#seattlemovement #34

trip

If you like the instrumentals (Afro-funk, Ethiojazz, Afrobeat and Soul) and groups like Budos Band, Menahan Street Band, Akalé Wubé, El Michels Affair and the legend Mulatu Astatke enjoy my collection

Kumasi Walk (Best Instrumentals Afro-funk, Ethiojazz, Afrobeat and Soul)

polyrhythmics

December 2015

funky jazzy beaty world music for all peoples ears

Its a funky world

killer shit

Death fez 2015

out now on Colemine Records! get it here... http://coleminerecords.blogspot.com/p/online-store.html

Billy Edwall - Trumpet
Michael Armstrong - Trombone
Joe Harrison - Tenor Sax/Flute/Percussion
Jesse Audelo - Baritone Sax/Bass Clarinet
Tim Felten - Electric Piano/Farfisa Organ
Dillon Casey - Guitar
Louis Valenzuela - Guitar
Tim McNalley - Bass
Jeff Wilson - Drums/Shekere
David Castañeda - Congas/Güiro

Produced and mixed by Tim Felten & Joe Harrison at the Kitchen in San Diego, CA.

Additional mixing by Parker McAnnally.

Mastered by Gil Tamazyan at Capsule Labs.

M.T.A.

Orpheus

I Spy Part 1

Lead track from the new EP - Enter The Dragonfly - Out 03/04/14

Available physically and digitally at: music.papachango.com.au


Enter The Dragonfly

Cametá, a historical little Amazonian town on the shores of the river Tocantins, is the birthplace of the scorching music known as “Siriá”; a cross pollination between the music of the inhabitants of the quilombos, a Brazilian hinterland settlement founded by escaped slaves of African origins, and the indigenous people of the Amazon rainforest. It is a breathing, pulsing, emphatic beat, and the modernised version of this local music, created by Mestre Cupijó, has been igniting street parties and traditional festivals across the state of Pará in Northern Brazil for decades. And at last in 2014, the combustible sound of Siriá will be celebrated internationally as the feverish, tropical sound of the summer!

Foretelling his talent to flow between cultures, Cupijó was named after a local river when he was born in 1936, into a family of musicians. His father, Mestre Vicente Castro, was also known as Mestre Sicudera, the musical director of Centennial Euterpe, one of Brazil ́s oldest bands, founded in 1874.

At 12, Cupijó started to play the clarinet. He also became proficient at the piano, mandolin and guitar, although the instrument that came to personify his sound was the alto saxophone. Waltz, bolero, cha cha cha and an assortment of dance hall music became part of Cupijó's repertoire, but it was Carimbó and Siriá, the music played by the black communities of Pará, that had the strongest impact on the young musician.

To grasp the soul of this music, Cupijó went to its source and lived with the quilombolas (maroon) community of the Amazon. Upon his return, enriched by this life-changing experience, he founded the band "Jazz Orquestra os Azes do Ritmo" with the goal of reinventing Siriá and modernising Samba de Cacete, Banguê and other folkloric music of the state of Pará. Airwaves from the Caribbean and Latin America had also brought the cumbia sound of the mighty Colombian orchestras, Merengue from the Dominican republic and Cuban music to the Amazon, all of which had an impact on the music of Northern Brazil, Mambo especially! Mestre Cupijó took these influences and mixed them in with the ingredients he had studied in the Quilombos. That fusion – as we are witnessing on this record – had explosive effects.

His fresh new sound became the soundtrack to Cametá's legendary Carnival and soon his troupe were invited to other festivals along the river. Transportation to these concerts was via small boats, where three or four musicians would share a vessel with their instruments tucked between their legs. In those days there were no posters or radio adverts to promote the shows in any way, yet Cupijó’s shows became notorious. In an interview one of his band members explains: "Whenever there was a party – on a Saturday for example – and it was known that Mestre Cupijó would play, the news would spread incredibly fast, just by word of mouth. We didn’t understand how that was possible, but it certainly was amazing."

After the initial wave of enthusiasm, the first two LPs were recorded with rudimentary equipment in a dance club in Cametá. However, it was the third attempt, recorded in a studio in Belém, which would trigger a phenomenal success. "Caboclinha Do Igapo" and "Mambo do Martela", included on this record, became instant hits. A year later, "Mingau de Açai", one of Cupijo ́s most popular tunes, took the region by storm. In total six LPs were recorded by Mestre Cupijó.

He then created "Concurso de Musicas Carnavalesco de Compositores Cametaenses”, a contest for carnival music composers. The songs composed expressly for these contests in the 70s are still performed today during carnival season. In addition to evolving the Pará music culture in this way, he also owned a makeshift soundsystem, "Musicolor", to spin the discs of local artists before his own shows to the frenzied crowds. Mestre Cupijó proved himself a philanthropist as well as a conductor for the people’s music, and acted as a provisional lawyer for the city of Cametá, specialising in help for the poor. He also had a short spell in politics and was elected by a vast majority to the station of Municipal Councillor of Cametá.
Master Cupjó, the pillar of Pará's festive culture, and a humble pop icon who was ushered prominently into the country’s history books, passed away on 25 September 2012, at the age of 76.

We at Analog Africa are ferociously proud and honoured to have the chance to present these carefully selected tracks from Mestre Cupijó’s six studio albums. We hope that his music captivates you with the magic and bewilderment that is has us. We recognise his compositions as true anthems of life and vitality, vibrantly encouraging all to drink and dance until sunrise! Let go of your inhibitions and immerse yourself in the wonderful world of Mestre Cupijó........ Segura!!!



Caboclinha Do Igapo - Mestre Cupijó e Seu Ritmo (OUT NOW)

Fantastic mix made by my friend DJ/Producer Déni Shain, currently based in Mexico....spreading good vibes and excellent music. 

The songs used here were taken mainly from mastertapes found in Ghana, the others were recorded from obscure vinyls. Needless to say that half of these songs have never been heard before....feel free to download it, share it, play it...just funk it up !!!!! 

Enjoy it and spread the word !!
ps: Abraços and big love to Brasil...Saudades !!!

Buy Analog Africa here

Analog Africa Selection Vol.4 (2014) I Ghana Soundtrack  - Previously unreleased & Obscure tracks

Our tribute to our generous fans and the Crescent City as we embark on our first trip to New Orleans Jazzfest.  Written by The Meters. 

Cabbage Alley/Thank You

Features background vocal by Caela Bailey and Taryn Dorsey

from "Psychedelic Sanza 1982 - 1984 " comp
BUY :https://bornbadrecords.bandcamp.com/album/psychedelic-sanza-1982-1984

FRANCIS BEBEY - Blinta Madiallo "

Juventud flaca y loca - Lisandro Meza y su Combo Gigante

Pachanga Miramar - El Sexteto Miramar

Homegrown

Alberto Bustamante, a.k.a. Mexican Jihad, is originally from Oaxaca, Mexico. He is the creative director of N.A.A.F.I, his independent record label. He's currently developing the brand #MexicanJihad by doing DJ sets that include genre frictions and easy to dance music like perreo, Mexican club music and mainstream pop.
@Mexican_Jihad
http://mexicanjihad.tumblr.com/
naafi.mx

Tracklist:
​1. Horror Piano (LAO Tormenta Costeña Ha Mash) -Unknown Artist
​2. Comprendes Mendes -Control Machete
​3. Wiggle (Version Perreo Dj Bekman)
​4. Lo Vamos A Danzar (Perreo RMX) -Ivy Queen ?- DJ Bekman
​5. Mi Vecinita -Plan B
​6. Maldades -La Mafia del Amor
​7. Wudang (ZUTZUT & LAO reggaeton bootleg) -Fatima AlQadiri
​8. Vernáculo -Future Brown ft. Maluca
​9. Nuestro Combo Mixeo (CULO) -DJ Hate
​10. Mix Jhon Erick Edition Bachetera -DJ AZA
​11. 96 Rakata ?- House Party (Thursty Moore Mash-up) -Wisin Y Yandel & Meek Mill
​12. Perreo Mágico 4 La Mafia del Amor -LAO + Paul Marmota
​13. Préndelo -Tomasa del FT. Ceaese
​14. Buena Vida -Füete Billete
​15. Bossy Instrumental/Bossy-Kelis Ft. Too Short
​16. Lloren -Zonora Point ft. Marciano's Crew
​17. Tu No Lo Sabes -Jose Victoria Ft Manny LMP
​18. No Type (Spanish Version) -Gio El Androide

Head to http://i-D.co/es_mx to read his Slumber Session interview.

Connect to i-D's world! 
www.facebook.com/iDmagazineofficial
http://twitter.com/i_D
http://i-d.co




Mexican Jihad: Music To... Perrear (Tu gata es mi homi)

Listen to 44hydra anywhere: fanlink.to/44hydra

Follow 44hydra:

Tik Tok: vm.tiktok.com/TTPdS2Ua48/
Youtube: www.youtube.com/44hydra
Instagram: www.instagram.com/44hydra.mp3
Facebook: www.facebook.com/44hydra

Apple Music <3

Do Acid To This

Art of Sleeping - Voodoo(KUGA Remix)

@kugamusic
https://www.facebook.com/Kugamusic
https://twitter.com/kugamusic
http://www.kugamusic.com/

Voodoo (KUGA Remix)

Our eight One a Month single featuring Whitney Lyman, who wrote all the vocal parts and lyrics.

Beat as usual by Theoretics, copyright Theoretics 2015

Passionate Paradise feat. Whitney Lyman

artist: BIXIGA 70
album: III
order here: https://glitterbeat.bandcamp.com/album/iii

Five years after their inception, the Sao Paulo based Brazilian group Bixiga 70 continues to travel musically forward, only to find themselves more and more at home. 

The band’s aptly named third album, “III”, is a luminescent and energized admixture of Atlantic cultures. The album’s hyper-contemporary dialogue journeys between the sounds and rhythms of Brazil and Africa, and between the band’s ten musicians and their distinctive musical identities.  Their collective influences include jazz, funk and Afro-Brazilian music, and stretch further afield into dub and reggae, electronics, cumbia and carimbó, ethio-jazz and samba.

Bixiga 70’s “III” is a breathtaking rhythmic storm where inspired solos, harmony and dynamics, beats and improvisation all mesh together in vital and unpredictable ways. Spanning between a joyous danceability, a sharp sense of humor and committed political reflections, the life-blood of this ten-piece unit is instrumental music, but it is an instrumental music that speaks profoundly.

Self-produced by the band in their own studio in Sao Paulo (and mixed by Victor Rice) all the compositions on “III” are written and arranged by the entire Bixiga 70 collective. There are no liner note details: the process of creation is decentralized and acknowledges the importance of each musician in the room. The album was recorded live in the studio to further assure the depth of this collaborative spirit and to accentuate the intensity of the band’s sonic experiments.

Following the global attention garnered by their previous album 2014’s “Ocupai” (Mais um Discos), Bixiga 70 headed out into the world. Their musical travels to Europe, the USA and Morocco, as well as the many varied regions of Brazil (including the streets of Bixiga) have all left a deep mark on the sounds and visions of the new album

Throughout the nine tracks found on “III”, styles merge and original syncretisms come to life. The album shape shifts contemporary afro-funk, Moroccan cumbia, spiritual jazz, adapted afro-brazilian chants, Cuban blaxploitation, sounds from São Paulo’s Black Rio movement, Arabian dub, Malinké drumming, Angolan guitar music and traditional bamboo fife bands.

There is no doubt that Bixiga 70 is one of the guiding voices of Brazil’s contemporary instrumental music scene and their new album “III” clearly demonstrates why. 

They are a band that deftly searches for untracked and thrilling musical spaces to occupy. 

And most importantly, they are a band that succeeds in finding them.

Ventania

Bixiga 70 - Ventania

● Download on iTunes:  Coming Soon
● Download on Beatport:  Coming Soon

● Watch on YouTube:  http://tasty.network/1P20rE8
● Listen on Spotify: http://tasty.network/1L0tOVx

Make sure to follow Tasty's official Soundcloud account!

Sounds Tasty? Please consider clicking the [Repost] ↻ button!

Follow M-Cubed on the following sites:
● Facebook: http://facebook.com/mcubedmusic
● Soundcloud: http://soundcloud.com/mcubedmusic
● Twitter: http://twitter.com/mcubedmusic

Follow Tasty: 
● YouTube: http://youtube.com/tastynetwork
● Facebook: http://facebook.com/tastynetwork
● Twitter: http://twitter.com/tastynetwork
● Google+: http://google.com/+tastynetwork
● Soundcloud: http://soundcloud.com/tastynetwork
● Instagram: http://instagram.com/tastynetwork
● Spotify: http://open.spotify.com/user/tastynetwork

Tasty Music Usage Policy for YouTube & Twitch: http://tasty.network/1MSJvN0

Doing It Wrong

Free Download

M-Cubed - Doing It Wrong

oc·ta·gon
ˈäktəˌɡän,ˈäktəˌɡən/

A regular octagon is a closed figure with sides of the same length and internal angles of the same size. It has eight lines of reflective symmetry and rotational symmetry of order 8.  

This is no regular octagon.  This is Octagon Pt. 2 

A long, extended jam from the forthcoming Polyrhtyhmics LP, Octagon, a cinematic album that builds on the funk and afrobeat sounds of their previous work with psychedelic layers and fiery rhythms that will continue to get audiences out on the dance floor. 

LP available and ready for your turntable on Friday the 13th! (November, 13, 2015) 

www.kept-records.com


Polyrhythmics - Octagon Pt. 2

Although Los Angeles-based producer Matt Lange has been developing his own take on dark, driving, futurist house and techno for a half-decade now, the buzz around him kicked into overdrive after Mau5trap boss Deadmau5 publicly lauded his new material on Twitter and agreed to put out Lange's stellar album Ephemera, released this September. 

Now, THUMP has Matt Lange ON DECK, and the 50-minute selection is quite the dark journey. Bookended by Lange originals, the mix cheats a penchant for Drumcode with tracks by Sasha Carassi and Nicole Moudaber alongside tunes from Scuba and Oxia. 

THUMP // Matt Lange ON DECK

STREAM

Ocean Eyes

https://twitter.com/billie_eilish
https://www.instagram.com/wherearetheavocados/
https://www.facebook.com/billieeilish/
https://soundcloud.com/billieeilish

open.spotify.com/artist/3EpmmPtV7DduqNmeqaADIm

 https://itun.es/us/8s4__?i=1073710609

 https://itunes.apple.com/us/album/ocean-eyes-astronomyy-edit/id1073710268?i=1073710609 

astronomyy.co

twitter.com/astronomyy
instagram.com/astronomyy
youtube.com/astronomyyy
facebook.com/astronomyyyy

lunar surf merchandise now available to purchase online: lunarsurf.co

Ocean Eyes (Astronomyy Edit)

Track was released on goodgroove records. The Regrooved Series IX . It raised up to No. 1 in the breakbeat charts at junorecords.

Funktomas - How G Is The Party (Goodgroove Records)

Word of Mouth

01 Peligrosa by Grupo Fantasma

The award-winning debut CD from Chopteeth Afrofunk Big Band.  More info:
http://www.rockpaperscissors.biz/index.cfm/fuseaction/current.press_release/project_id/400.cfm

No Condition Is Permanent

Menahan Street Band - The Crossing

Date Nite (Tall Black Guy Remix)

instrumental spychedelic funk from Turkey...&#13;
&#13;
ALPMAN taps into instrumental psychedelic moods and funk-inspired grooves to create a whole new genre dubbed instrumental spychedelic funk. The a-side, “tintm,”is a break-filled track, and although this is not Turkish music, the fuzzed-out bağlama inspired guitar riff cannot be unheard as it carries things to an absolute hypnotizing groove. &#13;
&#13;
get the 45: http://keptrecords.bigcartel.com/product/kpt-103&#13;
&#13;
get the digital download: http://kept-records.bandcamp.com/album/tintm-b-w-hypnotic-redhead&#13;

Alpman - KPT 103A - tintm

The Jungle Fire band digs deep into afro/latin funk with an approach that is both authentic and highly explosive! Comprised of musicians from the Los Angeles region, Jungle Fire pulls from only those who are dedicated to preserving, protecting and progressing LA’s funk and latin scenes. Members have performed with Stevie Wonder, Joe Bataan, Breakestra, Ozomatli, Quantic, Alice Russell, Celia Cruz, Orgone, The Greyboy Allstars and the list goes on. Summer of 2012 saw the release of Jungle Fire's debut vinyl 45 released on indie label Colemine Records, making big waves worldwide, to be followed by a second 7 inch this spring...

Grant Phabao is an amazing producer and multi-instrumentalist, recognized by many as 'the best sound engineer in Paris'. Backed by underground networker/A&R Djouls and designer Ben Hito, in the footsteps of his regular mixes on Paris DJs he's been putting out release after release every week for months already, relentlessly. A steady flow of singles and albums including collaborations with the most gifted musicians from the Afro/Reggae/Funk scene, including, Ebo Taylor, George Clinton, The Cactus Channel, Alice Russell, Shawn Lee, Franck Biyong, Lee Fields, Antibalas, The Souljazz Orchestra, The Lone Ranger, Carlton Livingston, Echo Minott, The Jays, The Silvertones and the list goes on. Summer 2013 should see the release of the Grant Phabao Afrofunk Arkestra album, following up on reggae albums from The Silvertones (feb 2013) The Jays (march 2013)…

Jungle Fire and Grant Phabao's musical universes collide with style & fashion on this brand new Paris DJs single featuring the magical keys of Guillaume Méténier aka Soul Sugar. The resulting combination is a unique 'Afrobeat meets Ska' concept, a blend of styles from L.A. to Paris creating a bridge between South America, Nigeria and Jamaica! An explosive dancefloor filler for sure.

"Love it, terribly effective, hope you'll press it on vinyl!" - Betino's Record Shop (Paris)

Credits
Remix, additional production and audio mastering by Grant Phabao
Organ by Guillaume Méténier aka Soul Sugar
© 2013 Jungle Fire / T.I.M.E.C. / Paris DJs

Released by:
Paris DJs
Release/catalogue number:
PARISDJS019-D
Release date:
20/2/2013
ISRC:
FR-2PK-13-00150

Original artwork by Ben Hito

Jungle Fire "Tokuta" (Grant Phabao Paris DJ's Remix)

Ikebe Shakedown, the self-titled album from the Brooklyn-based band, plays with elements of cinematic soul, Afro-funk, deep disco, and boogaloo in all the right ways.  After spending a few years together the group, named after a favorite Nigerian boogie record (and pronounced “ee-KAY-bay”), delivers a driving set of tunes featuring a mighty horn section anchored by tight, deep-pocketed grooves.

“Right now in cities across the globe, there are plenty of great Afrobeat revivalist bands aping the sound and groove of Fela Kuti’s legendary sound.  Yet, surprisingly few of the new groups have strayed from an orthodox interpretation of the genre or done much real innovation…Ikebe Shakedown is here to change that.  The band takes signature Afrobeat elements—big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from ’70s-style horn-driven funk”. – Marlon Bishop, WNYC

The Ikebe debut for Ubiquity Records sees the band push their globally-informed sound and eclectic approach to tune-writing into new territory. “Self-titling the album is a way to introduce the audience to the many facets of the band — to provide a more complete understanding of what we do,” bassist Vince Chiarito says.  “Our sound has grown to incorporate our influences without overtly representing any one in particular.  It just sounds like us,” he adds.

Most of the rhythm section met at Bard College, and the band rounded-out and officially formed when everyone settled in Brooklyn in 2008.  From there, Ikebe has emerged as a compelling voice on the progressive local scene.  After a run of dates around NYC, the band recorded their debut 7” single and the EP, Hard Steppin’, which was released on Colemine Records in 2009,receiving high praise from critics and fans alike.  The group was invited to record at Dunham Studios with producer Tom Brenneck and at Killion Sound in Los Angeles, home of engineer Sergio Rios of fellow Ubiquity act, Orgone.  “The studios share a lot of similarities — the tracks were all cut live to tape with minimal use of headphones and overdubs.  This basic approach allowed us to dig in and really focus on getting dynamic performances,” Chiarito explains.

The old school mentality to recording spills over in lush, laid-back, and soulful funk joints like “Kumasi Walk” and “No Name Bar,” where the multi-layered horn section plays off a cavernous backing track of slick drumming, spacey Hammond organ, and nimble guitar riffing.  The cinematic soul sound is warm and deep, with the 7-piece band sounding more like a larger ensemble as increasing layers leap from the tape.  At the other end of the BPM counter, on “Tunjunga,” the band build a gritty African disco jam boasting a floor-filling percussion section, adding seductive guitar licks and an irresistible bass-line to set the horns ablaze. “Tame The Beats” is pure fire — bold melodies and heavy rhythms propel the song, with Meters-esque breakdowns providing only brief respite from the action.

Kumasi Walk

From the album 'Stillborn Etudes', fourteen tracks of psychedelic future jazz from Manila's mpc master CALIPH8. 

'Stillborn Etudes' up now for free download or donation if you want to support the music. Enjoy.

http://dubtemplerecords.bandcamp.com/album/stillborn-etudes

******FREE DOWNLOAD******
http://www.mediafire.com/download.php?0l3v9u8l8wu4tda


Caliph8 - The Bop Thickens

NEW 2013 Jungle Fire- Firewalker: Afro disco fuzzrock. Released on Colemine Records 

Download!
http://junglefiremusic.bandcamp.com/track/firewalker

Download Itunes
https://itunes.apple.com/us/album/firewalker-single/id635017125


BUY VINYL LINK
https://www.facebook.com/Colemine45?fref=ts

NEW 2013 Jungle Fire- Firewalker: Afro disco fuzzrock. Released on Colemine Records

DIRECT VINYL BUY LINK
www.facebook.com/Colemine45?fref=ts

500 PRESSING 100 limited edition RED vinyl 45 rpm

2012 saw the release of JUNGLE FIRE's debut vinyl 45 released on indie label Colemine Records, and has been lauded by the likes of DJ Gilles Peterson Worldwide BBC 1 radio, Dj Rich Medina, Dj Bobbito Garcia, Dj Spinna, Jeremy Sole KCRW, DJ, Mark NuMark, DJ Cut Chemist,and many others worldwide!

The JUNGLE FIRE sound digs deep and resurrects classic afro/latin funk music with an approach that is both authentic and highly explosive!. Members have performed with Stevie Wonder, Joe Bataan, Breakestra, Ozomatli, Quantic, Alice Russell, MDCL, Simple Citizens, Celia Cruz, Orgone, The Greyboy Allstars and the list goes on. Keep a watchful eye out as JUNGLE FIRE continues to scorch dance floors and heat up clubs across the nation!

Recorded at Killion Sound by Sergio Rios via Tascam 388
Members	The JUNGLE FIRE family:

Steve Haney - Congas, Bata 
Alberto Lopez - Timbales,Bongo
Sam Halterman - Drums 
Judson McDaniel - Guitar 
Joey Reina - Bass 
Sean Billings -Trumpet 
Sam Robles - Baritone Sax 
Otto Granillo- Trombone

Jungle Fire - Firewalker

All streams are 128kps mp3. Please support your favorite labels. 

Purchase on iTunes - https://itunes.apple.com/us/album/moon-people-remixed/id621560033

Everyone loves the Sun… some love the Moon too! A few Moonlighting DJ/ Producers, inspired by the original Moon People album (released June 2012) set out to take the songs for another turn in space.

Here we have Ancient Astronauts remixing the title song featuring The Real Live Show & Kathrin deBoer (Belleruche) into a straight ahead Hip-Hop groover. Los Angeles producer Yukicito took "Mirage" deeper in the desert over to Mauritania & Nigeria with nice live horns, while Canadian house producer Rise Ashen follows up with 2 deep 4 to the floor remixes of "Peaceful Island Life" for the late night. Also included are the Ancient Astronauts instrumental and a special bonus instrumental version of "Alekuban" from the album. Enjoy!

Moon People Remixed

Moon People (Ancient Astronauts Remix) [Instrumental]

Nickodemus - Moon People (Ancient Astronauts Remix Instrumental)

record label&#13;
&#13;
embalmed sounds for your listenin' &amp; dancin' pleasure&#13;
&#13;
// Funk. Afro. Grooves. Brass // &#13;
&#13;
KPT - 110&#13;
Brownout - La Raza b/w Arabeesh&#13;
&#13;
KPT - 109&#13;
Breakdown Brass - Harrow b/w Nautilus (Hijacked)&#13;
&#13;
KPT - 1002&#13;
Polyrhythmics - Octagon (LP) &#13;

KPT - 108&#13;
Polyrhythmics - El Fuego b/w Mendo Mulcher &#13;
&#13;
&#13;
KPT - 107&#13;
Breakdown Brass - Monmouth b/w Next Episode&#13;
&#13;
&#13;
KPT - 106&#13;
Freak Motif - Killin' Me (vocal) b/w Killin' Me (instrumental) &#13;
&#13;
&#13;
KPT - 1001&#13;
Polyrhythmics - Libra Stripes (LP) &#13;
&#13;
KPT - 105&#13;
Hard Proof - Dragon b/w Tere &#13;
&#13;
KPT - 104&#13;
Polyrhythmics - Bobo b/w Moon Cabbage&#13;
&#13;
&#13;
KPT - 103&#13;
Alpman - tintm b/w Hypnotic Redhead&#13;
&#13;
KPT - 102&#13;
Brownout - Flaximus b/w I Won't Lie&#13;
&#13;
</a>&#13;
&#13;
&#13;
KPT - 101&#13;
Polyrhythmics - The Imposter b/w Klompton&#13;

Polyrhythmics - Octagon Pt. 2

Kept Records