Piano in G-Flat Major

光り輝くものに

■歌詞
どうせいつもの　パターンなんだろう
輝く星には　なれないんだろう
そもそも何で　なりたかったんだろう
思い出せないや　もうどうでもいいや

情熱なんかアスファルトの熱で蒸発してしまって
後に残るのは虚しさと　くたびれたスニーカーだけさ

ああ　この世界がもしも　平等に出来ているのなら
ねぇ　もう少しこの僕に　光り輝く才能をくれないか


どうせいつもの　空回りなんだろう
わかってるのに　何で悔しいんだろう
わかっているから　悔しいんだろう
わかってしまった　自分がいるんだろう

エースで四番にもしなれたら　格好よかったね
頭で思い描く自分がね　あまりにもまぶしすぎて痛い

ああ　僕が求めるものは　あまりに自分勝手すぎる
ねぇ　この瞬間にも　大変な事が起きているのに


晴れた日に　揺れていた　Tシャツが　懐かしい
忘れていた　純粋な　楽しさ　また歩き出そう

To something that shines

■ Lyrics (Google Translate)
To something that shines

I wonder if it's the usual pattern anyway
I wonder if it can't be a shining star
I wonder why I wanted to be in the first place
I can't remember, I don't care anymore

My passion has evaporated due to the heat of asphalt
All that remains is emptiness and tired sneakers.

Oh, if this world is made equal
Hey, can you give me a little more brilliant talent?


I wonder if it's the usual idle
I know, why am I regrettable?
I'm sorry because I know
I wonder if I am

It would have been cool if I could become the fourth batter with Ace.
I envision myself with my head, it hurts because it's too bright

Oh, what I want is too selfish
Hey, even at this moment, something serious is happening


I miss the T-shirt that was shaking on a sunny day
Forgotten pure fun Let's start walking again

光り輝くものに

Night Falls

Once I had a dream of us and all that it could be
now underneath the memory of the trees

My eyes woke to the barren branches holding their few leaves
longing for days of Springtime company

When the night falls and the moon cast her lonely spell on me
I will dream
When the night falls and the river is crying to the sea
I will sing

The birds were singing joyfully, the flowers to the bees
why must they come to only have to leave

And underneath the fallen snow our grounds of fertile dreams
now lies within the hope of tender seeds

When the night falls and the moon cast her lonely spell on me
I will dream
When the night falls and the river is crying to the sea
I will sing

When all that's left the trees confess, the falling leaves taking their last breath
The hills like arms, a gentle crest, now casting lonely shadows of our loneliness

When the night falls and the moon cast her lonely spell on me
I will dream
When the night falls and the river is crying to the sea
I will sing

Keri Johnson's Album

Night Falls

Just won’t burn

While I Was Polishing My Guitar

🎬
https://youtu.be/64X7vB01fZk

The fair wishes bloom,
And wither down again,
And bloom and wither again -
So it goes to the grave.

That I know, and that dims
All my love and pleasure;
My heart is so wise and witty,
And bleeds away in my breast.

Die holden Wünsche blühen,
Und welken wieder herab,
Und blühen und welken wieder –
So geht es bis ans Grab.

Das weiß ich, und das vertrübet
Mir alle Lieb und Lust;
Mein Herz ist so klug und witzig,
Und verblutet in meiner Brust.

Video 🎬

evanescence

Avi Loeb is no stranger to controversy. The prolific Harvard University astrophysicist has produced pioneering and provocative research on black holes, gamma-ray bursts, the early universe and other standard topics of his field. But for more than a decade he has also courted a more contentious subject—namely, space aliens, including how to find them. Until relatively recently, Loeb’s most high-profile work in that regard was his involvement with Breakthrough Starshot, a project funded by Silicon Valley billionaire Yuri Milner to send laser-boosted, gossamer-thin mirrorlike spacecraft called “light sails” on high-speed voyages to nearby stars. All that began to change in late 2017, however, when astronomers around the world scrambled to study an enigmatic interstellar visitor—the first ever seen—that briefly came within range of their telescopes.

The object’s discoverers dubbed it ‘Oumuamua—a Hawaiian term that roughly translates to “scout.” The unavoidably cursory examinations of this celestial passerby showed it had several properties that defied easy natural explanation. ‘Oumuamua’s apparent shape—which was like a 100-meter-long cigar or pancake—did not closely resemble any known asteroid or comet. Neither did its brightness, which revealed ‘Oumuamua was at least 10 times more reflective than one of our solar system’s typical space rocks—shiny enough to suggest the gleam of burnished metal. Most strangely, as it zoomed off after swooping by the sun, the object sped up faster than could be explained by our star’s waning gravitational grip alone. Run-of-the-mill comets can exhibit similar accelerations because of the rocketlike effect of evaporating gases jetting from their sunlight-warmed icy surfaces. But no signs of such jets were seen around ‘Oumuamua.

To Loeb, the most plausible explanation was as obvious as it was sensational: taken together with its possibly pancakelike shape and high reflectivity, ‘Oumuamua’s anomalous acceleration made perfect sense if the object was in fact a light sail—perhaps a derelict from some long-expired galactic culture. Primed by years spent pondering how we might someday find evidence of cosmic civilizations in the sky’s depths, he became increasingly convinced that, with ‘Oumuamua, the evidence had instead found us. In late 2018 Loeb and his co-author Shmuel Bialy, a Harvard postdoctoral fellow, published a paper in the Astrophysical Journal Letters arguing that ‘Oumuamua had been nothing less than humanity’s first contact with an artifact of extraterrestrial intelligence.

The paper has been a smash hit with journalists but has fallen flat with most of Loeb’s astrobiology-focused peers, who insist that, while strange, ‘Oumuamua’s properties still place it well within the realm of natural phenomena. To claim otherwise, Loeb’s critics say, is cavalier at best and destructive at worst for the long struggle to remove the stigma of credulous UFO and alien-abduction reports from what should unquestionably be a legitimate field of scientific inquiry.

The observations suggest this unusual object had been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our star system.

“For decades we’ve theorized that such interstellar objects are out there, and now―for the first time―we have direct evidence they exist,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, in November 2017.

Immediately after its discovery, telescopes around the world, including ESO’s Very Large Telescope in Chile, were called into action to measure the object’s orbit, brightness and color. Urgency for viewing from ground-based telescopes was vital to get the best data.

Oumuamua (First Contact Album Version)

Come and drink the Amaro Cacao with us.  The complete album in one single track.  This is the recommended experience, enjoy -- and thanks for visiting this part of our mind -- through listening... you're most welcome.
https://youtu.be/20WSrXE7xwI

Amaro Cacao:
1. October 21st, 1940 (2:36)
2. Three A.M. Lounge Intro (0:57)
3. Foray Into Genre, Inc. (9:37)
4. Amaro's Theme, Pt. 1 (0:20)
5. Experience (6:19)
6. T.B.T.V.B.B.S.M.E (2:53)
7. Amaro's Theme, Pt 2 (0:16)
8. Both Men Knew They Were Cacti (2:24)
9. Liandam (5:05)
10. The Dream of the Purple Maiden (8:52)
11. Esme Veronique, Verna, and Fito, the Scotland Yard Freshman (5:26)
12. Terrace Days (A Kind of Outro) (0:41)
13 T.B.T.V.B.B.S.M.E (Reprise) (5:44)

Amaro Cacao [FULL ALBUM]

i cant stop doing these drugs i dont ever wanna be sober (slightly prod me)

All instruments and programming Steve Matthews


Orca

Fall 2019
A soundscape for a landscape.    -   Swedish Lappland

Synthesizers:
Moog model D
Moog Voyager XL
Moog sub 37

光り輝くものに

kensuke kotori