Héctor Medina y Daniel Requena conforman Guasak4, un duo de cuatristas venezolanos que exaltan la música de su país y latinoamérica a través de su instrumento. Twitter: @Guasak4

Booking:
-https://www.facebook.com/ZepGohard
- zephyr_dsr@hotmail.com 
- zepgoletsgo@gmail.com
- https://www.facebook.com/Digital-Murders-113251298721902/?ref=hl

ZIKALI is a collective of composers and sound designers working on severals visual projects. 

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Travailler avec le collectif Zikali, c’est disposer d’un très large panel d’esthétiques sonores et musicales pour donner vie à vos projets. Mais c’est surtout l’opportunité de créer un univers original, une identité sonore sur-mesure pour transmettre vos valeurs et raconter votre “histoire”.
Au sein de chaque création audiovisuelle, nous considérons le sound design et la musique comme des vecteurs primordiaux de sens et d’émotion.

Musica experimental, intencionando generar un viaje auditivo.


https://www.youtube.com/channel/UCSGSMzRDJQO70KQz3ZDZOPA
http://salmonelladub.com/store/
Check: http://salmonelladub.com/ 
https://www.facebook.com/SalmonellaDub/

Salmonella Dub began in 1992 crafting their name from the “bad-taste” dub cover versions of songs they used to break the ice amongst their original tracks in their early sets. In ’90s New Zealand, dub/roots/reggae freak-outs weren’t entirely in vogue — grunge and dance music held sway — so Salmonella Dub would use lighthearted covers of Nancy Sinatra, The Orb’s Little fluffy Clouds, plus Public Enemy and Fred Dagg’s “Larry Loves Barry” to win over skeptical audiences.

In the early ’90s, New Zealand’s liquor licensing laws changed, allowing pubs and clubs to stay open late and revitalizing the country’s live music scene. Members of the band then called Golf Course Alligators seized this opportunity and, in late 1992, Andrew Penman (guitar), Mark Tyler (bass), and Dave Deakins (drums) became Salmonella Dub. In the early days they lacked money for a sampler and used DIY solutions by hooking up an on/off foot pedal to the motor of a cassette player in order to drop samples by foot in real time from tape on stage. These samples would come from whatever was on the TV at the time, whether it was the news or a Cheech & Chong movie. Lacking the funds for cassettes, they raided the bins of a record store and found discarded copies of Teenage Mutant Ninja Turtles albums that served as their early tape stock.

To prepare for their first, self-titled album in 1994, Peter Wood (trumpet, keyboard) and Conan Wilcox (saxophone, percussion) were invited to join the band. Salmonella Dub was released through the independent label Curious Records. Following quickly from this album the band released Dub Tomfoolery a 7 track EP with mixing contributions from Mike Hodgson of Pitchblack.

Soon afterwards, Wood left the band, moving to Auckland and getting a job to pay his student overdraft. Around this time Penman made contact with David Harrow (ONU sound) through Grant Fell of the Headless Chickens. Harrow was employed to work on their next EP THC Winter the band’s first foray into Jungle and DnB in 1995.

More here: http://salmonelladub.com/history/

Flipping records till smoke come out ...
https://linktr.ee/linkrust
member of the great @tourdemanege crew

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