Spaced out and slightly disturbing,this is a very clever composition

Hot stuff here, fantastic the instrumentation, I really love the slightly rusty voice! Cool rocking... 🎙️🥁🎸🎛️🔊👍😎

https://soundcloud.com/paco-ray: chord set, guitars, drums.
https://soundcloud.com/ruizzoidman21centurions: bass, lyrics, vocals, pocket sax, production.

Letra  /  Lyrics (Adaptation from a poem I wrote around my 15thBD)

SIEMPRE QUE TE VEO  /  WHENEVER I SEE YOU

Pasma al mirar tu serena  /  Astounds looking at your serene
faz y tu largo cabello,  /  face and your long hair,
y observar rostro tan bello,  /  and observe such a beautiful complexion,
más que asombrar, me enajena.  /  more than astonishing, it alienates me.
Cuando en mi oído resuena  /  When in my ear resonates
tu cálida voz, espero  /  your warm voice, I hope
girarme y verte, pues quiero  /  to turn around and see you, because I want
hacerte saber, mi amor  /  to let you know, my love
que te amo, y mi calor  /  that I love you, and my warmth
ofrecerte por entero.  /  offer to you completely.

Siempre que te veo, intento,  /  Whenever I see you, I try,
con mi mirada, expresarte  /  with my gaze, to express to you
que te quiero. Mi sustento  /  that I love you. My livelihood
es tu sonrisa, son tus ojos  /  is your smile, are your eyes
y tu cara de indecisa.  /  and your indecisive grin.
Si te miro, sonriendo,  /  If I look at you, smiling,
si te sigo, pues queriendo  /  if I follow you, as wanting
poseerte, tengo prisa.  /  to possess you, I’m in a hurry.

Quisiera mirarte, grácil,  /  I’d like to look at you, graceful,
bella y extraña cual hada.  /  beautiful and strange like a fairy.
Cual si no pasara nada,  /  As if nothing was happening,
mirarte, pero no es fácil.  /  to look at you, but it’s not easy.
Quisiera hacerlo con casi,  /  I’d like to do it with almost,
casi inhumano ardor,  /  almost inhuman ardour,
y contemplar con fervor  /  and watch with fervour
tus excitantes y sabios  /  your exciting and wise
pasos, y encender tus labios  /  steps, and turn on your lips
con tiernos besos de amor.  /  with tender kisses of love.

Siempre que te veo…  /  Whenever I see you...

Siempre Que Te Veo (with Paco Ray)

a certain future

Grikhy - Land Of Bones

To quote Josh
"This is a song that began as a bass line I came up with on my four string fretless over a looper. I shared it with Ken (K2 and the Three [and Four], Stephen (Tex Mex Shaman), and Tez (Llanpsych) through BandLan, which we're all on. Ken came up with some perfect drums, as always, to prop up the whole thing. Tez added some killer guitar solos, which you can hear more towards the end, with the ripping tone. Stephen then came in and added the talk box guitar and wah guitar that you hear playing the hook more towards the beginning. It's my first song ever featuring a talk box, and I'm amazed with the part he came up with. It's a major line against my minor bass line. I love how it sounds! Stephen also was kind enough to mix the beast for us, which turned out to be a herculean task. But he was up to it, and a fine job he did, too. It was an honor and a pleasure to work with these guys. We all hope you enjoy it as much as we did making it"

High Noon - with Entheogenic Psychonaut (Josh Clary), K2 and the Three, and TexMex Shaman

Cast of characters:
Stoner Jazz--@user-911083679—Jeff—vocals, lyrics, and original stem

TexMex Shaman–@texmex-shaman–Stephen–overdriven guitar, production, and mix

K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion

Llanpsych–@llanpsych–Tez–electric clean/effects guitar 

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass and synth           

This song orignated with Jeff, who wrote a poem, which he set to a beat and a key with some very cool vocal processing. He sent it to me, and I added the bass and the synth lines. I had to, of course, got the rest of the Eclectic Collective involved. Ken came up with a solid, distinct beat, based loosely on my first take. I then redid my bass line to match up with Ken's drums, which is the way they seem to work best, sometimes going back and forth like that several times until they're locked in. Then, Tez and Stephen each added very distinct, supportive guitar tracks to fill it in. Tez comes through with the very Strat sounding bells ringing throughout. Stephen really shines with his textural tremolo playing throughout, as well as the rocking end. He also produced and mixed it expertly, as always. 

  This is the first time the Eclectic Collective has collaborated with Jeff, although both Josh and especially Stephen (as part of the band, The Smoking Trout) have made music with him before. We really enjoyed making a song based on his vocals, and Jeff is a welcome addition to our sound anytime. We all really enjoyed making this one. We hope you enjoy listening to it.

Lyrics:


Naked Shoulders
l like the way the sun lights up
the naked shoulders of the Early morning
ln the Desert where we met-
ln the shack down by the muddy
where you said you waited
while l rambled on about the time
Youth and Sex and Beauty-
When the Real Revolution was the Music-

Slitting quietly and thinking
while the melancholy has lt's moment
letting longing linger longer than lt should
Took a little tumble ln the Bumble
when l got older
always just a little lucky
ln the middle of disaster
no longer sure lf l'm the spell or l'm the caster
only knowing that my feet are made of plaster-

Even though lt's getting late, even though lt's getting late
l'm still standing at the gate
hoping for a bit hoping for a little bite hoping for a little slice of Nlrvana Nlrvana-

Verse 2
You know lt's harder than lt looks
even though l read some books
l'm ln love with my Delusion, Naked and inviting
lt whispers sweetly ln my head and says
You're gonna live Forever, even though l'm almost dead-

Everything that came before
comes knocking at the back-stage door
demanding parts ln the production of the play-

What makes you think you have a choice?
The Director Said
you don't have to memorize the dialogue
the script ls ln your Head--

Naked Shoulders (Stonerjazz with Eclectic Collective)

They Came From Outer Space

Original by : FPMORISTUDIO/Francois Pierre Morin

Morning light

Gleeful Power

A collaboration with https://soundcloud.com/aedificium and myself about the extinction of the Dinosaurs in the Cretaceous period 65 million years ago.
Thanks for listening.
Arranged and produced by, Mike Hllton &, Aedificium © 22/11/2023 
You-Tube - https://youtu.be/2izIAqiFSTU

Mike Hilton - Electric, Acoustic & Bass guitars
Aedificium - Percussion & further arrangement
Cover art - New York Times

Extinction

Extinction (collaboration with Aedificium)

I had approached Jeff (stonerjazz) to help me out with a beginning I had ... this here has  evolved over time. wow, what a flame flaring! 

credits:
STONERJAZZ: lyrics, guitar, voice, various instruments and sounds
SONIC STRUCTURES: lyrics, t resonator on contact mics, voice, various instruments and sounds, mix

onion peel pt i to iv

onion peel pt i to iv - prominently featuring stonerjazz

Ice On Fire

We are a quality rockband from Sweden. Al productions are selfwritten and produced. Hope you enjoy!!

Ice On Fire

Kenny Hultqvist

Recent comments

C.J.ROGERS

VLAD3

Pablo Camberelli.

SOUND23

Related tracks