i<3u

English Music

Positively Melancholia

Through the storm, I’ll find my way,

Hope still burns at break of day.

No more tears, no words to say—

But I’ll keep walking, come what may.

Shadows of Tomorrow

I am Alessia.

Vocal: Christine Feromika
Arrangement: Alessia Molinari
Production: Albiony 
Lyrics: Alessia Molinari

Alessia

一首充滿悲傷與內省的華語流行抒情歌，汲取了李榮浩簡約、充滿空間感的風格。歌曲由一架獨奏的鋼琴主導，搭配溫柔的男中音，營造出深夜獨白般的私密氛圍。歌詞深刻地探討了一種存在性的疏離與遺憾，主角在鏡中看見一個陌生人，他看似成功、安全，卻失去了最初的自我。這是一首關於緩慢失去靈魂的悲歌，關於為了生存而戴上虛假面具的無奈，以及在深夜裡，對那個「真正」的自己發出的無聲叩問。

A melancholic and introspective ballad that channels the minimalist, reverb-heavy style of Li Ronghao. Driven by a solo upright piano and a hushed male baritone, the song feels like a late-night soliloquy. The lyrics explore a deep sense of existential regret and detachment, as the narrator confronts a stranger in the mirror who seems to have taken over his life. It's a sadcore anthem about the slow process of losing oneself, trading authenticity for a safe, hollow facade, and the silent question of whether true self can ever return.





鏡子裡的陌生人 (Stranger In The Mirror)

Enter the haze of "éclipse moi," a piece of dream-dance music where the streetlights are violet and the rhythm is the only law. This track lives in the space between reality and the rave, built on a foundation of pulsing bass and ethereal, high-gloss synths.

It’s an anthem for shadow-dancers; a surrender to the urban night. When the beat drops, you're not on the ground anymore—you're suspended in electric blue light.

Turn the dark into our sky. E-clipse moi.

Vocal: Bébé Fatigue

Eclipse Moi

Welcome to "glass satellites," a track designed for driving through a city where the streetlights bleed into the windshield and every echo wears a name. This is pure, unadulterated shoegaze, built not on riffs, but on a "wall of sound" that feels vast, fragile, and utterly immersive. U will feel nostalgic for no reasons. Yes. Me too. I know.

The Sound & Vibe
The core of this track is the contrast between the quiet, vulnerable vocal and the overwhelming, dense soundscape.

Haze and Distortion: Expect endless layers of guitar over-gain and cavernous reverb. The music is meant to swirl and absorb you—it’s the sound of "static turns to silver rain."

The Emotional Core: The lyrics are built on moments of frozen time—"Freeze me in your failing light." The melody is melancholy, but the sound is an act of pure, powerful surrender.

We don't end—we just fade correctly.

Glass Satellites

"we were the weather" is not just music; it's a memory you can feel. This track takes the sonic vastness of shoegaze and grounds it with a haunting, cinematic melody, capturing the exact moment love and loss become the same thing.

The Atmosphere
The song is built on delicate contrasts:

The Sound: Melancholy vocals are delivered over shimmering, euphoric guitar swells. The soundscape is full of soft static, salt air, and layers of sound that blur the lines between instruments—a true blend of sound where the voices "melt."

The Feeling: The track starts gentle, with the hum of the wind and the ghosts in the air, but the Chorus hits like a massive emotional wave. It's the sound of "crashing together" and being "light as a feather" all at once—intense, fleeting, and unforgettable.

Listen for the Bridge where the song breathes, sinking into a near whisper, only to bloom into the overwhelming final chorus. The abrupt, cutting end and the fade into soft rain serve as a final, beautiful punch of emotion—we don't get to keep the storm, but we get to keep the sound.

Gone before the morning knew. Press play and disappear in the blue.

We Were The Weather

Thank you from the heart for being here and listening to this song! This is a poetic piece, introspective and gut wrenching at the same time. T_T

"Two Rivers" was born one cold afternoon, driven by the intimate and melancholic sound of a Steinway piano in E minor. It’s a duet we wrote at 72 BPM to explore a profound truth: time doesn't return, it only flows.

The song tells the story of two people who loved each other and took separate paths—two rivers that look at each other without turning back. It's not a sad story, but a wistful and honest one; it's about understanding that "the water doesn't come back, but it forgives, it takes away the pain and leaves a root behind."

In the end, we understand that if we were two rivers, today we are rain—we fall differently, but to the same end.

We hope this cinematic and poetic melody gives you a moment of peace and reflection. Your support means the world. A big hug to everyone!
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¡Gracias de corazón por estar aquí y escuchar esta canción!

"Dos Ríos" nació una tarde fría, impulsada por el sonido íntimo y melancólico de un piano Steinway en Mi menor. Es un dueto que escribimos a 72 BPM para explorar una verdad profunda: el tiempo no regresa, solo fluye.

La canción cuenta la historia de dos personas que se amaron y siguieron caminos separados—dos ríos que se miran sin volver atrás. No es una historia triste, sino wistful y honesta; es entender que "el agua no vuelve, pero perdona, se lleva el dolor y deja raíz."

Al final, comprendemos que si fuimos dos ríos, hoy somos lluvia—caemos distinto, pero llegamos al mismo fin.

Esperamos que esta melodía cinemática y poética les dé un momento de paz y reflexión. Su apoyo significa el mundo. ¡Un abrazo grande a todos!

Dos Ríos (Two Rivers)

"The Streets We Silenced" is a duet ballad captured by the rich, deep sound of a Steinway piano. It is a poetic and intimate piece we wrote during that cinematic dusk—when memory is sharper than reality.

The Spirit of the Song
This track is a journey into the unspoken emotions of a missed encounter. It tells the story of two people who walked the same streets, one right after the other, feeling each other but not seeing each other.

The Noir: The atmosphere is pure French Noir: it's raining, the fog is present, and the cobblestones shine. The emotion is contained, elegant, and profound.

The Truth: The Chorus is our confession. The streets don't speak, but they "keep our footsteps, our lost detours." Time is that well-mannered thief who puts away our hearts like keys.

The Hope: The ending is not sad, but contemplative. Even if "we haven't finished being silent," we haven't finished hearing each other either, somewhere else. If a little light remains on our steps, it's for the present moment.

We hope this cinematic and poetic melody accompanies you in your own moments of elegant silence. Your listening is our brightest light.
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"Les Rues Que Nous Avons Tues" est une balade en duo capturée par le son riche et profond d'un piano Steinway. C'est une pièce poétique et intime que nous avons écrite à l'heure du crépuscule cinématique—quand le souvenir est plus vif que la réalité.

L'Esprit de la Chanson
Ce titre est un voyage dans les émotions non dites d'une rencontre manquée. C'est l'histoire de deux personnes qui ont marché sur les mêmes pavés, l'une juste après l'autre, se sentant mais ne se voyant pas.

Le Noir: L'atmosphère est celle du Noir français : il pleut, le brouillard est là, les pavés brillent. L'émotion est contenue, élégante, et profonde.

La Vérité: Le Chorus est notre aveu. Les rues ne parlent pas, mais elles "gardent nos pas, nos détours perdus." Le temps est ce voleur bien élevé qui range nos cœurs comme des clés.

L'Espoir: La fin n'est pas triste, mais contemplative. Même si "on n’a pas fini de se taire," on n'a pas fini de s'entendre non plus. S'il reste un peu de lumière sur nos pas, c'est pour l'instant présent.

Nous espérons que cette mélodie vous accompagnera dans vos propres moments de silence élégant. Votre écoute est notre plus belle lumière.

Les Rues Que Nous Avons Tais (The Streets We Never Spoke Of)

This song, "Stained Glass of the Morning," is for anyone who's ever had to sew themselves back together. It's about finding the small, quiet strength that doesn't need fireworks or loud declarations—just a kettle and two minutes of silence.

It tells the story of taking all the shattered pieces and painful questions the day leaves behind and using them, not to break down, but to embroider a beautiful new window. The final sound is just the gentle ringing of the glass—a quiet proof that even when we tremble, we are alive. I hope it warms you. Thank you for listening. 💖
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Эта песня, «Витраж из утра», посвящается всем, кому когда-либо приходилось собирать себя заново по кусочкам. Она о том, чтобы найти тихую силу, которой не нужны громкие салюты или клятвы — достаточно просто чайника и двух минут тишины.

Это рассказ о том, как взять все осколки и резкие вопросы, что оставил прошедший день, и использовать их не для разрушения, а для вышивки нового прекрасного окна. Финальный звук — это лишь тихий звон стекла, который доказывает: даже когда мы дрожим, мы живы. Надеюсь, он вас согреет. Спасибо, что послушали. 💖

Витраж из утра (Stained Glass of the Morning)

Welcome to 'Let The Night In.' This is an intimate conversation carried by the warm resonance of the Steinway piano and the soaring solace of the violin. More than a song, it's a healing anthem dedicated to the bravery required to dim the harsh, fluorescent lights we use to hide our pain. These lyrics trace a journey from a sense of being 'over-lit and so invisible' back to the gentle truth found in the darkness. It’s a powerful reminder: the stars are never truly missing; they simply wait for us to turn down what isn't helping and let the night—and quiet, honest vulnerability—come in. We hope this piece gives your heart the safe space it needs to finally sing. 

Absent of the city lights, you will finally see. The stars has always been there. All this time. They have never left. Its we/us that has changed.

Thank you for listening. =)

Let the Night In (Blackout Prayer)

Frame's Empty" is a gorgeous, late-night confession wrapped in cinematic Trip-Hop. This track is defined by its mood: minimal lo-fi textures, a gentle kick and handclap rhythm, and synths that swell like forgotten memories. The vocals shift from an intimate whisper—where you can almost feel the air in the room—to a huge, reverberating chorus that cuts deep. It's a poetic meditation on the space left by a lost connection, capturing the feeling of holding onto small objects and echoes when the "forever" you built was just an "empty frame." Perfect for when the silence demands a song. 💔

Frame's Empty

작사, 작곡, 편곡: zunhozoon

눈 딱 감고 열 밤이 지나면
늘 그리던 그 밤이 올 거야
더는 누구도 사랑하지 않아
나는 더 이상 아름답지 않아

난 대체 누구야
살아있지 않아 
아홉째 밤에 날 
누구든 어디든 멀리 데려다 
놔줄 수 있을까 

이젠 모르겠어 난
니들이 하는 장난과
섞이고 싶은 마음이 난 
전혀 없네 
그래 감당하긴 힘들지라도 남몰래
숨 쉴 곳을 찾아가 헤매
오늘 밤에 나의 미담은
전해지지 않아

난 대체 누구야
살아있지 않아 
아홉째 밤에 날 
누구든 어디든 멀리 데려다 
놔줄 수 있을까

결국 우리는 아홉째 되던 밤
마주 앉아서 손짓을 했지만
왜 이제야 내 마음에 온 거야
나는 더는

살아있지 않아

난 대체 누구야
살아있지 않아 
아홉째 밤에 날 
누구든 어디든 멀리 데려다 
놔줄 수 있을까

After 10 Days

This album was recorded to tape, produced, and mixed by Bobby MacIntyre at Studio 71 in Miami, FL.
Artwork by Amit Swissa.

Impel

Parking Lot

Produced and engineered by Matthew Lewin.
https://www.matthewlewin.com/

Heart on Hype Machine: http://bit.ly/2os9arb

Stream on Spotify: http://spoti.fi/2EZsjLE
Stream on Apple Music: https://apple.co/2sOk8g2
Buy on Amazon: http://amzn.to/2EMrWAJ

Lyrics:

It’s in the light that you left him
It’s in the light that you left on my door in the morn, and I know why
But, you don’t know me like that, no

It’s in the light that you left him
It’s in the light that you left on my door in the morn, and I know why
But, you don’t know me like that, no

‘Cause it’s the only thing I wanted when I had it in the morning, so
Girl, it’s the only thing that’s stopping me and I don’t ever want to say no

Because it’s too late, you’re too late about it
Tell me how it was when you were younger
And though I don’t wait, no, I can’t wait around it
Tell me how it was when you were younger

It’s in the light that you left him
It’s in the light that you left on my door at the morgue, and I know I died
But, you don’t know me like that, no

‘Cause it’s the only thing I wanted when I had it in the morning, so
Girl, it’s the only thing that’s stopping me and I don’t ever want to say no

Because it’s too late, you’re too late about it
Tell me how it was when you were younger
And though I don’t wait, no, I can’t wait around it
Tell me how it was when you were younger

I don’t know why I didn’t mind
So, tell me how it was when you were younger
I don’t know why I didn’t mind
So, tell me how it was when you were younger
I don’t know why I didn’t mind
So, tell me how it was when you were younger
I don’t know why I didn’t mind, no

The Hails are:
Vocals - Robbie Kingsley
Guitar - Dylan McCue
Guitar - Franco Solari
Bass - Andre Escobar
Drums - Zach Levy

Younger

Love Is Gone Acoustic is finally here!
@itsdylanmatthew

Stream/Download: smarturl.it/gv018

@slanderofficial
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@gudvibrations

Stream/DL

LOVE IS GONE FT. DYLAN MATTHEW (ACOUSTIC)

Follow Eric Ryan & Julles on Social Media!
https://www.instagram.com/ericryanpascual

https://www.instagram.com/waitwhosjulles

Lyrics:
8PM ridin' down just to see ya
Highway's a little busy girl but I'll be there
My heart's pounding right out my chest
I can feel it
I can feel it
Feel it beating

Baby girl you look so fine from your pictures online on your tinder profile but
I wanna know what's on your mind
Do you waste all your time overthinking inside like me?
Tell me your dreams
Fears & ambitions in life that you seek
Girl I wanna know your favourite place to eat
Only good times & adventures with me, it's

8PM ridin' down just to see ya
Highway's a little busy girl but I'll be there
My heart's pounding right out my chest
I can feel it
I can feel it
Feel it beating

I'd run miles and miles just to see you
You could say you take my breath away
You're something I can't replace
Just to hear you say
Calling my name
makes me hope you feel the same way about me
We wait and see what we can be

Every time I see your face, I can't escape what I'm feeling
Every time I hear your name, I can't escape what I'm feeling
Every time I see your face, can't escape what I'm feeling
Every time I hear your name, I can't escape what I'm feeling

8PM (Cuffing Szn) Feat. Julles

8PM (Cuffing Szn) [feat. Julles]

This account here isnt for promotional purposes. Its just simple placeholder and a showcase for our internal group. Its not meant to be "marketed" in soundcloud. We also DO NOT SEEK ANYONE'S ACKNOWLEDGEMENTS HERE. If u like what u hear? Cool. Or else? Still cool =)

60% of the songs here have been AI aided in the production phase but one thing remain constant here, the chords used, the lyrics, the tune are all original. We record one Verse/PC/C, and then allowed the AI to "gacha" to complete. Some minor inconsistencies are edited by DAW. None of the songs on this channel here are finished complete productions. By doing this, we can ready a sample in less 3~4 days. If u still do not understand how wonderful this is for busy people with day time job, then good for u. Which means u have already ascended to the level that u make a huge killing from producing music =) 

Our group have lawyers, engineers, doctors and even ecologist etc. So its pure hobby for now but we are planning for bigger things. Afterall, many of the music on this channel are pure nostalgia from the 80s to 2010s. We recreate songs that we crave since more than half the group are boomers. =[

So no. Dont have to like the songs. =) We aint here to hunt for likes. We have other motives in our own production circle for 2026.