What a voice! Love the chorus chords too.

The Ba$$ Age Ep-
Dirty South Producer/Dj "Louisiana Jones" has cooked up a musical pot of gumbo with his new 7 track Ep,Using different styles to create a delicious sound,all while keeping that Louisiana flavor! Sticking with his usually theme of featuring an up & coming artist,he and Riot Ten have struck gold with the all original Banger Will Werk 4 Twerk or (WW4T) as it appears on the track list,Jones Also teamed up with "Charlie Bars" of the trap OG group "Trapzillas" Titled "I Got That OG".This EP is a tribute to The Bass Age and everything that goes along with it.Spread the word about Louie and Bass music,as we all live in the moment.
Links:
 For Bookings E-mail louiebeats@gmail.com
www.facebook.com/LouisianaJonesOFFICIAL
www.beatport.com/artist/louisiana-jones/253380
twitter.com/Louisiana_Jones

Facebook

Beat It Up-Louisiana Jones

#Summer2014
www.alataj.com.br

Lukas Ruiz é o nome por trás de Vintage Culture. O produtor brasileiro de 20 anos conquistou o Brasil no ano passado com suas produções, originais e ao mesmo tempo com um ar retrô, suas tracks invadiram os soundclouds, os carros e as pistas do Brasil todo. Com forte influência da cultura dos anos 80 e 90, Lukas implacou vários hits e recebeu o suporte de nomes como Kolombo, Amine Edge & DANCE, Teenage Mutants, Betoko, Adriatique e Danny Daze. Em 2014 Lukas se prepara para desbravar as fronteiras da América do Sul e da Europa, mas antes ele deixa uma hora de puro talento pra gente. Confira a 45ª edição do Alaplay Podcast. Feel the music!

Vintage Culture (BRA): @vintageculturemusic / www.facebook.com/vintageculturemusic
Groove DJ Agency: www.groovedjagency.art.br

Created by Alataj: www.facebook.com/AlatajMusic

FREE DOWNLOAD

#045 @ Vintage Culture (BRA)

soundcloud.com/tommy-music/
soundcloud.com/girlfriendrecords
www.facebook.com/shapirosally
Written and produced by Tommy and Johan Agebjörn. Taken from Tommy's album "Frequency Modulations" out now on Girlfriend Records. Also available as a download-maxi from
https://tommy86.bandcamp.com/album/why-did-i-say-goodbye-ep
http://www.junodownload.com/products/tommy-86-why-did-i-say-goodbye/2550189-02/
https://itunes.apple.com/se/album/why-did-i-say-goodbye-ep/id906352009

"...a lush, six-minute bout of sparkling, ’80s electro-encrusted breakup angst. This is sad disco at its finest." MTV Buzzworthy

http://www.muumuse.com/2014/02/premiere-tommy-why-did-i-say-goodbye-feat-sally-shapiro.html/
http://buzzworthy.mtv.com/2014/02/18/beyonce-betty-who-frankmusik/
http://www.obscuresound.com/2014/02/tommy-say-goodbye-feat-sally-shapiro/
http://electronicrumors.com/2014/02/18/audio-tommy-sally-shapiros-why-did-i-say-goodbye/
http://shremyslaw.blogspot.ie/2014/02/choon-of-day-why-did-i-say-goodbye.html
http://supmag.com/post/76989509570/brand-new-tommy-feat-anonymous-italo-disco-diva
http://www.undertheradarmag.com/media/why_did_i_say_goodbye_featuring_sally_shapiro_mp3_stream/

Tommy '86 feat. Sally Shapiro - Why Did I Say Goodbye

Wah Wah 45s celebrate the joy of the cover version! The label has always had a keen ear for a re-working of a classic piece of music, whether it be an unexpected brass take of a soft rock or hip hop cut from Hackney Colliery Band, or a sultry rendition of a soul nugget from Stac, with the only conditions being that the cover takes the original piece of music somewhere new, fresh and exciting.

The label's 15thanniversary seemed like a good time to not only re-visit a number of very canny covers from over the years, but to throw in a couple of new and exclusive ones for good measure too and as a way of saying thank you for all your support over the last decade and a half. So, as well as well loved renditions of Bill Withers' The Same Love That Made Me Laugh from Ashley Thomas and Part-Time Heroes' gorgeous re-imagining of The Boss' Dancing In The Dark, you get a spine-tingling, pitch shifting, electronica flavoured take of Rose Royce's ballad Wishing On A Star from Stac x Blue Daisy and The Gene Dudley Group's fierce dance floor funk version of Richard "Groove" Holmes No Trouble On The Mountain (itself a Wah Wah 45s release back in the day!) featuring the rasping vocals of Annie Frankenstein.

Add to that Lea Lea's recent cover of Talking Heads' Psycho Killer, Scrimshire's updating of Tammi Terrell's version of All I Do, with Stac on vocal duties, as well as club classics from Henri-Pierre Noel, Bev Lee Harling, Alister Johnson and a couple of big hitters from Hackney Colliery Band and you've got one heavyweight haul of version excursions on your hands.

Scrimshire - All I Do Is Think About You (feat. Stac) (The Wah Wah Version out July 14th 2014)

Dance Till Death Records Podcast Series
Guest : Saccao
Follow here : https://soundcloud.com/saccaodj 

DEATHCAST 002 - Saccao

And now for something different: here's a FUN EP from me. Quirky, bumpy, funky, but most of all, pure fun on the floor! Kolombo and Loulou Players both have been hammering it for a while now, so I hope you like it too… And if you do, it's now out and available exclusively from Beatport. 

Dr Zapp 

Dr Zapp (Feat. Apple Rochez) - Loulou Records

A
1. Calyspo wet
2. Clefs
3. Piou
4. Beijos seus labios – instrumental
5. Orange
6. Le Dramont

Cassette Mouillée - Face A

7″ picture disc vinyl limited to 1,000 pieces. Features a cover of D’Angelo’s classic “Devil’s Pie.” B side is the instrumental.

Hanni El Khatib - "Devil's Pie" (D'Angelo Cover)

Taken from the album "Leftover Land" available now: tr.ee/LeftoverLand

Website: tr.ee/ElephantRunWeb

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IG: tr.ee/ElephantRunIG
FB: tr.ee/ElephantRunFB

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Recorded in July 2022 in São Lourenço, Minas Gerais - Brazil

Written by Elephant Run

Vocals, Piano - Amanda Wahlström Plantin
Guitar - Fernando Coelho
Bass - Renato Cortez
Drums - Ladislau Kardos

Recorded & mixed by Renato Cortez at Mato Records (MG - Brazil)
Mastered by Jonas Siöström at Dynamic Audio (Malmö - Sweden)

Collage & cover artwork by Fernando Coelho

Lyrics:

Are we yet immune
To what we are defying?
Did we give up too soon? 
Will they know we were trying? 
We might have caused pain 
But we are all just a drop in the rain 

We drifted lightly through the mist, with shuttered eyes, still, we persist 

The gap is diffuse
But the fall is quite short 
We’ve got plenty to lose 
But nothing to fight for 
It’s easy to stray
When the winds keep on blowing our way

We’re drifting lightly through the mist, with open eyes, still, we persist 

Is it real? 
Do we want to know? 
Are we real? 
Will we ever know? 
Make it real!
Or make us feel like we tried once more, cause we’re unsure  

Make it real!
Are we real?
Is it real?
Are we real?
Make it real!
Are we real? 
Make it real!

Leftover Land

Make It Real

(c) Wah Wah 45s

"An atmospheric return" - Clash Music 
"Between the latest incarnation of Arctic Monkeys and a soulful Paolo Nutini" - Gigwise
 "Unadulterated Stax-style soul...they sound like a band that’ s just finding their groove" - The Line Of Best Fit

Sometimes it takes a few bumps to find the right direction; often it involves experience, guts and self-belief to trust yourself and venture from one to find another. The Milk are a band that believe with utter conviction that they've now found their way.  

“Our second record, like many others before us, has been a life affirming but at times painful experience. For  all  the  good we  did  on  our  first  record, we  felt  that  there we're  many  unanswered  questions.  It  was important that this album put the record straight, not just for our fans and peers but for ourselves.”- Dan Legresley

 Fuelled by a rediscovery of the music and artists that originally inspired their formation, the four walls of their studio were ablaze  with a soundtrack of Bill Withers, Isaac Hayes and the Isley Brothers throughout the songwriting process for their new album.   From the swagger of symphonic opener ‘ Wanderlust’  to heartfelt ballad ‘ Lose That Way’  to the thunderous blues of the closing title track; The Milk’ s confidence in these songs and their execution is clearly audible. Captured in a tireless outburst of creativity at the end of 2014, ‘ Favourite Worry’  is The Milk at their soulful, honest and engaging best. 

“‘ Favourite Worry’  is born from the difficulties that everyone feels as they move through life, the dreams that falter, the friendships that struggle or the love that falls away. Each song is born from this very personal atonement that each of us has had to reconcile ourselves with. It was vital that the record demonstrate the many years we have played together, the blood harmonies and sibling rhythm section. Just as importantly the need for the sound to reach deep into the guts of the listener, as so many of our influences do, was always at the forefront.”- Dan Legresley

Eager  to  share  their  new  songs, ‘ Deliver  Me’   was  released  as  a    limited  7”  single  in  November  2014  - finding its  way  onto  the  playlists  of  BBC  6  Music’ s  Lauren  Laverne,  Huey  Morgan  and Gilles  Peterson  - while The Milk’ s dedicated fans packed out Tufnell Park’ s The Dome for the band’ s triumphant live return. The band unveiled their new songs in full for the first time to an intimate sold out show at Hackney’ s Oslo in July to  coincide  with the  release  of  single ‘ No  Interruptions’ ,  one  of  the first  songs  written for  'Favourite Worry'. 

“‘ No Interruptions’  provided us with a tone, musical flavour and a lyrical yardstick to which all of the other tracks on the album had to have in common. The song is about defiance and retribution, emotions that were common in the studio at that time.”- Rick Nunn

The  Bees'  Paul  Butler,  who  proved  his  production  mastery  with  Michael  Kiwanuka's  Mercury  Prize nominated debut, invited the band to record at Chale Abbey, a medieval barn on the Isle of Wight. Guided by Butler, the sessions captured the genuine version of The Milk: the sounds and honesty of soul. 

"There’ s a lot to love about The Milk. Pretty much family they’ ve been together so long, all have a focused passion on making the band work. They’ re equal in what each bring to the team, they practice more than any band I’ ve met. They know what they want now, which is source of the real magic. That quality in bands is becoming rarer, but they’ ve got it now.”
- Paul Butler (Producer)

Favourite Worry

Sophia Bastian's new single produced by Phil Simmonds.
Available on itunes April 12th

Blind Ambition - released

"Cry Sometimes" from the forthcoming EP, Babble.

Out June 17th. Pre-order now on iTunes and instantly receive 2 songs:
http://apple.co/1s76wY4

more info at: www.kendramorrismusic.com

Cry Sometimes

Album number three, conceived in three different studios around the world, by the three-headed love monster which is Buttering Trio.

Our third and new album is the reflection of the sobering evolvement of ourselves. We approached the making of the album with clarity and intention, working on a regular basis with a very specific vision, a vision of an album that ultimately combines the beauty of studio-beat-making and organic songwriting. Unlike our previous albums, that were more on the range of spontaneous intuitive combustions, this album is a matured love child of an ever-awaking threesome of parents. ‘Threesome’ is an album that moves the soul, bounces the body and looks in the eyes.

The album was created in 3 different studios around the world - Trixx Studios in Berlin, Fossil Studios in London and Firehouse Studios in Tel Aviv. All the sessions were driven by an uncompromising sound approach, yet always with the natural twist of noise. The creative process was in liquid form - it could be an intuitive beat making upon which harmonies and lyrics are laid, or it could begin with a well processed harmony to which a rhythm is matched.The song making was always potent with playfulness but the big picture was solid. 

Influenced, as always, by round-the-galaxy rhythms and ideas, from indian ragas thru tribal music to archetypical melodies with a drop of dub, this is definitely a new kind of genre. Or no kind at all. This style represents our music and comes to a perfect extraction in this album. Each song stands for itself as an individual, tells a single complete story, still contributing to the harmony of the whole. The special kind of tension between the single song and the whole musical vision is one that we play with, in our live concerts and in this new album specifically. 

The album owes its’ existence to the uniquely changing relationship between the three of us. A relationship that manifests through communication that allows space and mystery, and is based on the common primal acceptance that nothing stays the same.

Some ultra talented friends helped to make this album - Asaf Shay, Piloni, Yogev Glusman, Yonatan Albalak, Tomer Bar, Raz Olsher and Avi Tuchman.

Buttering Trio - The Runner

Famous Last Words

The Dirty

First single from the upcoming release "FREEdom Drop"
Written by Tawiah
Produced by Jodi Milliner
Artwork by Joel Gonsalves
visit www.tawiahmusic.com

04 TEARdrop (Prod. Jodi Milliner)

Kendra Morris recalls singers who straddled soul and rock during the early '70s, such as Ruth Copeland and Chaka Khan, while her contemporaries include the likes of Mayer Hawthorne, Alice Russell, and Leela James. Morris's musical taste was developed through her parents' record collection, a library heavy on late-60s and early-70s soul and funk. During her childhood Morris's main companion was her karaoke machine, which she also used for the sake of recording. While enrolled in college in Tampa, FL, she became so involved in performing with bands that she decided to leave behind her studies and take on music full time. She took up the guitar, as well as songwriting, and eventually involved herself with a band, Pinktricity, which moved to New York in 2003 and split shortly thereafter. Morris took to recording songs on her own, and self-released a pair of EPs: This Won't Hurt a Bit (2007) and Milk and Cookies Never Lie (2008). Her first proper recording, a self-titled EP (2010), was recorded with producer and multi-instrumentalist Jeremy Page (of That Handsome Devil). After touring with legendary guitarist Dennis Coffey and releasing a series of singles which included "Concrete Waves," whose b-side was remixed by DJ Premier, Morris released the album Banshee (2012) on Wax Poetics. In 2013, Morris returned with the covers album Mockingbird.

Both Banshee and Mockingbird received critical acclaim and a cult following, with several film + tv placements. The title track "Banshee" was used prominently in the Showtime hit series Ray Donovan, while her cover of Pink Floyd's "Shine On You Crazy Diamond" found itself in the trailer for major motion picture Dead Man Down. 

In between extensive international touring and promotion for Banshee throughout 2013 and 2014, Morris worked on a small side project band with friends Scarlett Johansson, Julia Haltigan and Holly Miranda, releasing one single called "Candy."  After taking some time to write and record her follow up EP titled Babble, Kendra Morris returned with its release June of 2016 to great reviews. 2017 she has been releasing brand new tracks on a consistent basis and playing often. Keep your eyes peeled for new exciting things!

Cry Sometimes

Kendra Morris

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