Lumine, meaning “light” in Latin, is a 20-year-old Dutch artist making music rooted in emotion. With 100.000+ followers and a debut single on Epic Records (Sony), he’s quickly rising. His latest track “Don’t Worry” charted in six countries, hitting #21 on the UK Viral Top 50, while his sound gains traction on Sirius XM and Spotify’s Best of 2024, 360 Dance playlist. 

In 2025, he made his sold-out ADE debut with a 3-hour set. Now moving toward a faster, club-focused sound, while keeping the emotional core that defines him, he’s just released a viral new version of “Ode to the Bouncer”, now an official collab with Studio Killers

DJ. Funny sometimes.

Manager Contact: Info@tmwrk.net

North America + South America + Asia:
bowen@teamwass.com 

ROW:
belinda.law@unitedtalent.com

The official soundcloud account for ONE OK ROCK.

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Y3llO, the rising DJ/Producer from Yangon, Myanmar, is quickly becoming a prominent force in the global electronic music scene. Born in October 1999, Y3llO has made a significant impact since his debut in January 2018. With support from industry heavyweights like Fred Again and Skrillex, and his remixes featured at Ultra Miami 2024 and around the world, Y3llO is shaping up to be a key player in the industry.

Known for his genre-blending style, Y3llO expertly crafts his sound with influences from Baile Funk, Favela Bass, Tech House, Bass Music, and beyond. His music reflects his vibrant personality and dedication to creating high-energy, memorable performances. With over 800,000 followers on Facebook and a reach exceeding 2 million, Y3llO is one of Myanmar’s most influential DJs.

Embracing the essence of his name, which symbolizes happiness, Y3llO is committed to delivering unforgettable experiences through his sets. Whether through original tracks, remixes, or innovative mashups, his mission is to bring joy and excitement to every crowd. His passion for music and engaging stage presence ensure each show is a unique celebration of rhythm and energy.

Grammy nominated Australian DOM DOLLA is experiencing a meteoric rise, his signature style of house music is connecting with global audiences, and he is recognised as one of the most exciting producers in electronic music.

Dom discovered house music when his Mother handed him a copy of Basement Jaxx’ 2001 album ‘Rooty". In his late teen’s Dom spent weekends hosting pub‑discos & djing at parties whilst working as a graphic‑designer during the week. In 2015 Dom was encouraged to quit his day job to pursue his obsession with music and production.

Dom emerged with a string of critically acclaimed club hits; Define, You, Be Randy, Take It, San Frandisco, Pump The Breaks, Moving Blind and Strangers ft. Mansionair. In 2022 Dom released ‘Miracle Maker’ ft. Clementine Douglas which was named BBC Radio 1’s Hottest Record In The World, propelling Dom into his global break‑out moment with a run of hit singles, Rhyme Dust w/ MK, Eat Your Man w/ Nelly Furtado, Saving Up, girl$, CAVE w/ Tove Lo and Dreamin ft. Daya, which saw Dom’s catalog surpass 1 BILLION streams, receiving a GRAMMY nomination for his remix of ‘New Gold’ by Gorillaz feat. Tame Impala & Bootie Brown, and ARIA award for best ‘Electronic Dance Release’.

Dom’s dedication & craft has been recognised by Rolling Stone named ‘Best New Artist’, GQ’s ‘Solo Artist of the Year’, labeled Billboard Dance’s ‘One To Watch’, awarded Dancing Astronaut’s ‘Artist Of The Year’’ and was celebrated on the cover of DJ Mag.

Let’s go to the world ~~~🍻 drink drank drunk

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