Recording of my 5h closing liveset at Concious Madness. Magic moment for me, since "Bonker" is my favourite floor, which I feel very connected to. <3

Kenji Tanaka LIVE // Never Ending "Bonker" Closing // Concious Madness 2025

I wanna see more happy people !
Shake off this square world and blast off to Kicksville!

IMPROVISED LIVE TECHNO
📍1312 Berlin | Germany

Don‘t vote for AfD! 
If you do, inform yourself. 
If you still do, do not come to my gigs!


🌎 Booking & Contact:
Kenji.Tanaka@loft.contact

View, Watch, Listen:
www.instagram.com/kenji_tanaka_official
www.youtube.com/@KenjiTanaka_Official
www.kenjitanaka.bandcamp.com

My Family: "BonkerSquad"
👉www.soundcloud.com/maldaneben
👉www.soundcloud.com/vaianamusic
👉www.instagram.com/bonkersquadberlin

Meet me here:
26.07.25 Coucool Festival France
03.08.25 Garbicz Festival Poland
16.08.25 Compact Madnass Festival Germany
22.08.25 Entropie Festival Germany
27.09.25 Exit Hamburg
06.12.25 tba Rostock 


LIVE:

My approach: 
When dancing, I love to let go of everything around me and enter into a deeper dialogue with myself. At this stage, I am 100% in tune with myself. This works for me when the groove drives me and the elements I hear are interesting but not too intrusive. That's exactly what I try to create on the floor.

To achieve this and also to create the necessary element of surprise, I combine different loops randomly and blindly. Since I never know exactly what will happen, I am also surprised and inspired by it.

My instruments:
-Drums (TR8S)
-Bass (Modular)
-Rumble Bass (TR8S)
-Atmos (Drumrack, Ableton)
-Synth 1 (MicroMonsta 2)
-Synth 2 (Polysix VST, Ableton)
-Vocal Samples (Ableton)
-Misc Samples (TR8S)

For each of these instruments, I have prepared about 30 different loops, most of them 1 bar long.
Using the Streamdeck and a self-built ‘Max for Live Tool’, I can select a completely random loop for each instrument with the push of a button. The tonality can be set. To make sure it’s not completely random, I can choose between different categories, such as chords/arpeggiator.
I can control the complexity of the loop using controls.

All instruments run through Ableton (RME Fireface UCXii). With the help of ‘Launchcontrol’ and 2x ‘Midifighter Twister’, I can control all the parameters that are important to me. Filters, reverb, random delay and pitch effects glue everything together.

I never know what I want to do next until two bars before. If, for example, I feel like I want to hear a new chord pattern, I press a button and let myself be surprised. If I like it, I develop it further. If I don’t like it, I move on.

Since I never know exactly what will happen, I am correspondingly excited before the gigs. Because almost nothing can be planned in advance. My biggest clue is whether I dance. If I get myself to dance, I am satisfied with what happens.

HøtLïñė Bîkådï

Hey! I am Hotline Bikadi, a music producer and live act from Berlin.

I create trippy mid-tempo music with groovy basslines, hypnotic melodies, and shuffled beats, wrapped in a bubbling psychedelic soundscape.

Currently looking for gigs. 
hello@hotlinebikadi.com