Ambient

Instrumental

Three short piano moments. 

....................................................

All material is © Keith Kenniff 2013.  For license requests please visit http://www.unseen-music.com/contact

Photo by Michael Muller. 

Keith Kenniff - Hills

piano solo

piano

April

Goods

Keith Kenniff

Relax

Alive

download

Gaussian Blur

A WINGED VICTORY FOR THE SULLEN - 'ATOMOS VII'
12"/digital out now.

ORDER: www.erasedtapes.com/store/index/ERATP056

A Winged Victory for the Sullen – 'Atomos' out on October 6, 2014.

ORDER the album now on CD/2xLP/DL and Ltd. 500 edition clear vinyl via our store: www.erasedtapes.com/store/index/ERATP061
Or via iTunes: snip.ftpromo.net/atomositms

TOUR DATES: 
www.facebook.com/awvfts/app_123966167614127

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.

“As a wise man once said, one who procrastinates their own choosing will inevitably have their choice served to them by circumstance. We had virtually no time for second guessing ourselves. That being said, we tried to balance the discordance between being creative, and fulfilling our duties for a commissioned soundtrack with a very strict deadline, and all the while staying true to our collective melancholy.‘’ – Adam Bryanbaum Wiltzie

“We never imagined 2013 would be such an explosively creative year. The first record took us two years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating.” – Dustin O’Halloran

OFFICIAL WEBSITES: awvfts.com · erasedtapes.com

Atomos VII

A Winged Victory For The Sullen – Atomos VII

A Winged Victory for the Sullen – 'Atomos' out on October 6, 2014.

ORDER the album now on CD/2xLP/DL and Ltd. 500 edition clear vinyl via our store: www.erasedtapes.com/store/index/ERATP061
Or via iTunes: http://snip.ftpromo.net/atomositms

TOUR DATES: 
www.facebook.com/awvfts/app_123966167614127

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.

“As a wise man once said, one who procrastinates their own choosing will inevitably have their choice served to them by circumstance. We had virtually no time for second guessing ourselves. That being said, we tried to balance the discordance between being creative, and fulfilling our duties for a commissioned soundtrack with a very strict deadline, and all the while staying true to our collective melancholy.‘’ – Adam Bryanbaum Wiltzie

“We never imagined 2013 would be such an explosively creative year. The first record took us two years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating.” – Dustin O’Halloran

OFFICIAL WEBSITES: awvfts.com · erasedtapes.com

Atomos

Atomos VI

Buy 2xLP/CD/DL

A Winged Victory For The Sullen – Atomos VI

"For my cover version I chose this track by Yeasayer. The original is a  beautifully sad yet upbeat breakup song, strident and bright with synth lines cascading around a heartfelt vocal. I wanted to make it sound far more broken and fragile, so I re-played it on the piano, pitched it down, then mangled it quite heavily so it came out sort of wobbly and knackered sounding. I wanted to leave it quite bare, just letting that amazing melody lead the way." - Jon Hopkins

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Jon Hopkins - I Remember

I took some time away to write a short collection of piano and string pieces named 'Of Sleep and Time'. This is the opening piece.

Of Sleep and Time is available for free download at https://levipatel.bandcamp.com/

I have recently released an alternate version 'As she passes (nocturne)', included on my album A Shifting Lightness https://levipatel.bandcamp.com/album/a-shifting-lightness

Of Sleep and Time

Free Download

As she passes

Moon Ate the Dark - Ventricles

02 Ein Deutsches Requiem, Op. 45  II.  Denn alles Fleisch, es ist wie Gras

I was commissioned to write these pieces for a series of mini documentaries made for Prudential. 

The films were shot by the wonderful directors at Everynone | http://www.everynone.com

View the films here: http://unseenmusic.tumblr.com/post/17381796561/day-one

Keith Kenniff - Mujahid

A cover of Drake's single "Marvin's Room

More info on Hypetrak: http://bit.ly/Vhje4V 

Chilly Gonzales - Marvin's room (Drake cover)

I was commissioned to write the score for a short film by TOMS about their first "Ticket To Give" trip, which helped distribute shoes to kids in Honduras. 

View the video: http://www.youtube.com/watch?v=GQa4qJAZuLo
www.toms.com
www.unseen-music.com

© TOMS


Keith Kenniff - Giving

I composed this piece for a TV spot for The American Red Cross in conjunction with their relief efforts for hurricane Sandy. 

View the video: http://www.youtube.com/watch?v=G-oWo7uLtZw&feature=youtu.be

http://www.redcross.org/

Keith Kenniff - Thank You

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

Download

Helios - Every Hair On Your Head (Ben Boysen Remix)

Recorded using Reason's Radical Piano December 2012.

Amicus

Purchase "Save Your Season" via:
unseen.bigcartel.com/artist/mint-julep
itunes.apple.com/us/album/save-your-season/id476215151

www.facebook.com/mintjulepmusic | twitter.com/_mintjulep

Mint Julep music videos:
www.youtube.com/watch?v=7P9t0eU_drQ
www.youtube.com/watch?v=5LxckeXA5tY&feature=relmfu
www.youtube.com/watch?v=xEOmpbk4ya4&feature=relmfu

The silence stretches far away
I lift my  head and drop away
And in my ear it rings

He never says what he means
Always felt but left unseen
A distant voice that sings

All this false indifference is your only defense
All this false indifference is your only defense
But it's not what you want
But it's not what you want

Feelings have become routine
Bitter words that cut a rift
They cut a rift between

Would you stay another day
Would you wait for me to say
Come back
Come back to me

All this false indifference is your only defense
All this false indifference is your only defense
But it's not what you want
But it's not what you want

~

Formed in Boston, Massachusetts, in 2007, MINT JULEP is the husband-and-wife team of Keith and Hollie Kenniff. Subsequently relocating to Portland, Oregon, the duo cut a limited release album, Songs About Snow, in 2008 and the EP, Adorn, in 2010 – effectively a trial run for further recording in their home studio, the fruit of which is a sublime follow-up, Save Your Season, released by Village Green in 2011. The couple is currently writing and recording their next album, Broken Devotion, which is slated for release in mid 2013.

Hallmarked by Hollie’s seductive, dreamy vocals and a succession of memorably soaring choruses, all of it etched with Keith’s vivid, glinting keyboards, towering guitars and miscellaneous instrumental hooks, Mint Julep make lustrous modern pop music that is wistful and mellifluous yet simultaneously powerful, even epic – equal parts shoegazing romanticism and cool, Kraftwerkian polish. Their songs seem instantly familiar, like old musical friends, a ’classicism’ offset by the freshness and luminosity they exude as they usher you on a breathless ride through the sunlit uplands of electronic indie-rock.

Mint Julep was designed as a conscious departure from Keith’s previous, ambient-orientated projects. “When Hollie and I set out to do something, I wanted to find some way to incorporate her vocals into a slightly different style, rather than just write similar material to my solo work and lay her vocals over top”, he says. “I had the need to write something that had some distorted guitars, loud drums and was a little bolder than what I had previously done. We messed around with a track one night (which became ‘Stay’) and it was a fun process, so we just kept writing more songs so we could do a project together.”

Soon a working pattern emerged, with Keith composing music around Hollie’s lyrics or making tracks which Hollie would then add to. “It just developed after a lot of trial and error, and after a while the material started to plateau and began to sound like an album…”

A Pennsylvannian by birth, Keith Kenniff is an honors graduate of Boston’s esteemed Berklee College of Music, best known as the brains behind dulcet ambient/electronic practitioners Helios and the fingers on the ivories of post-classical piano minimalists Goldmund (the latter’s music once described by no less an authority than Ryuichi Sakamoto as “…so, so, so beautiful…”). A succession of albums under those aliases has made Kenniff the darling of discerning critics and his music has also been widely used in film, television and advertising, not least on the soundtrack to the 2012 documentary Bones Brigade, as well as composing for clients such as Apple, Facebook and Google.

Originally from Ohio, singer Hollie Kenniff maintains dual US/Canadian citizenship, having spent part of her life in Ontario. Aside from Mint Julep, she has collaborated on several additional musical endeavors in tandem with husband Keith, including a children’s music project, Meadows (inspired by the couple’s young son), whose debut longplayer was recently released, and an ambient diversion under their own names. An album of the latter, A Deep and Dreamless Sleep, is slated for release in 2013.

Mint Julep - Stay (lyrics)

Purchase "Save Your Season" via:
unseen.bigcartel.com/artist/mint-julep
itunes.apple.com/us/album/save-your-season/id476215151

www.facebook.com/mintjulepmusic | twitter.com/_mintjulep

Mint Julep music videos:
www.youtube.com/watch?v=7P9t0eU_drQ
www.youtube.com/watch?v=5LxckeXA5tY&feature=relmfu
www.youtube.com/watch?v=xEOmpbk4ya4&feature=relmfu

Formed in Boston, Massachusetts, in 2007, MINT JULEP is the husband-and-wife team of Keith and Hollie Kenniff. Subsequently relocating to Portland, Oregon, the duo cut a limited release album, Songs About Snow, in 2008 and the EP, Adorn, in 2010 – effectively a trial run for further recording in their home studio, the fruit of which is a sublime follow-up, Save Your Season, released by Village Green in 2011. The couple is currently writing and recording their next album, Broken Devotion, which is slated for release in mid 2013.

Hallmarked by Hollie’s seductive, dreamy vocals and a succession of memorably soaring choruses, all of it etched with Keith’s vivid, glinting keyboards, towering guitars and miscellaneous instrumental hooks, Mint Julep make lustrous modern pop music that is wistful and mellifluous yet simultaneously powerful, even epic – equal parts shoegazing romanticism and cool, Kraftwerkian polish. Their songs seem instantly familiar, like old musical friends, a ’classicism’ offset by the freshness and luminosity they exude as they usher you on a breathless ride through the sunlit uplands of electronic indie-rock.

Mint Julep was designed as a conscious departure from Keith’s previous, ambient-orientated projects. “When Hollie and I set out to do something, I wanted to find some way to incorporate her vocals into a slightly different style, rather than just write similar material to my solo work and lay her vocals over top”, he says. “I had the need to write something that had some distorted guitars, loud drums and was a little bolder than what I had previously done. We messed around with a track one night (which became ‘Stay’) and it was a fun process, so we just kept writing more songs so we could do a project together.”

Soon a working pattern emerged, with Keith composing music around Hollie’s lyrics or making tracks which Hollie would then add to. “It just developed after a lot of trial and error, and after a while the material started to plateau and began to sound like an album…”

A Pennsylvannian by birth, Keith Kenniff is an honors graduate of Boston’s esteemed Berklee College of Music, best known as the brains behind dulcet ambient/electronic practitioners Helios and the fingers on the ivories of post-classical piano minimalists Goldmund (the latter’s music once described by no less an authority than Ryuichi Sakamoto as “…so, so, so beautiful…”). A succession of albums under those aliases has made Kenniff the darling of discerning critics and his music has also been widely used in film, television and advertising, not least on the soundtrack to the 2012 documentary Bones Brigade, as well as composing for clients such as Apple, Facebook and Google.

Originally from Ohio, singer Hollie Kenniff maintains dual US/Canadian citizenship, having spent part of her life in Ontario. Aside from Mint Julep, she has collaborated on several additional musical endeavors in tandem with husband Keith, including a children’s music project, Meadows (inspired by the couple’s young son), whose debut longplayer was recently released, and an ambient diversion under their own names. An album of the latter, A Deep and Dreamless Sleep, is slated for release in 2013.

Mint Julep - The Wind Beneath The Trees

I composed the score to this new Facebook spot. https://www.facebook.com/photo.php?v=10200156550214780&set=vb.20531316728&type=3&theater

http://www.unseen-music.com/

Helios (Keith Kenniff) - Lilt

I composed an original score to this new Facebook video which launched today. https://www.facebook.com/about/newsfeed (the video is at the bottom of the page).

Helios shop: www.unseen.bigcartel.com

You can listen to more library pieces here: @unseenmusic

Keith Kenniff - Acres All Above (free download)

Float Fall’s new single ‘Hard Time Loving You’ is out now on [PIAS] Recordings Belgium. 
Buy, listen & follow: http://smarturl.it/floatfallhtly

'Someday' is available on iTunes:
https://apple.co/2GHKd3J

Official Video: http://www.youtube.com/watch?v=trzo1LSsEPE

www.facebook.com/floatfallmusic
www.instagram.com/floatfall
www.twitter.com/floatfall 
www.youtube.com/user/floatfallmusic 
www.soundcloud.com/floatfallmusic

Written and performed by Float Fall
Produced and mixed by Justin Gerrish
Mastered by Uwe Teichert

℗ & © 2013 Float Fall under exclusive license to [PIAS] Recordings Belgium | [PIAS] Recordings Belgium is a label of the [PIAS] Entertainment Group

Someday

Answered (Microburst Remix)

George Maple - Fixed (Maribou State Remix)

Three short piano variations. 

Photo by Michael Muller. 

Keith Kenniff - Hills 1

Keith Kenniff - Hills 2

Keith Kenniff - Hills 3

One of two pieces I was commissioned to score for a GE commercial. Listen to the other here: https://soundcloud.com/keithkenniff/keith-kenniff-departure

Watch: http://www.youtube.com/watch?v=x8HEMvITbs4

------------------------------------------

http://www.unseen-music.com

Keith Kenniff - About Their Day

One of two pieces I was commissioned to score for a GE commercial.  Listen to the other here: https://soundcloud.com/keithkenniff/keith-kenniff-about-their-day

Watch: http://www.youtube.com/watch?v=BdRsNnTiR8s

----------------------------------------

http://www.unseen-music.com

Keith Kenniff - Departure

I was commissioned to write the score for a short film by Dove about a social experiment that explores how women view their own beauty in contrast to what others see.

Watch the video: http://www.youtube.com/watch?v=XpaOjMXyJGk

Keith Kenniff - Portraits Pt.1

Keith Kenniff - Portraits Pt.2

The Musical Inspiration of "Bande Originale" by Pierre Gagnaire and Chilly Gonzales

Check out "Bande Originale" a beautiful book of delicious recipes and original Chilly Gonzales soundtrack composed specifically to accompany your cooking. 175 recipes and 1 hour of music

Have a look here: http://bit.ly/BandeOriginaleGonzo

Subscribe Youtube channel: http://bit.ly/CGYOUTUBE
Like on Facebook: http://www.facebook.com/chillygonzales
Follow on Twitter: http://twitter.com/chillygonzales
Gonzo's website: http://chillygonzales.com

BUY HERE

Chilly Gonzales - Minor Blues (Bande Originale)

Latest:
Helios - Espera: https://ghostly.ffm.to/helios-espera
Hollie Kenniff - The Quiet Drift: https://ampl.ink/5Y9Rw
Mint Julep - In a Deep and Dreamless Sleep: https://ampl.ink/omKoq
Goldmund - The Time it Takes: smarturl.it/ibfvzw

I write music for film and record as Helios, Mint Julep, Goldmund.

For licensing inquiries please visit: http://www.unseen-music.com/licensing