🎻 Véronique – a memory in two voices

An intimate, melancholic tribute to the unseen threads that bind us.
Véronique is a cinematic jazz-classical fusion album inspired by Krzysztof Kieślowski’s La Double Vie de Véronique—a sonic reflection of mirrored lives, silent intuition, and fleeting connection.
Through muted strings, ethereal piano, and breath-like rhythms, the album drifts between two worlds, echoing with the ache of something remembered, but never known.

🎶 A soundtrack for when you feel someone watching over you—but no one's there.


Véronique

Invisible Connection

Too Late To Notice

This track is a parody and witty fusion of Portuguese Fado and Trap, defining the "Fado Trap" genre. This is juxtaposed against a hard-hitting Trap foundation: a deep, resonating 808 bass and machine-gun snappy hi-hats. Crucially, the rhythm blends traditional elements—sharp Hand Claps (palmas) and rhythmic Castanets (or tight synthetic clicks)—into the heavy, syncopated beat, giving the Trap rhythm a distinctly Portuguese signature. The overall mood is ironic, turning "luxury sadness" (tristeza de luxo) into an anthem.

Saudade & Swag [Short Demo Ver.]

https://robione9.wixsite.com/kenroby-dj
https://music.apple.com/artist/1842049267
https://open.spotify.com/artist/5sNfeQgI70HS9lcCgOtAFc
https://music.amazon.com/artists/B0FSKHG63H/kenroby-dj
https://www.deezer.com/it/artist/347746891

Created using Suno AI under a commercial license.  
I am the original creator and rights holder of this track.  
Suno profile: hiroshishiba1968 (@kenroby_dj)  
All rights reserved by KenRoby DJ.

Hold the Night (Dark-Synth)

This track was created using Suno AI. Music and vocals are AI-generated, with custom lyrics written and adapted for vocal performance. The style blend  cinematic pop, synthwave, indie pop, czech male vocal, cinematic 80s/90s vibe, The story follows someone observing a person they know in a city at night, Include concrete, visual details: neon lights, streets, cafés, record stores, diners, casual interactions, Capture a bittersweet, ironic, and slightly awkward tone—like everyday life mixed with small moments of longing, Use simple, natural language, short lines, and small narrative scenes, Avoid abstract or overused pop metaphors; focus on realistic gestures, glances, and movements that tell the story, Include repeated sections for a chorus-like effect

CZ-Indie Pop

Potkávám Tě

This Neo-Soul R&B heartfelt tribute to grief and transformation, based on Grant Lilly's original poem "Dog Gone" about losing his beloved companion Bunty on Christmas Eve. Adapted into song format, it explores how loss becomes wisdom through the recurring refrain about turning stumbling blocks into stepping stones—honoring how love persists beyond absence. 

Stumbling Blocks
If I were wise and wanted to be happy in my bones
Then I would look to turn my stumbling blocks into stepping stones
My constant companion for a dozen years
Died on the vet table today, Christmas Eve
Her convulsions and panting ceased
Relief now released
Her heart, her body let go
Now at peace, then laid to rest
At the bottom of a dug hole
And now there's the hole she leaves in my soul
The empty dog bowl, the vacant collar
The space on the road well walked
Her weight pressed against my thigh
Her warm eyes, her pink panting
Ready to walk, poised to play
If I were wise and wanted to be happy in my bones
Then I would look to turn my stumbling blocks into stepping stones
Now her sputum stains on my carpet are precious
And her presence is not far away
More joyful the memories, the bigger the blow
Good I'm alive, I survived you
So you won't have to miss me
Like I know I miss you
So bye-bye Bunty, I loved you
And that can never go
Dog gone
But love remains
If I were wise and wanted to be happy in my bones
Then I would look to turn my stumbling blocks into stepping stones
Dog gone
But stepping stones remain

Poem By Grant Tilly arrangement and song by Stephen Hollins

DOG GONE

This is a beautifully melancholic and simple Chinese ballad. It perfectly captures the deep, lingering ache of loss and the desperate desire for just a little more time with a loved one.

借我余生 (Lend Me the Rest of My Life)
Musical Description
This is an emotionally rich, melancholic Mandarin Pop Ballad. The vocals are likely delivered with a tender, aching tone, suitable for a male or female lead. The instrumentation is sparse and classic for the genre: soft piano chords, subtle acoustic guitar, and swelling strings during the chorus to enhance the emotional depth. The slow, deliberate tempo allows the listener to fully absorb the weight of the lyrics, focusing entirely on the themes of lost love, memory, and desperate longing for one last moment of warmth.

The narrator is paralyzed by the departure of a loved one. Time has stopped, memories are vivid, and the world is silent without them. The chorus is a raw negotiation with fate, acknowledging that the ending will still be painful ("even if the final outcome is still scars"), but desperately asking for one final, intense moment of connection before truly letting go. It is a wish to trade the unknown future for a brief return to past intimacy (feeling their warmth, clinging to their remaining essence).



借我余生 (Lend Me the Rest of Your Life)

This is an elegant and intimate Chanson Française Classique—a timeless ballad centered on Parisian romance. The atmosphere is created by the mournful yet hopeful melody of the Piano, underscored by the characteristic sentimental swell of the progression. The female vocal is delivered in a progressive style, creating a sense of deep intimacy and fragility, as if the entire song is a secret confession made at to unleash everything that is bottled in her. Nostalgic, bittersweet harmony.

Laisse Moi T'aimer Encore (Let Me Love You One More Time)

Forget the history books written by those who came after. This is the sound of absolute, unstoppable Roman destiny.

I wanted to capture the mindset of Caesar himself—that moment when the Rubicon is crossed, and there is no looking back. When you realize that you are the architect of fate, and your will is the supreme law.

Listen to the Latin. It's not just language; it's an assertion of power. When you hear the chorus—"Imperator! Sol invictus..." (Emperor! Unconquered Sun)—that’s the voice of divine authority. My will is Rome's will.

This track is the sound of legions standing, the eagle rising, and the recognition that even if everything else collapses, my name—my legacy—will never perish (nunquam perit).

Put this on when you need to remember that you came, you saw, and you conquered. The path is set.

Imperator Aeternus (Eternal Emperor)

[Inspired by LMF from Hong Kong]

This is a raw, aggressive, and relentless Cantonese Trap track, perfectly capturing the frantic, high-pressure urgency of modern city life!

Lyrical Focus: The Pressure Cooker
This track is an unfiltered scream against the crippling pace and high costs of life, written with the raw, frustrated energy of Cantonese street slang.

The Intro sets the tone immediately, daring anyone to move slowly: "Hey! F-ing faster, playing slow-motion games? Want me to wait 'til I grow mushrooms (from waiting so long)?"

Verse 1 captures the sense of constant motion and mental overload: from burning the char siu (roast pork) to chaotic traffic, everything spins out of control until your brain "f-ing explodes the pipe."

The Pre-Chorus and Verse 2 shift to socio-economic anxiety: the high cost of living ("expensive as f-k just to buy groceries") and the feeling of being chewed up by the system. Every element—power bills, gas, work bosses—is pushing you faster. The core message is brutal: "Go faster, talk faster... if you're a half-step late, you'll be ruined."

The Chorus is the track's explosive centerpiece—a desperate, aggressive command to speed up, perfectly articulating the exhaustion and rage of the hustle culture: "F-ing faster, f-k your mom, the world is moving too fast to do anything!"

快撚啲 (F-ing Faster!!!!) [Explicit]

Music Lover. 
Music is hobby.
Music is Life.
Exploring different genres and experimenting with new boundaries.

Also, every piece in this album? Its all written by me, co-produced with asian producers in my free time(Yes, I do it part time as a hobby). I produce based on my feel. I am not aiming for any virality or anything in particular.

Lately, SUNO has been a great help, I play the tune/chords, sing/hum a few verses/chorus, fill up the mandatory lyrics and progressions,  it helps me completes it. It does feels like gacha tho as its not very polished alot of times and u get weird stuffs happening... but thats where DAW comes in anyway.

快撚啲 (F-ing Faster!!!!) [Explicit]

Albiony