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Yoruba Plays…
01 Trinidad Senolia “Sucre Sacre”
02 Mike Steva “Chiko”
03 Djinji Brown “Autumn Brown”
04 Lady Alma “It’s House Music”
05 Osunlade “Human Beings” (Atjazz Remix)
06 Afefe Iku “the Blues”
07 Osunlade “Camera Shy” (Toto Chiavetta Remix)
08 Oveous Maximus “I Apologize”
09 Osunlade “The 8th Chakra”
10 Jimmy Abney “More Of You” (Tea Party Mix)
11 Lotus & Strauss “Grand Masterplan (Yoruba Dance Mix)
12 Osunlade “Atsuta Jingu”

compiled and mixed by Osunlade

Yoruba Plays...

Available to pre-order soon!

Otomo Yoshihide - Guitar 
Sachiko M - Sine Waves 
Evan Parker - Saxophones 
John Edwards - Double Bass 
Tony Marsh - Drums 
John Butcher - Saxophones (Side B)

Recorded during Otomo Yoshihide and Sachiko M's first residency at Cafe OTO in 2009. The excerpt above is from the second (Sextet) side of the LP.

Otomo is in residency again at Cafe OTO on 20 & 21st September and also joins FIRE! as a special guest (alongside Mariam Wallentin) on the 19th! 

More info: http://cafeoto.co.uk/fire-with-special-guests-otomo-yoshihide-mariam-wallentin.shtm

Otomo Yoshihide / Sachiko M / Evan Parker / John Edwards / Tony Marsh / John Butcher

Evan Parker & Joe McPhee - They Both Could Fly

DJ Toky vs. DJ Boss @Technasia (15.3.2008)

radian (martin brandlmayr)  transistor

An exclusive bonus track from Jazz on 3's programme celebrating Evan Parker's 70th and John Butcher's 60th birthdays. Here the pair perform an improvised duo in the studio.  

You can listen again to the full programme, including interviews and individual sessions from both saxophonists for 30 days on BBC iPlayer: 
http://www.bbc.co.uk/programmes/b04lprx0

Evan Parker and John Butcher – Two Part Contention [20.10.14]

Tracklist › http://www.lemellotron.com/show/emile-omar-tribute-to-richard-evans
Archives › http://www.lemellotron.com/guests-shows

Emile Omar • Tribute to Richard Evans • 28.10.2014 • LeMellotron.com

Tracklist here: http://www.mixesdb.com/w/2015-01-02_-_Floating_Points_%26_Four_Tet_@_Plastic_People_Closing_Party,_London

Over the past 8 years or so we have had, along with Theo Parrish, the honour of playing the monthly residencies at a small basement club in Shoreditch, London with an impeccable sound system. After 20 years of operation, it was time to move on and close the doors on a place that has a lot to answer for in shaping modern club culture. To say this space along with the owner Ade’s singular vision was fundamental in our personal musical formation would be a complete understatement. 
 
On the day of their closing, manager Charlotte asked us if we’d put the system through its paces for the last time that the club would be open to the public. We set about packing the anthems from our respective residencies and on the night once the people were through the doors played 2 records in turn for the rest of the dance. We included tracks of our own and of friends that were made with that place in mind. Records like Daphni - Ye Ye and Four Tet - Pinnacles were made to first be played at Kieran’s nights there, and the Floating Points - Vacuum EP was born out of the CD-R night at the club, and its launch party was the trigger for Sam’s monthly residency.
 
We set this recording up just before the start of the night and unfortunately it distorts in places, but we make no apology for how joyfully noisy people get! The vibe in the room this night was typical of the club on any given night and we hope this recording captures just a fraction of the spirit of a Plastic People night.
 
A massive thank you from us to everyone that has come down to the nights over the years and supported our music there. We are truly humbled to have shared the music we love with people at this place, and your energy in turn has influenced the way we make music on an unfathomable scale. We also thank the bosses Charlotte Kepel and Ade Fakile for inviting us to the club and having faith in us over  these years! All the best for the future!
 
 
See you in the dance
 
Much Love 
 
Sam &amp; Kieran

Floating Points & Four Tet - Final Plastic People 2 1 2015

Before Elvis walked through the door, before Sun Studios put Memphis on the map—Sam Phillips, a young man with a tape recorder, lived by the motto, "We Record Anything, Anywhere, Anytime." Weddings, funerals, marching bands, the Miss Memphis Pageant—Sam recorded them all—anything to keep his fledgling Memphis Recording Service open to record Howlin' Wolf, B.B. King, Little Junior, Ike Turner, Carl Perkins, Johnny Cash, Roy Orbison, Elvis Presley. The raw and rocking, unrecorded music of the 1950s South.

13 - Sam Phillips and the Early Years of the Memphis Recording Service

After a debilitating accident, Eddie McCoy took his passion for local history and a scavenged cassette recorder from a trash can and began taping his town, from the oldest citizen on down—hidden stories of slavery times, sharecropping, the civil rights era and more in Oxford, North Carolina.

A Man Tapes his Town: The Unrelenting Oral Histories of Eddie McCoy

Subscribe to Israel Story here: https://itunes.apple.com/us/podcast/israel-story/id1048515651?mt=2

Israel is embroiled in Middle Eastern geopolitics. That, at least, everyone knows. We also aspire to be part of Europe, and never miss a chance to reiterate our "special relationship" with the US. But what about Africa, our next door neighbors? Our history stretches all the way back to the earliest hominids leaving Africa and marching through what is today Israel. Since then there's been an endless stream of people crisscrossing between the two regions. And on today's show, we bring you the stories of two of them: Journeying in very different directions, and for very different reasons, out of - and then into - Africa.

Episode 7: Out of Africa... And Back Again

Ken Vandermark – reeds
Christof Kurzmann – electronics [loopp]
Jasper Stadhouders – bass
Tim Daisy – drums



Recorded by Christoph Amann, on November 11th, 2014, at Amann Studios, Vienna.

Mixed by Christoph Amann, Christof Kurzmann and Ken Vandermark.
Mastered by Christoph Amann.
Album design by Federico Penalva

Trost 141

Released November 2015

Available for purchase at <a href="http://catalyticsound.com/shop/made-to-break-before-the-code/">catalyticsound.com</a>

Made to Break : Dial The Number (For Agnes Varda)

Âme X Dixon  Essential Mix

► Ceephax's live performances are stuff of legend and his Boiler Room debut did not disappoint - expect intense silliness
► Follow us on SoundCloud: http://blrrm.tv/subscribe-sc

Ceephax Acid Crew Boiler Room Manchester Live Set

Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990′s onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music.