A Light Without Flame

Keith Kenniff - Branch

Having played the game Myst as a kid, the soundtrack by Robyn Miller left an indelible print on my musical character. I still listen to it today and feel a great sense of warm nostalgia.

Robyn Miller - Un-finale (Goldmund Cover)

Seas Of Years
Lighthouse
Ocean Rift (2013)

https://www.facebook.com/seasofyears/
https://seasofyears.bandcamp.com/

Seas Of Years - Lighthouse

Music: Boy
Reworked by Lambert
Video: https://youtu.be/2sg__GVScpk

Boy - Rivers Or Oceans (Lambert Rework)

1 Chronicles 16:29
2 Chronicles 20:21
Psalms 29:2
Psalms 96:9

Beauty of Holiness KJV: 4 Results

from 'III' [CD|2xLP|DIGITAL]
Denovali Records · den246
available on all formats at [http://denovali.com/bersarinquartett]

Melancholia. Longing. It is difficult to speak about these moods or states of the mind without invoking stereotypes. In ancient medicine, melancholia was considered to be one of the four temperaments, matching the four humours. In fact, melancholia, meaning "black bile" in Ancient Greek, was thought to be caused by an excess of this very body substance. By contrast, in more modern interpretations, literates and Freudians relate many variations of longing to the one primordial longing, the desire to return to one's mother's womb. In this context, the womb is considered to be the place of absolute comfort and cosiness, of total bliss. Thus it should not be surprising that to many of us melancholia is a mood which we like to invoke and to maintain, we like to envelop ourselves in it like in a warm blanket. Our brain and our sensory systems appear to be made for perceiving and emotionally responding to music in a very immediate fashion. Consequently music is the obvious drug for all of us melancholia-addicts. However, there is a thin line between melancholia and sadness, and music which is meant to be melancholic too often crosses this line by far. Only very few artists succeed in avoiding this crossing, and in creating music which is melancholia in its most pure form. It is safe to say that BERSARIN QUARTETT - the electronic music project of Thomas Bücker - is one of them.

After his successfull selftitled debut in 2008 and the sophomore "II" in 2012 - album of the month in many magazines and in numerous "Best of the year" lists - Bücker returns with his third BERSARIN QUARTETT album "III", due for release 6.11.2015 on Denovali Records. Much like his two predecessors, III is a pure paradox. It is the creation of a perfectionist, an adamant control freak. Every element, be it a note, an ambience layer, a string arrangement, a field recording, a baseline, a vocal (Clara Hill on Track 11) or a beat, is meticulously modified and then assigned its place in Bücker's vast but still minimalistic arrangements. Thus, superficially Bücker's pieces seem to radiate a certain mechanical bleakness. However, there is a unique reduced warmth and liveliness emerging from these stainless compositions and transcending them. This transcendence is precisely the point where Bücker ironically looses control over his creations. In contrast to the first two BERSARIN QUARTETT albums, III offers a few darker shades and succeeds even further in narrowing down the arrangements to the absolute essentials without loosing the characteristic grandeur of Bücker's sound. Whereas BERSARIN QUARTETT's debut was merely a description of melancholia in its most pure form, III maybe even goes as far a defining what melancholia really is. It is the only emotion in the vast spectrum of human states of mind which one can bear forever. 

Bersarin Quartett - Sanft verblassen die Geschichten

Pre-order 'Trance Frendz' on LP/DL: www.erasedtapes.com/store/index/ERATP081
or digitally iTunes: snip.ftpromo.net/trancefrendz

Having been available exclusively as the second disc to 2015's 'Collaborative Works', Ólafur Arnalds and Nils Frahm's improvised audio recordings 'Trance Frendz', taken from their 45-minute studio film of the same name, have been given their own vinyl release – out March 4th, 2016.

Prior to a string of collaborative Erased Tapes releases, which include 2012's 'Stare' 10” and last year’s 'Life Story Love and Glory' 7” and 'Loon' 12” – compiled on the 'Collaborative Works' 2-CD set, Ólafur Arnalds and Nils Frahm spent many hours together in their studios across Berlin and Reykjavik. Both have carved out genre-defying musical careers and formed unique live shows, creating a fan base loyal to their prolific output.

During a session at Durton Studio in Berlin last summer, Nils and Ólafur invited Alexander Schneider and his camera to document it. The recording continued long after the first take, stretching out into the next day until, eventually, several new improvisations had been recorded in 8 hours with no overdubs or edits. The unexpected nature in which these pieces had been created was reminiscent of their first on-stage improvisation many years ago. It became immediately clear how special these songs were.

"At the end of the night we had all this music that sounded unfamiliar even to us, loudly asking to be included in this collection.”

Originally made available as a 45-minute film on their joint website (www.arnaldsfrahm.com) last September, 'Trance Frendz' will be available to own on vinyl from March 4th, 2016.

Press for their 'Collaborative Works':

'A particularly joyous wash of slinky percussion and juddering layers' (8/10) – Clash

'An enchanting listen. The bar for a Lads' Night In has just been raised a few notches' (7/10) – Drowned In Sound

‘This is music for slowing down the pace of modern life... An immersive listening experience is guaranteed, while we must hope Frahm and Arnalds go on ‘holiday’ together more in future, and don’t forget to take their musical instruments.’ ★★★★ – MusicOMH

'A collection of gorgeously intimate piano compositions and eye-opening synth pieces, each never aggressive but always powerfully poignant' (8/10) – Under The Radar

'What Collaborative Works offers is something strange: a shared world created by two mad geniuses. Long may Arnalds and Frahm tinker' (8/10) – PopMatters

'Collaborative Works further proves just how natural a fit Ólafur Arnalds and Nils Frahm are together' – Resident Advisor

Trance Frendz

20:17

Buy LP/2CD/DL

Ólafur Arnalds & Nils Frahm – 20:17

Listen to Jean-Michel Blais' new 2018 single "roses": https://soundcloud.com/artsandcrafts/jean-michel-blais-roses

'Il', the debut record from Montreal pianist Jean-Michel Blais, is available April 8, 2016. Pre-order: bit.ly/JMB_Il

Jean-Michel Blais - il

All I Need

'roses' is a funeral piece dedicated to my friend’s mother who died from cancer. The ostinato, the repeating single note in the intro, represents her beating heart, and the tumour's presence, sometimes forgotten but still spreading. How do ill people find peace, if they do at all? "roses" is a journey of someone's musical memories, wandering from pop to classical remembrances, concluding on nostalgic harmony. - Jean-Michel Blais (01/25/18)

c‘est une pièce funéraire dédiée à la mère d’une amie qui est décédée d'un cancer.  L’ostinato, la note répétée de l’intro symbolise le battement de son cœur ainsi que la tumeur inquiétante, parfois oubliée, mais toujours présente. Comment les gens malades trouvent-ils la paix, si jamais ils le peuvent? roses est ma tentative de refléter les souvenirs musicaux de quelqu'un, passant de la pop aux souvenirs classiques et se concluant sur l'harmonie nostalgique. - Jean-Michel Blais (01/25/18)

http://jeanmichelblais.com

roses - Single

Jean-Michel Blais "roses"

Latest:
Helios - Espera: https://ghostly.ffm.to/helios-espera
Hollie Kenniff - The Quiet Drift: https://ampl.ink/5Y9Rw
Mint Julep - In a Deep and Dreamless Sleep: https://ampl.ink/omKoq
Goldmund - The Time it Takes: smarturl.it/ibfvzw

I write music for film and record as Helios, Mint Julep, Goldmund.

For licensing inquiries please visit: http://www.unseen-music.com/licensing