

www.1631recordings.bandcamp.com/album/the-eleventh-hour

The Eleventh Hour

Anne Lovett - The Eleventh Hour

In Silentio

On The First Day

I have a bad (fun) habit of collection pianos/keyboard instruments, so in the spirit of Piano Day 2019, I thought I'd give them all some love. This piece features all 14 of my keyboarded friends, some happy and healthy and others... not so much.

#pianoday

All My Friends

From Tambour's upcoming EP 'Constellations (ou comment arrêter le temps)' out August 23 

Spotify: https://spoti.fi/2Yg4aWN 
Pre-order: https://modernarecords.bandcamp.com/album/constellations-ou-comment-arr-ter-le-temps

Composed and produced by Tambour (Simon P. Castonguay)
Additional electronic production by Thomas Haahr
'Mommies on the run' string quartet

Engineered by Pietro Amato 
Mixed by Mark Lawson, Montréal 
Mastered by Martyn Heyne at Lichte studio, Berlin

Constellations (ou comment arrêter le temps)

Ursa Minor (Caroline's Theme)

Tambour - Ursa Minor (Caroline's Theme)

Latest:
Helios - Espera: https://ghostly.ffm.to/helios-espera
Hollie Kenniff - The Quiet Drift: https://ampl.ink/5Y9Rw
Mint Julep - In a Deep and Dreamless Sleep: https://ampl.ink/omKoq
Goldmund - The Time it Takes: smarturl.it/ibfvzw

I write music for film and record as Helios, Mint Julep, Goldmund.

For licensing inquiries please visit: http://www.unseen-music.com/licensing