Inland Knights Vol 1

Souldoubt

E-Smoove & Ron Carroll – Take Me Up

Label/Cat#: Body Music – BM801
Country: US
Year: 2000
Genre: Electronic
Style: House, Deep House
Format: Vinyl, 12", 33 ⅓ RPM

Tracklist
A1 – Take Me Up (E-Smoove's Church Vocal)
A2 – Take Me Up (E-Smoove's Church Dub)
B – 5am (The Afterhours Anthem)

More information: http://www.discogs.com/release/142461-E-Smoove-Vs-Ron-Carroll-Take-Me-Up

E - Smoove Vs. Ron Carroll - Take Me Up (E - Smoove's Church Vocal) (2000)

Hidden Agenda - Story Of My Life (Snazzy Trax Remix)

B2 Kool Vibe - Manhattan Sunset

Buy the album via iTunes: http://geni.us/20YearsHenryStreet
Incredible as it seems, this year marks twenty years since the launch of Johnny D’Mairo’s Henry Street Music label. To celebrate, BBE is marking the occasion with a sumptuous five- disc CD retrospective, a fitting tribute to one of the most important of all house labels. This is one of the most extensive grand summations yet done of a dance label.
Henry Street Music exemplified its era as much as Trax and Nu-Groove had theirs. Come the mid-‘90s, the disco cut-up became ubiquitous, as thousands tried to emulate the success of Henry Street’s first big killer, The Bucketheads’ Tha Bomb –still a dancefloor staple two decades on.
Many of the movers and shakers of the day had their best moments on Henry Street, and they’re all here: Johnnick, Armand Van Helden, DJ Duke, DJ Sneak, Dirty Harry, Davidson Ospina, Todd Terry, Mateo and Matos, Brutal Bill, Josh Wink, even the UK’s own Ashley Beedle, and many more –a veritable roll-call of the premiere-league of dance at the time, an era when dance music still seemed incredibly fertile and the link with its own past was still vital.
Some of the American originals can struggle to get props among the countless mutations of house out there vying for attention in today’s digitalized dance scene, but the real house-heads always knew to check them, and will recognize this as quality product, through and through.

Henry Street (named after Brooklyn homeboy Johnny’s neighbourhood) always had a ‘New York’ vibe, and even when drawing its producers from further afield, the label encapsulated the city’s melting-pot of talent and raw, bristling energy... energy captured here, and exploding off these remastered tracks like it’s 1999 all over again!

Alongside the massive dancefloor anthems from the likes of Kenny Dope and Armand Van Helden are some real gems that got away, some exclusive mixes, and the thoughts of Johnny D, one of the prime-movers of the New York dance scene even before he came up with his own label, responsible for countless hits as promotions man and as dance A&R at Atlantic. Never one for the limelight, Johnny’s own story is nonetheless inextricably bound up with the transition from disco through house to the ubiquity of dance music today.
So... dust off those dancing shoes, and get ready to feel the heat, it’s one more time for the Henry Street Hustle!


Todd Terry presents Fingertrips - I Thought Your Love

Selection (Dont Stop)

I Sleep Better

Alexander - JUST JOY

It's You

It's You (Kaoz 6:23 Club Mix) [feat. Dee Dee Brave & Freddy Turner]

I've Got These Beats EP

I Gotta Go

Enjoy ❤️
For the love of MUSIC, for the love of HOUSE!
DJ Rasoul Feat. Shanan - Let Me Love You

DJ Rasoul Feat. Shanan - Let Me Love You (Until The Morning Blend)

Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com