JK FLESH is the pseudonym employed by Justin K Broadrick for his work within heavy techno/electronica - a form of mutant techno that is informed by industrial, dub, 90's drum and bass & power electronics. Justin initially used this pseudonym in Techno-Animal with co-conspirator Kevin Martin (The Bug)
Justin is known for his history as GODFLESH, JESU, FINAL, ZONAL (formerly Techno-Animal), etc, and for writing the music/guitar on Side A of the legendary 'Scum' album by Napalm Death)

for your entertainment 

World: charles@omni-artists.net
US: vtssteam@unitedtalent.com
MGMT: vtss@projectgold.world



SEND PROMO HERE: https://tstack.app/vtss

All music by Kellti

http://instagram.com/kellti_
xdumpx@icloud.com

For BOOKINGS contact:
carola@pullproxy.com

Protagonist status in one city is high praise indeed; holding key stakes in several is something else entirely. Something that Spanish born and Scottish bred Dave Tarrida can boldly claim. 

Tarrida’s timeline begins in 1991 in Edinburgh as founder and resident of the now legendary Sativa club. Here’s where Dave met Neil Landstrumm, Tobias Schmidt and Cristian Vogel, becoming a foursome that would continue to share gigs—the others live, Dave as DJ—and labels—like Tresor, Scandinavia, Mosquito and Sativae—for the first half of their respective careers. In 1994 the club bore Sativae Recordings, which Dave manned together with Steve Glencross, spawning the sibling Drought Records imprint two years later. Around the same time Dave took to the studio, though it would be another few more years before any records would materialise.

1999 was a turning point that saw Dave return to his native Barcelona, where he would spend the following eleven years honing his production craft and exceptional deck-side manner with local residences at Moog (which he still frequents today) and Nitza, as well as Stardust in Madrid. It was the same year that Tresor released his first solo record, ‘Postmortem Pop EP’, having debuted the year prior in collaboration with Tobias Schmidt on ‘The Test EP’. He produced two albums during this period: ‘Paranoid’ in 2001 for Tresor, and ‘Life’s a Glitch’ three years later—Sativae’s final record.

In 2010 Dave relocated again, this time to Vienna where he is currently based. After two decades of happily playing the role of DJ and promoter, 2013 sees Dave shift focus back on his own productions with the unveiling of his brand new label AUTOFAKE and pending releases for Housemeister’s soon-to-be re-launched All You Can Beat stable, and Funk D'Void’s Outpost Records. Saying that, he hasn’t quite hung up the headphones just yet. As the saying goes: you can take the DJ out of the club, but you can’t take the club out of the DJ—expect to see the name Dave Tarrida on many a flyer to come.


Crossing the parallel between Techno and Industrial music.

A Berlin based techno/industrial record label owned by Adam X. With over seventy releases dating back to 1995. Sonic Groove is one of the longest active running vinyl labels in techno music. Sonic Groove has released music from some of the most legendary names in techno. The label is also known for breaking newer artists in the scene.

Booking: slavica@voidplusone.com

Scalameriya is an eccentric producer, sound designer, live-act and DJ known for unparalleled skills.
Being gifted with hyperphantasia, he operates at the threshold of madness through unshakable obsession and a near-mythic discipline that drives him beyond the limits most dare not approach.
In a volatile industry that is plagued by repetition and mediocrity, he remains an anomaly immune to trends and a paragon of authenticity with a sound unmistakably his own.
He further contributes to the electronic music scene as the co-founder of Void+1 Recordings, a label established in 2023 that quickly garnered attention for its diverse catalog that showcases a range of subgenres, from industrial to minimal, reflecting his broad, cross-genre vision of the scene.
Scalameriya's individuality and ritualistic discipline have unsurprisingly proven to be effective, earning his uncompromising and highly refined body of work a place in the catalogs of some of the most influential record labels of the underground, while each of his performances reaffirms the reputation of a skill-demon. An architect of the future, your favorite artist’s favorite artist and an unstoppable force of nonconformity.

DJ & live bookings chris@elitemm.co.uk

Perc - Under Club (3hr set)
soundcloud.com/perc/perc-under-club-buenos-aires

Perc - Essaim, Paris (4 hours)
soundcloud.com/essaimparis/perc-all-night-long-excerpt-essaim-paris-20june2025

UK based techno label. Perc, Ansome, Ghost In The Machine, Steve Redhead, Million, Scalmeriya and many more.

https://perctrax.bandcamp.com

members of the genus Canis 
Skrillex & Boys Noize started a band

Dog Blood - Turn Off The Lights EP available now: https://DogBlood.lnk.to/EPTOTLDB

The man behind Emetic Records and purveyor of industrial, acidic techno since 2001.

Worldwide booking: clara@acheron-booking.com

www.orphx.com
www.orphx.bandcamp.com
www.facebook.com/orphx
www.residentadvisor.net/dj/orphx
www.last.fm/music/Orphx

One of the most highly respected acts in both techno and industrial circles, Orphx (Rich Oddie and Christina Sealey) have been refining their signature fusion of hypnotic rhythms and experimental noise for many years. They began in the early 90s with a raw sound inspired by old school industrial but soon began incorporating elements of dub, techno and electro into their work. Orphx built up an international following as one of the pioneering acts within the European "rhythmic noise" scene. More recently their work has come to the attention of techno fans through a series of acclaimed releases on the Sonic Groove label, collaborative work with the likes of Ancient Methods and Justin Broadrick, and remixes for many artists including Front Line Assembly, Oscar Mulero, Perc, and Conrad Schnitzler.

Oddie and Sealey have performed around the world at celebrated venues like Berghain and Tresor, and festivals such as Berlin Atonal, Movement, Mutek, and Unsound. They are renowned for their improvised performances, combining software with modular synthesizers and other hardware. Building on a sprawling back catalogue that stretches across industrial, ambient, and techno, their recent output has demonstrated that Orphx are both pioneers and innovators in the fusion of rhythm and noise.

Kellti is following